To everyone thinking about buying the book: DEFINITELY DO IT! The book is amazing and has so much more than you can imagine. Lots of food for thought, if i may... Just go ahead and thank me later.
Great lesson Noel, thank you! The interval visualisations with the coloured billiard balls at the bottom is a very cool touch by the way, the extra point of reference it provides, does seem to help my brain assimilate the information a bit faster.
Thanks - doing the exact same lesson (with pedal point) for the minor modes would be super helpful is it possible to get a higher resolution graphic of the chord shapes with corresponding scales ?
Too Good, amazing lesson thanks to teachers like your good self music keeps progressing, seriously your share your heard earned knowledge freely it's is rather humbling. Peace and love David Bahar Edinburgh
Hi! Thanks for the informative lesson! 🙌🏻 I am curious, tho. The A Aeolian chord - why do you have the #5/b6 and the 2 on that chord? Couldn't we just have a regular A minor or a minor 7? Thanks!
Yes. Good question! mi7 could work over a Dorian or a Phrygian as well. I picked a chord that was really specific to the Aeolian sound. 1,2,5,b6 (“Asus2(b6) which looks like a G13/A without a G, or an Fmaj7#11(no5)/A) lol! Every chord I played was mode-specific (except the chord I played for Ionian technically could work over the 4 chord as well)
Hi, those shapes are all in the “Voicing Modes” book, just not laid out all together on a single page like this. Let me know which one(s) you need to locate and I’ll help out.
@@nohjoh08 Noel.. it's all good. I just poured coffee and made my own. This is exactly what I've been looking at to hear the differences each mode has against a chord.
