Amazing voice! Everytime I sing La Traviata, the vocal technique of Montserrat is for me the winning weapon to overcome even the most difficult passages. Thanks Monserrat!
Фантастическое исполнение! У Монтсеррат Кабалье Виолетта с великой, светлой и необъятной душой! Она чище своего окружения и любит вселенской любовью! Впервые слышу эту партию в исполнении гениальный Дивы! Бесконечный восторг и благодарность! Брава!!! Светлая память!
Addio MONTSERRAT. Ti accolgano gli Angeli e cantino con te. Sarà un coro meraviglioso!!!!! La tua splendida voce ci accompagnerà sempre, sarai sempre nel nostro cuore. Riposa in pace!
To my mother's considerable chagrin, I deserted my family's Thanksgiving in Michigan to drive to Chicago for Caballe's Violetta in 1970. Her "Amami, Alfredo" in Act 2 is to this day the single most electrifying moment I've ever had in any opera house. The same weekend included Marilyn Horne in L'Italiana in Algeri, and my orchestra seat for each was in the neighborhood of $10-12. The previous Thanksgiving's double bill was Don Giovanni with Tito Gobbi and Barbiere with Horne. Those were the days!
Блестяще! Природа наделила Монсеррат уникальной красоты голосом, а совершенная вокальная техника делали каждое её выступление в 60-70х годах незабываемым.
Semplicemente sublime! Questa é la interpretazione che vocalmente e musicalmente più mi convince di tutte. Diese Interpretation ist für mich Stimmlich und Musikalisch die allerbeste. Einfach grandios!
Buenas tardes, En Ecuador, Una soprano casi perfecta , para una obra tan compleja por la variedad de los agudos en escalas múltiples de velocidad audas En la entrada, con el rechitativo solemne . Maravilloso.
Quelle voix, quelle interprétation (les pianissimi !!!)! Souhaitons que l'immense Caballe ne soit jamais oubliée, mais hélas, c'est peu probable : tout passe si vite, aujourd'hui...
Кстати сама Монтсерат говорила, что не любит исполнять Травиату Верди (Виолетту), т.к. Кабалье была каталичкой и не разделяла вглядов Виолетты. Возможно, это поет и не Монтсеррат.
The aspect I miss too ; she was capable of it.Sadly,the reason this recording does not take pride of place alongside my two sets of ‘La Traviata” with the divine Dame Joan.
callastoujours ,Caballe makes some gorgeous sounds and it is an inspired recording but I’m just so comfortable with Sutherland and the way she always delivered the goods.However , I do understand where other singers and other listeners are coming from.
@LINKEN KUCHIKI You are thinking of the Philips recording of Lucia di Lammermoor conducted by Jesus Lopez-Cobos. On that set, Lucia is sung by Caballé and Edgardo is sung by Carreras.
