Miyazaki's Lupin 

FLASHING LIGHTS WARNING: 05:08 - 05:13 , 09:37 - 09:41

About Miyazaki and Zenigata -- there's an interview with Mamoru Oshii where he claims that, yes, Miyazaki absolutely loved Zenigata, and that the staff thought the two were incredibly alike and often compared them to each other.

Miyazaki with Lupin feels like a well-intentioned but overbearing father. He did help point Lupin in a good direction, but it was still done in an effort to make Lupin turn out as somebody he wasn't. Lupin just wants to steal stuff and Miyazaki's like "you're going to be a doctor!"

Of all interpretations of the character, I think Miyazaki Lupin is my favorite. He still has the raunchy goofiness of any Lupin, but is exactly more of the “gentleman thief” the community makes him out to be and isn’t a complete degenerate like other interpretation’s. Sure he’s not perfect, far from it, but he tries to be and that what makes him all the more realistic and I adore it. It may not be manga source material accurate, but I’m still all for it.

26:23 one of my favorite aspects of zenigata being the moral compass is how over time Lupin and the gang really seem to love and care about the guy and develop and odd little unconventional friendship with him. To the point where we routinely see lupins moral compass become symbiotic with zenigata. There are some things zenigata considers unforgivable and also has his ideas about lupins code. There’s things he’s certain that lupin would never do because lupin is “better than that”. Maybe you could argue that lupin trying to live up to Zenigatas noble expectations of him softened lupin over time. And we see lupin genuinely deeply distressed in part 2 when zenigata thinks lupin has become a serial killer and is just disgusted and disappointed in him. The idea that one of the in-universe limitations to lupins crimes (a man who is often shown to be limitless with his skill) is his fear or letting Zenigata down is so GOOD to me. Although I’ve noticed and agree Zenigata has a sort of lovers / rivals dynamic with lupin. I can’t deny this is where zeni goes into dad mode. Raising his four adult thief children to be better people lmao

WE GOT A RICH WIDOWER WITH A HEART CONDITION!! This was a beautiful essay, thank you so much for making it.

I still cannot fathom why Bennett the Sage thought the revelation that Lupin forgot about Clarisse saving him ten years prior to "Cagliostro" was an unnecessary plot point. Your essay did a really good job on articulating why it's part of the crux of the film - although I'm a huge Lupin fan largely because of all the different creative choices applied to it, "Cagliostro" (along with "The Great Silence") is one of my all-time favourite movies because of the psychological complexity it gives to Lupin himself.

I absolutely loved your essay. How brilliant. I personally love snot nosed Lupin as much as the next guy, but Miyazaki’s Lupin, holds a very personal spot in my heart. I like to think the castle of cagliostro is Lupin’s very last major heist before he retires. I don’t think he’d ever settle in a quiet village somewhere, but maybe he finally gets a place of his very own where his colleagues can rest their heads with him. There’s something so sweet and satisfying to me about Lupin not necessarily becoming a good person, but becoming better and kinder to especially his friends. I appreciate a deep take on Lupin like this because I feel like Lupin is often dismissed as ‘silly thoughtless fun’ when it has the potential to really make you think and feel.

Fun fact for those unaware. Lupin III creator Monkey Punch, despite liking the film, had issues with it over the characterisation of Lupin as he didn't like the idea of him being a hero. In fact he'd even stated "I wouldn’t have had him rescue the girl, I would have had him rape her!" (yes that is an actual quote from him). He later stated that he enjoyed the film from a distance. A lot of the fans at the time and even some today dislike the film due to it's portrayal of a significantly softer and more heroic Lupin.

As much as I love and appreciate Miyazakis work in the franchise, I personally always favored more aggressive/asshole versions of him. I think the modern series have struck a good balance between hero Lupin and asshole Lupin. But what I do really appreciate is Miyazakis work for Zenigata and Fujiko.

One cool way that "Zenigata is Lupin" twist clues you in on itself, is that when Lupin disgiused as Zenigata see the robot for the first time he excitedly compares the flying macine to Superman. Earlier in episode 90 we learn that Lupin is a big fan of Superman because he won't stop going to the theater to see the movie, later in episode 94 Zenigata finds out about Superman, and doesn't like the concept of somebody having that much power. So from previous episodes we can tell right away that it's Lupin, because of their differing opinions on the character.

I just watched Castle of Cagliostro as my first Lupin anything 3 days ago and I'm already obsessed. This came at the perfect time. I wish you the best of luck with future essays and articles.

Zenigata really is the heart of the crew, I had never heard it put like that...

This video was incredible! As someone who has also gotten way way too into Lupin III, your analysis of Miyazaki's influence on the franchise was so so interesting!! I'd love to hear you talk about more Lupin in the future (and about other media too!)

Oh my god. You’re point about the gang constantly choosing the funniest solution because “this is kinda worth the extra effort.” has absolutely re-contextualised the whole franchise for me

This was fantastic, hope to see more! Castle of Cagliostro on DVD was the best Easter gift my mom ever accidentally got me and would later be the inciting incident for my entire college friend group. And we watched "Mystery of Mamo" a week later... There was alot of screaming. You can tell this vid was crafted with alot of love and it was a fantastic ride. Thank you!

I've been meaning to watch this ever since it released! Now that I finally have, I can say that you've done a fantastic job dissecting what makes Miyazaki's perspective on Lupin so special. You can argue that his work led to some big flanderization later on, but his version of Lupin feels a lot more personal than others have done with the character. I see a lot of a young Miyazaki himself in his Lupin; trying to maintain a grasp on that carefree, childlike wonder while still coming to grips with reality and adulthood. I think that's a big reason why he came back for Cagliostro and his Part 2 episodes; to reflect on the character now that he's a bit older and try to... grow him up, for lack of a better phrase. Amazing job with this video Delaney!

i’ve always felt like lupin III should best be seen as an interesting collection of artist interpretations and you pretty much put the words in my mouth on that note alone. you have monkey punch’s original vision along with osamu dezaki’s series of films, takeshi koike’s stuff in general, and miyazaki’s own perspective of how he sees lupin and whether or not it can really sustain a future. lupin at this point can never be the same again and everyone knows it, but i wouldn’t call that a bad thing entirely. that’s just how it’s been for a long time now

I don't think good art/story writing should ever be blamed for making the series worse. Miyazaki created his Lupin how he wanted, the fact that others copied him is not his fault. Those other writers and creators and artists are free to create their own comprehensive version of Lupin, and if they want to incorperate elements from previous versions, fine, but it's not Miyazaki's fault if they try to copy him and can't. This is why the phrase "write what you know" exists. If you don't know how to write a character excatly how someone previously did, don't, create a version you CAN write for. It's also not like anyone would necessarily care that Lupin's personality changes between movies or series, it already does, so who cares? Before i get any mad replies, this is more a comment on the general conversation about this, less directed at the video. I've seen this take for other shows and i just wanted to write my thoughts somewhere.

The screams overlaying the scene when Zenigata is groping made me bust out laughing. But in all seriousness that's true when Zenigata showed up in Fujiko's solo series and did that, I was like "ohhh........shit's going down. They've corrupted Zenigata. They're not playing", it honestly made me kind of sad. Also, this video is hilarious and informative, I look forward to more!! And if you only want to do Lupin vids till the end of time. I support you!! **OMG PLEASE MAKE THE FUJIKO VID YOUR NEXT ONE!!

Great essay!! I always suspected that Zenigata was Miyazaki’s favorite, but the connection you made about Miyazaki seeing himself in Zenigata 🤯 mind blown. I’d love to see your video on Don Bluth or The Woman Called Fujiko Mine, even if that show features the most cursed Zenigata.

RU-vid recommended this to me as a red jacket fan and Cagliostro lover. It took two minutes for me to laugh my ass off and understand I loved your humor and this was going to be a wonderful experience. I looked at your channel. And saw that it was empty aside from this essay and its trailer. I was flabbergasted. This is the most beautiful entrance onto RU-vid I've ever witnessed. Your essay convinced me to watch green jacket which I dropped after episode 1 - I had no idea it got that good. It showed me many ways through which I would have never imagined Miyazaki to influence the series but that make so much sense. I remembered how awful I felt reading chapter 1 of the manga and thinking how much more interesting the anime cast was - now, I know for sure who to thank. From the bottom of my heart, thank you for your hard work. I'll eagerly subscribe and wait months for anything you produce. And perhaps I'll watch TWCFM in the meantime !

speaking of the Cosmic retribution aspect I will always remember the episode where they steal a bottle of champagne (or maybe it was wine but I seem to remember it being described as champagne maybe that's just the dub or my shit memory) that used to belong to Napoleon but when they have a taste they discover that it turned into sour vinegar and that always struck me as a metaphor for how people will put a very high value on something just because a famous person owned it and wind up with essentially useless bullshit ... kinda like NFTs xD

Having the castle in the sky robot steal stuff may be a reference to the original inspiration of those robots in the max fleischer super man cartoon. Where a scientist has them rob banks and stuff. It also might be a parallel to the lupin imposter being based on the original more evil (and maybe shallow) lupin.

Notably, Miyazaki didn't like Part 2. That fake Lupin gang in the final episode, in Miyazaki's mind, they were supposed to be the characters that the viewers watched throughout the series (except for Albatross) while Lupin was presumably disguised as Zenigata the whole time.

Lupin was there for us at a difficult time in our lives somehow. The Woman Called Mine Fujiko is insane and engrossing and I nearly wrote it off from the synopsis. Glad I didn't, and would love to hear you talk about it after this wonderful and thoughtful essay.

This video is utterly fantastic, it really shows how much Miyazaki created a future blueprint for other people to make their own Lupin interpretations (and helping make Zenigata the legend he is). I recently watched Castle of Cagliostro for the first time and really enjoyed it and all the funny part 2 clips I’ve been sent by friends. Big Goemon fan :>. Keep up the great work!

I love Miyazaki’s works for what they are in the franchise, EXCEPT for the fact that Goemon gets maybe 5 minutes of screen time AT THE MOST GENEROUS combined in all of his Lupin specials. Idk why he hates Goemon so much gnfhdg. I like Miyazaki’s interpretations of Lupin, but I think his character would be much less interesting without the negative aspects of his personality as well, and it’s something that Miyazaki doesn’t like to really address, bc that’s not his style. I think Lupin is very much everything at once as a character, in that he has the capacity for great evil and kindness, it just depends on his choices (or the writer making those choices and their biases towards one way or the other). He’s both immensely proud and remorseless of his criminal resume, and also slightly seems to long to be more of a hero than he’s been in his life. Much like his every changing jackets and masks, I think Lupin deliberately changes to fit the narrative he believes he’s a part of. Whether that’s a roguish hero or a conniving criminal mastermind or somewhere in between, Lupin himself has always seemed to be slightly aware of his audience, of a story needing to be told, whether it’s his own or someone else’s. The gang is made of awful criminal powerhouses (and one anti-criminal powerhouse) doing batshit things, but it’s also made of a found family (polycule) of very mortal human people who ultimately will do the best they can to do right by what they believe in. Lots of Lupin media following have been SO afraid to fully commit to Lupin being vulnerable, instead just injuring him or putting him in what WOULD be a vulnerable situation only to have Lupin pull out of it or resolve it himself with no harm (looking at Part 6’s finale especially for the criminal way they botched the potentially fascinating touch to Lupin before promptly returning to the undisturbed norm). Unrelated, but while I agree with your criticisms of Part 5, I personally did enjoy chunks of it. It may have something to do with the fact that it was one of the first pieces of Lupin media I started watching, or the fact that I’m a huge Goemon fan who loves episode 23 and the old character arcs it brings back (and promptly drops with no fucks about resolution), but as flawed and confused as some of the modern Lupin content has been, I think it has some great strong suits in how it has recently dealt with the way the gang’s dynamics change and stay the same the longer they’re together (and how much harder it is for any of them to avoid the fact they love each other). God, almost every piece of Lupin media could get a full hour of analysis and breakdown and critique and maybe even that wouldn’t cover it all. I love this series so much, and as an animation history fan especially I can say this series is basically a museum, with its newer installments even looping back around and referencing things that referenced it (quite a few Cowboy Bebop references in some of the installments following that anime!) One final thing: once again as an aspiring animator and animation fan I can’t describe how much I’d be fascinated with the Don Bluth video. There’s so much to unpack lmao

real good video, one slight crticism is bringing up mainly miyazaki and osumi and not citing any other staff like the animators who handled ceatain cuts and instead citing the whole work to miyazaki, also castle of cagliostro was really well responded to at the time of release just some hardcores didnt like it, you can see this just from looking at the fandom for Clarisse and how it basiclly changed otaku culture in japan. still great video.

It's so funny you say the thing about Dr. Claw, because Inspector Gadget was made by the same studio as Lupin when Lupin the VIII got copyright striked and cancelled, and they needed a backup show. Also, this is the greatest Lupin video essay I've ever seen. Not enough people go into Part 1 as deep as you did and I am so happy for that!

Outstanding essay. Thank you so much. Your heart was shining brightly and I love hearing about how much passion you have for this.

Wow… This is such a well written video essay that explores Hayao Miyazaki impact on how he shaped the Lupin mythos for years to come. For a long time I always saw Lupin as a comedy action adventure, so to see Lupin who as a character that never really has character development be examined with such depth. It’s honestly immaculate, you’ve certainly earned a subscriber from me, I hope to see more of your incredible dives into examining media like this. And thank you for keeping what is considered to be a old anime classic relevant again. I love this show, and I am shocked I never found it sooner than last year.

I love this video SO, SO MUCH. Lupin III has a big role in my life, and seeing this masterfully compiled with lighthearted and fun commentaries makes me wonder... HOW'S THIS YOUR FIRST VID? PLEASE continue with such amazing charisma and work. I would literally see you talk about anything and have a blast.

There's a certain energy that Miyazaki brings to Lupin that makes his version of the characters so fun to watch.

Looking forward to more essays from you! This one was fantastic. If you haven’t seen Sherlock Hound (Meitantei Holmes) yet, I highly recommend it. Even though Miyazaki only directed 6 episodes you see callbacks to his Lupin work

castle of cagliostro is my favourite film of all time and i didn’t know there was any other lupin content until a few hours ago, thank you for making this video i have enjoyed it immensely!

Ngl I was having a pretty crappy day, sore from work, having too much caffeine and too little food all that jazz but this video completely lifted my spirits. This is possibly now my favorite video essay of all time and I thank you this is absolutely delightful.

Your perspective at 33:47 gave me a brand new light for Cagliostro. I've always known him to act older in that film as his edges have softened and Lupin isn't exactly a liar. Still, I never questioned how he'd dodge any sort of confrontational moments to open up until you made the point. He finally opens up in a bruised, vulnerable moment and the closest thing (to my memory) that even compares to an understated moment like that is Lupin saying he likes being the kind of guy to do hero shit in Part V to Ami. It's painted my view of late Miyazaki Lupin because he gets multiple opportunities to stop his past self in strange new reflective ways like the wings of albatross

I actually, don't mind seeing you explore The Woman Called Fujiko Mine. I held in high regard upon my first viewing, but I havent watched in 5 or so years. Very awesome debut video! Can't wait to check out more.

Consistent through the series, Lupin has acted immature, but secretly is very mature, very understanding, and sometimes even bitter about the life he's in. He likes to play off a normal person as much as he can, a charming and immature person, but he runs into the limits of reality often. He 'left behind' the princess because he knows it just couldn't work. He's a criminal in danger, "dirt", and the princess is responsible, "clean". As much as he'd enjoy things, he knows not to overreach. He's responsible. "This is the life I chose. And this is what the consequence is. I can't just up and quit and pretend none of it happened." In a way, he wants to be slain by zenigata to repent for his sins. But he also doesn't want it to be an unfair surrender, he wants to lose at his best as not to shame his lineage. He wishes that the world would catch up to him and get him. He is afraid of the day he grows old and can't pull off his stunts anymore. IT's a very deeply layered character. Oh look noone read this rip

"I may have got too embarassingly into Lupin III" Nothing wrong with it, it's one of the most famous and beautiful manga/anime out there

What a great first video, I think Lupin is a character that could be in any situations, I always pictured him as an antihero, in some series he could be goofy and work against even worse people or you can make him a terrible violent thief who only cares about himself and the thing to steal. I think every interpretations of this character is cool in their own ways.

The female nudity more specifically in Albatross struck out to me cause it’s one of the few times where Miyazaki has had a scene like that, with the only one being in the Nausicaä of The Valley of The Wind manga. I don’t know/think they came out at the same time, but I have wondered why he chose those two times to do so. It may also be cause, like Albatross to his contribution to the Lupin franchise, the Nausicaä manga continued long after the original movie. So maybe it has something to do with Miyazaki being so in touch and comfortable with the series he worked on that he felt like he could definitely do something like that earnestly. I’m glad you pointed that out cause it was an interesting thing I also noted. Also hecking frick this is a great video. Truly great. Loved every bit of it. One of the finer analysis’s of Lupin III. Well engaging and of great depth, really solidified why part 1 is so good. Especially how innovative it was within itself, able to be so distinct with its identity and presentation. I’m glad you dedicated this video to what is the most significant and defining moments of the franchise. Great work.

In my opinion, the best way to portray Lupin the 3rd and his gang is to first go for what they are, then build who they are around that what. This approach would not only stay true to the characters, but it would leave a lot more thinking and brainpower to the side characters, which I would argue should define Lupin's gang the most because Lupin, Jigen, Goemon, Fujiko, and Zenigata have already defined themselves and they're not (usually) ashamed of who they are, even if they occasionally hate themselves for their choices they've accepted their master criminal status' and aren't ashamed of owning it from time to time. They're just a bunch of crooks who have really specific traits that can be generalized and fitted towards any situation necessary, so lean into that when using them. As for what to do with the side characters, take the opposite approach. You can make your villains, your secondary protagonists, your supporting casts, and elevate them either to take Lupin's spotlight as Lupin and his gang help build up the rest of the narrative through their own antics or you could have them depict the scenario and why Lupin is needed and/or unwanted in that scenario. Either way, just remember the golden rules of writing such as "Never Waste Anything" or "If you're going to do something, do it with pride and certainty." I want to write my own essay and make my own interpretive fanart and fic about this series.

Oh myyyyyyy is that the Platina Jazz cover of Stolen Moments I hear in the background of the Miyazaki rant?!

_Genuinely_ enjoyed this unpacking of the franchise. Entertaining, insightful, and your off-the-cuff approach brings some delightful wit to the table. Nicely done!

"way, way embarrassingly into Lupin the Third" no such thing! ❤️

Oh wow, I figured this was a years-old gem of a video recommended way after it was published, but two weeks? Going to great things here

The Lupin dubs with Tony Oliver are the best dubs. Anyone else playing him in English does not feel right.

Love you for bringing up how always sunny in Philadelphia oddly has recreated the same basic formula and structure as lupin iii many years later. Probably completely independently and by coincidence as I have no reason to believe the creators watch anime let alone this one. I noticed that the shows and characters are similar in a fun way and I felt like I was a crazy person if no one else did. Lmao you’re right that Zenigata becoming a true member of the group and a true main character completed the formula and made the show what it is much like Frank. This whole video essay was beautiful and I loved it.

Lupincentral brought me THIS IS AMAZING I’m in love with your editing and comedic timing. Definitely sharing!

This was a fantastic watch! Thankyou for putting this together, was really enjoyable! I love especially how you talked about the challenges that Miyazaki faced in adapting this story, and really makes me respect his work on this IP even more!

Hey, I just wanted to tell you how delightful this retrospective was. Brilliantly edited and a perfect balance between history and deep analysis of a body of work. Thanks for sharing.

there is SO MUCH i like about this video (esp as someone who, almost daily, mourns the loss of Humble Professor's Lupin the III video as it got copyright striked ages after he long-since left youtube; and this is def going to be a video i repeatedly re-watch to cope, thank you so much), but one of my favorite technical things you did here was circumvent a copyright strike against that clip of Lupin getting shot via using the storyboards. it was an ingenious way of highlighting, not only the key frames/posing of each shot (like Lupin and Clarisse's faces or how Clarisse jumps on top of Lupin or or or), but also of What Exactly Is So Important Here That You Want To Show The Clip Without Talking Over It the process between storyboarding(, an animatic,) and the final animation is stark. that's why a storyboard is a work in progress and not a finalized piece 9 times out of 10. but by strippung down the scene to being barely more than the animators had (because the animators didn't have sound or voices), we get to sit in the position of people who didnt know how important this scene was going to be to see happen; we, instead, got to see the pitch of it. we got to see the idea in the making as you talked about its impact post-premier. but then it is merged with the sound, therefore making it an animatic-- a piece of the animation pre-production process that didn't really exist as we know it today (bc an animatic only exists in a digitally-made-storyboard world, or at least one where you have film editing software to edit/sync the still images with sound to) back when this scene was pitched?? so, at the same time as leaving the sound design as is heard in the present film's landscape, while also putting us back in time to Before This Shot's Animation Was Finalized, we're ALSO out into a place that likely never was there due to the technological difference between then and now. and i just. i love that. as someone studying to be a storyboarder with Castle Of Cagliostro having been my favorite film of all time, bar none, since i was in elementary school?? that made me immediately fall in love with your editing decisions. i would applaud you if that was possible within a comment section. alas. all i have are these emojis 👏👏👏👏👏👏👏👏👏 and a "job well done" sort of congratulations if you do make new stuff after your rest, ill definitely check it out. youve earned my eternal admiration right there. and i could say more, but Essay Long Comments are kind of stressful, so ill leave it for here for now and may comment more as i re-watch this in the future. much love to you and yours. and, again, great fucking job 👏👏👏

This is wonderful. Thanks for educating me on one of my favorite Miyazaki movies. I know a lot of people aren't crazy about it but I could never not love a movie that combines two of my favorite things. Lupin and Miyazaki.

I wasn't sure what to expect with this video, like it just got randomly recommended to me but I really enjoyed both it and you, so thank you for making this!

This is such a brilliant disection of the franchise, fantastic job! As I lupin fan myself you put it in better words than I ever thought one could.

Cool video! I do think that, while your apprehension towards the Osumi leg of Part 1 is fine by itself, you de-emphasize just how impactful that part was on the series & TV anime from that era. More than just being too edgy for TV & not edgy enough for Monkey Punch, the Osumi-directed episodes honed in on the turn-of-the-'70s art film & counterculture stylings that appealed to young adults & salarypeople otherwise uninterested in kid's shows at the time. Stories like, say, the one with Poon have this real "I watch Godard films for breakfast" vibe extending from the script all the way to the subtle editing which only Osamu Dezaki's shows would immediately build off of. A couple of the more Takahata-driven episodes early on even iterate on what Osumi was approaching in his last few, which tracks for a man just as into international cinema as him.

This was an absolute delight to watch! Frankly it reminded me exactly why I love the Lupin franchise so much. Would love to hear your thoughts on TWCFM as well as Don Bluth's catalog - you've earned my subscription!

This video is pure gold. The editing, the writing, the humor, all of it is great! Thanks for doing such a good job.

Awesome video, I loved the effort put into it + the info I haven't known yet. I recently got into Lupin the Third, and watched all of Part 1 twice and Part 2 once, and am currently re-watching it now. Keep up the great work!

this was a fantastic video essay! i also got into the lupin franchise during the pandemic and started w/ miyazaki's entries in the series, and this vid reminded me of why i connected w/ it so deeply even if the series has departed from this take on lupin. plus the whole section on zenigata and his role as the heart of the franchise was excellent, i'd always kinda known it deep down but you put it into words perfectly

Is this seriously your fIRST VIDEO!? surely theres ten years of practice behind this

I loved this! Such a great and wonderful exploration of the pivotal moments of Lupin anime history! Very well edited and very professionally made! Subscribed, I’m so excited for your next video.

6:08 The Woman called Fujiko Mine is a perfect prequel. Theres even a throw away line in Green Jacket where she gets very irrationally mad at Lupin when he suggests losing all your memories wouldnt be so bad. Which makes sense after seeing that series. Now if this was on purpose. I have no fucking clue.

Dont you love when you find some informative,funny and amazingly high quality video kinda out of the blue? Im just amazed this video even exist,it oozes passion and talent out of every pore Its just amazing, absolutely stunning work

This essay was fantastically composed and curated. I could really feel how much you cared for it. You are wonderful, thank you for this. I’m looking forward to checking out your channel.

The only thing I hate about this is that it is your only vid... Looking forward to the next one.

This was insanely high quality and I hope to see more in the future!

I went to your profile to see what other videos there were… and I was shocked to see this was your only video! This is goddamned good for a first time. Congrats!

'Oh this looks like the guy from that one tik tok sound, I have no context maybe this shed some li-' *uncontrollable sobbing*

This was everything I didn’t know I needed and more thank you!

completely losing my mind over this being your first video on youtube. this is some raw shit, amazing stuff.

Absolutely fantastic review and as someone who just got into Lupin this helped me really appreciate the series

What a fantastic video! I can’t believe this it your first video essay here, I clicked on your profile expecting to find more and was both surprised and disappointed to see just this - I’ve subscribed and can’t wait to see what you tackle next. I’m also going to rewatch a lot of Lupin stuff after a years long break so thanks again for reminding my just how fun it all is ❤️

This was an awesome retrospective on the first season of Lupin the 3rd and the Castle of Cagliostro. Great Job!!!

Great video!

This series looks incredible for something that was animated for TV in the 70s. Also, damn, things got kind of Patlabor at the end there. Though the presence of the Laputan Robot is... _weird_

This was so much fun and so well presented. Thanks for sharing !!! Can't wait to see more

Long time Lupin Fan, first time channel watcher. Thank you for this.

I really loved this video essay you made, it really gave me a good analytical look into the lupin Miyazaki created :) and theres so many things i didn't know til i saw this video!! like I had no idea he directed the second half of part 1, and I didnt even realize the complete shift in overall tone between the first half of part 1 and the second half, and even the character development in zenigata in the second half of part 1 as well, theres a lot that big lupin fans, including myself, have to thank Miyazaka for and im really happy you brought that to our attention :) I hope you make more of these cause it was really good!!

AAHHH OMG!! ❤️ Dude such a strong intro and such good pacing, I really hope this blows up the way it deserves to! ^-^

23:57 oh god, this statement aged like wine, consider the last couple of months in the art community

Fantastic video! Super looking forward to the future of the channel!

What a sterling first video essay example!! Funny, super well researched, an interesting subject to talk about, and a well formed argument! This is a really fantastic video essay, but especially so for your first try. Well done!

This just popped up on my feed and it was delightful - similarly to you I started a project to watch all of Lupin (for myself, chronologically by release - I'd already seen p4 and 5 before starting, and am up to ~1999 on specials at this point). I really appreciate the thoughtful analysis of the eras of Lupin and what makes the show and characters so great, as well as the exploration of Miyazaki's career through the lens of his work and impact on Lupin - hopefully I'll have made my way though The Woman Called Fujiko Mine by the time you produce that video on it, I'll be keeping an eye out for more from you!

Absolute banger of a video essay! I can't wait to see what else you make :D

Absolutely fantastic! I had no idea it was your first video! Can't wait to see more

This video was so, SO well done. It brought tears to my eyes when you talked about the legacy Miyazaki left behind. I look forward to see what you discuss/make in the future! ❤️❤️

I find it hilarious you mention how jarring it must've been for folks watching the mamo film to go to the miyazaki film, bc I had the opposite as a child. Love the miyazaki film to pieces and then got slapped in the face with mystery of mamo as a teenager lmao. I still to this day perhaps irrationality hate that film bc of that jarring difference orz Great video essay I really enjoyed it :)

Super interesting and very easy to watch. Thanks for making this, I was always curious about other lupin after seeing Cagliostro and feeling alienated by the first episode of the actual tv series. Now I feel like I got a decent crash course of Lupin’s beginnings and a really good understanding of Miyazaki’s role.

OH MY GOSH THERE'S NOTHING MORE SATISFYING FOR MY LUPIN VOID THAN TO SEE SOMEONE RANT ABOUT LUPIN FOR ALMOST AN HOUR IM FRIGGIN CRYINNGGG

Your narration was funny as hell I enjoyed every minute of your review video.

I grew up watching Lupin III, since it was such a massive series here in Italy (it debuted in 1979 and has been a cultural phenomenon ever since), and the way it handled characters and relationships made me a big fan of the "anti-hero" protagonist, seen in works like City Hunter, Cowboy Bebop and Cat's Eye - it's a style of protagonist that isn't really done anymore, but Takahata and Miyazaki were especially great at bringing out a flawed, appealing version of the characters.

oh I would absolutely watch more from this channel, I love your energy

God what a good video, i absolutely loved it. Congrats Delaney, i am speechless, so good

Daaaamn that was great! I really hope you'll do more :)

Great first video, this was well done and I practically expected you to have a whole library of previous video essays after watching this one. Just as a quick note, there was a (possibly poorly translated) interview with Miyazaki from decades back in which he went over his time with Studio Telecom that I recall reading where he admitted to having some involvement in the Red Jacket series Miami Bank Heist episode ( 143 where there is an emphasis on aircraft). From what I recall he said something to the extent of "That episode didn't turn out too well so I won't take credit for it". Great job from a long time Lupin super fan here!

Oh my god the long-form Lupin content this platform desperately need and done really well on top of that? You bet i'm hitting that bell button

i rly enjoy ur style of videoing, its funny, thought-provoking, and charming. pls never stop talking about things ur interested in / passionate about.