Mozart - Piano Concerto No. 13 in C major k. 415 | Irish Chamber Orchestra | Kevin Jansson 

Kevin Jansson *is* the perfect miraculous prodigy to be playing one of Mozart’s absolutely best early piano concertos. I wish there were more RU-vid videos of his performances. His legato almost brings me to tears, as does his general expressiveness. Great career ahead of him

if i had a penny for every time someone is labelled as one of the finest musicians of his generation, i could buy up the irish chamber orchestra

Lovely !

Yes to all!, Beautiful…….bravo. The magic that laughs at time MOZART. Exquisite conduit.❤️🙏🏼✌️🦋

Absolutely beautiful!

Yes, a really delightful performance of this glorious C major concerto. A joy to watch as well as to hear. Well done all concerned...

Bravo Mozart, again you created a masterpiece.

This is beautifully performed.

Years of practicing for 5 audience members half-heartedly clapping.

Very well played by both orchestra and soloist! Well done!👋👏

Wonderful!!!

Beautifully done! It appears we were allowed to sit-in on a dress rehearsal to one of Mozart's least heard and somewhat unusual concertos.

this is genius!

Нечто невероятное😇. Это чудесно 😁

Do you dream of organizing an unforgettable 10-20 concerts tour of the UK with the Irish Chamber Orchestra? Meet Nataly Ganina, PhD student at the Royal College of Music, London (Prof.Nigel Clayton). www.youtube.com/@NatalyGanina Plays as a God.

PS i played this on my 56” television, and for the life of me, I couldn’t hear any of the sound problems some have alluded to…I imagine it does depend on what device one is using to listen to the performance. I agree, incidentally: there *do* seem to be echoes in PC 26. (Another of my favourites!)

Interpretación maravillosa, lástima de la grabación que se escucha un eco terrible, quizá fue la distancia de los micrófonos o error de postproducción.

Piano ( deutsche Sprache ) - Piano ( deutsche Sprache ) - Piano ( english language )

Mozart often starts his concertos with a Mozart cliché. Banal phrases. But as he goes on, deeper into the musical piece, with ideas flowing, and feelings expressed, his music becomes interesting. Even in early pieces like this one.

I remember learning the first movement to this during my college days at U. of Rochester. Has such a beautiful secondary theme, leading to the renown "waterful" descent. You can't miss it. [For those who know of it:] Beginning is very similar to P.C. #26 ("Coronation"), isn't it? IMO 3rd movement played a bit too fast. Lower strings should have a distinct oom-pah-pah sound to them when they first come in. Play it too fast, and they don't sound like that. 23:30 Nice non-standard cadenza here. But what do I know? Perhaps somebody like Hummel provided one, also. Mozart is known to have NOT always played the cadenza he published when during his live performances. What - no seats for the orchestra? Hmm... no audience, either.

I'm guessing that the anomalous sounds in the octaves and single notes is a result of the hammer re-striking the strings due to piano action that needs adjustment or repair. Glenn Gould had the same problem with his beloved Steinway, CD318, when recording Bach's Two- and Three-part inventions but didn't bother to fix it because he'd grown fond of its quirkiness that sounded like a hiccup.

Sound could have been better

Este concierto fue escrito por Mozart para ser interpretado por piano, 2 oboes, 2 fagotes, 2 trompas, 2 trompetas, timbales y cuerdas. Acá solamente aparece la sección de cuerdas. Si hay una genialidad en Mozart es la maestría incomparable con que jugaba con la combinación de cuerdas, maderas y bronces. Todo eso se pierde en esta versión. Es Mozart con sacarina. La correcta interpretación de la orquesta de cuerdas y el solista no compensan el brillo que se pierde . No podemos disfrutar del brillo de los oboes ni de las trompetas ni los cornos. ¡por favor, un poco más de colesterol no hace mal! Mi opinión es personal y no pretendo que sea compartido por otras personas, opinión que respecto, pero para mí fue una decepción. Es verdad que hay versiones con piano y cuarteto de cuerdas solamente, pero están destinadas a ser interpretadas en un salón de una casa, no en un teatro.

Why does piano sound so bad? No warmth, more like harpsichord