这是一封给演员郑业成的“情书” - This is a "Love letter" for actor Zheng YeCheng. ENG SUB: FMV with collections of various interview clips cut, very well made to put into summary what Zheng YeCheng has to say. Great clip for anyone wanting to understand more about him as a person talking about acting. :)
Credit video: O-Yeah哦叶_郑业成
Transcribed by: summer的秋
Eng Sub: 倾橙三侠HappyOrange (Happy Daily for Happy Orange, please follow 鄭業成 Zheng YeCheng Happy Orange )
transcript:
"Love Letter to Filmmakers"
Opera is still an awe-inspiring art in my heart, and it will always have a space in my heart.
Art is the same, but the form is different. Peking Opera is also shaping characters, it is a stylized way to shape characters, you just have to perform like "everyone", then you are good. But when it comes to acting, the difference between it and Peking Opera is that you can't be or act "like" others, once you look or act like another actor or role, you will lose your path. It doesn't matter whether it is Peking Opera, film and television dramas, dramas, musicals, etc., one thing I can never do without is acting (he loves acting that much.)
At that time, I didn't have any so-called resources, contacts, circles, nothing really. A barefoot is not afraid of wearing shoes, I come in barefoot, so the worst that could happen is to leave barefoot, there's nothing to lose. When I first started in this industry, I really wanted to know what the performance in front of the camera was, and especially wanted to see the people you admire and how they deal with (characters), time will tell you the answer.
For half a year, I was knocked down at once. Because when the father and son were halfway through the broadcast, I felt that after the broadcast, I could always be in a working state. But the result is quite the opposite. I believe that every actor is like this, they are all sensitive and vulnerable, but also very strong. The path I chose, I walked on my knees. No matter how difficult or dark the path can be, I will keep moving forward if I like it.
My constant pursuit is to play all my roles well, I aim to become that character role, rather than that character role becoming me. If your character is deeply rooted, what the viewers can remember is that character, maybe not you (as a person).
I'm always pushing my limits, what I want to be is an actor who is always fresh. I have been tearing off the label, that is, every time I take on a play, I want to tear off the label of my previous play, so that everyone can see another different me. What makes me happiest is that I have absorbed different nutrients in different fields and become my ability, so that in the future, when I am in contact with all types of (characters), I will no longer be afraid.
It may be difficult for me to use a play to define a momentary turning point. From the play "The Sleepless Princess" to "Mirror Twin Cities" later, one person plays three roles; "Medal of the Republic," "Love Under the Full Moon" and the reality drama "Crossroad Bistro." During that year, I kept jumping, breaking myself and rebuilding myself. That year was very important to my growth.
(see video)
《给电影人的情书》
戏曲仍然是我心中的一个敬畏的艺术,它永远在我心中有一片方寸。
艺术是相通的,但是形式是各有各的不同的。京剧也是在塑造人物,他是一种程式化的方式去塑造人物,你要像“大家”,你才是好。但是演戏的话,它跟京剧最不同的地方就在于你不能“像”,但凡你像了一个人的话,你的路就没了。甭管是演京剧也好,还是演影视剧也好,还是话剧,音乐剧等,但我永远离不开的就是表演。
那时候我也没有所谓的任何资源、人脉、圈子,什么都没有。光脚不怕穿鞋的,我光脚进来的,大不了光脚出去。刚进这一行的时候,我特别想去懂得镜头前的表演是什么,特别想去看你欣赏的人,他们是怎样处理(角色)的,时间会告诉你答案。
我有半年时间,自己一下被打倒了。因为当时半路父子播的时候,我就觉得播完后我能一直有工作状态。但是结果恰恰相反。我相信每个演员都是这样的,都是敏感又脆弱的,但是又很坚强。我自己选的路,我跪着也走完。甭管这条是有多难多黑,我喜欢我就往下走。
我一直的追求就是演好每一个人,我成为那个人物,而不是那个人物成为我。你的角色深入人心的话,他记住的是那个角色,可能不是你这个人。
我永远都在跳脱,我想做的是永远有新鲜感的演员。我一直在撕标签,就是我每接一部戏,都想把我之前的戏的标签撕掉,然后让大家看不到不一样的我。让我最开心的一点就是,我在不同的领域中吸取了不同的养分,成为了我的能力,让我在未来的时候,我在接触所有类型的(角色),我都不会再惧怕。
我可能很难拿一部戏来定义一瞬间的转折吧,从《离人心上》这部戏,到后面我又接了《镜双城》,一人分饰三角色;功勋、满月之下,现实主义的《北辙南辕》。那一年中,我不断地在跳跃,不断地在打破自己,重建自己,那年对我的成长很重要。
我一直从进这行开始就想去好好展示一下自己从小学的这些本领嘛,然后也希望能够以武戏的角度去闯出一片属于自己的天地。沈宴,我觉得他帮助了我迈出了第一步吧。正因为我小的时候开始学京剧,有这些功底,现在才有这种机会和这种能力去胜任这种角色,就是我可以自己去打。那我也希望可以在我们这个年龄层的演员里,能够做出一些不一样的武打出现。因为我学过,所以大家对它也肯定有所期待,那在打戏这方面,我还是在不断地去吸收和学习。因为我还是觉得,还可以更好,还可以更好。
那你说演技方面,你一定比不过演那么多年戏的老戏骨,你只能去跟他们学习,去探讨,不断地谦逊地去努力,你的演技才能不断提高。这样一步一步地,扎扎实实地走下去,我自己也很舒服。
希望能够去演一些所谓的真人真事的,很真挚的人世间的这种情感,传递给人们一种思想的作品吧。
你要相信认真做戏的人,认真演戏的演员,他们还是在的。
演绎与武打
角色与生活
热爱与执着
皆是你,皆因你,皆爱你
演员郑业成29岁生日快乐
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21 окт 2024