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Muzio Clementi, Sonata in C Major, op. 2 n°1, Wim Winters, clavichord 

AuthenticSound
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This piano sonata in C Major by Muzio Clementi is written very early in his career, somewhere around 1781 (!), but not later as 1784. My 19th century Breitkopf gives this sonata as opus 2 nr.2 but there are other indexes as well. Anyway: it's this kind of music Mozart heard when he met Clementi in that famous Christmas Eve 1782, and if you ask me, he was totally transfixed by what he heard and saw.
👉Twin recording of this sonata played on my ca 1820 Frenzel pianoforte. Check it out here : • Clementi Sonata C Majo...
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And so I sat relaxed in my garden, nipping from a glass of wine and thinking, while drinking the orange colours of a late evening sun. if I had a dog, he would lay quietly next to me, from time to time checking with one eye if everything would still be OK with me. I have no dog, but in one way or another, a dog is necessary to complete the picture.
Suddenly I heard a noise of something that was difficult to recognize. It was huge, and only when a solid voice shouted 'hooooooowwww!' I knew that it must be a coach with two horses that stopped at my front door. Two feet hit the street quite hard, and a moment later the same voice, but much quieter said: "Sir".
Moments later, knocking on the door. My dog stood up, slightly showing his teeth. Just in case of.
I kept silent. Not that I wasn't curious, far from, but in this case, I wouldn't be too unhappy, if this coach, that I could not see from my garden, would go further. It didn't feel right.
Again knocking.
My dog growled silently. I prevented him from running. Just waiting what would happen.
It was silent again. That alone was strange, since, although living in a very green area with fields and forest, there normally is some traffic at our front door that tries to find its way from one village to another. But there was nothing now. I remember thinking how strange things could be: I that was afraid from silence...but this silence was different.
The last sun rays hit the field. A short wind blew through the crest of our plane-tree. And then, from behind:
'So there you are!"
I turned around. My dog whined one moment and kept silent.
I knew immediately who it was, although we never had met before.
Clementi.
He didn't wait for me to say something, took a chair and sat down.
Beautifully dressed, leaning on his walking stick, he pointed to my glass.
'I could use one myself.'
Then, looking right at me:
'I come from far, you know.'
Without asking, I went inside to take a new glass and took the bottle of red wine. But the label appeared to be strange. And familiar at the same time. The date was intriguing. 1817. I remember that it didn't feel that to be particular strange. 1817. Why not?
We sat silent for a few minutes. Then I heard the same voice again that scared me minutes before but now gave me a enormous feeling of rest. Eternity.
'Why are you not playing more of my sonatas?'
'Excuse me?'
'Like I say, you do play regular sonatas of Beethoven..'
'But I have played two of your sonatas'.
He didn't listen. Or at least, gave the impression that he didn't.
'He called you, didn't he?'
'Who?'
'Beethoven.'
'How do you...?'
'I knew he would call you, that little piece of... '
He turned his head, as if he thought on something really horrible.
'What's wrong with that?' I asked naively. 'I guess all of you could call if you'd wish?'
I know that sounds like a weird question, but again, at that time, it seems to be a very normal one.
Clementi shaked his head.
'No, we can't. There is only one telephone. And he's the only one who knows how it works.'
He paused.
'And he won't tell us how, the bastard.'
'But with all respect', I replied, 'it feels a bit ridiculous that of all people on earth, you take that huge effort to come over and ask me to play more of your sonatas. You, of all people, having had such a long successful life!'
Clementi nodded.
'You're right', he said. 'But that's not the point.'
'O not?'
'No, we've just bet who would win. He or me.'
'Win?' I really didn't get the point.
'Simple, of whom you would play the most sonatas. Before the end of this year.'
That felt so disappointing.
'So it had nothing to do with me?'
He looked up, and for the first time he seemed to be a bit amused.
'You had that impression?' he asked.
'Well, not really, but what...'
But before I could finish my question, the same wind blew, and suddenly I heard a car passing by. The sun had gone to sleep since long. The only thing I saw was the silhouette of the plane-tree. I looked around. No dog. My glass still half full. I shivered. It suddenly felt chilly. I took my glass, went inside, turned the lights on and thought about this strange experience.
A dream or not?
Anyway, I immediately took Clementi out of the book shelf. The score. And I'll try to make it a draw at the end of the year.
Truth or not: I better take no risks.

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8 сен 2024

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Комментарии : 39   
@tamelo
@tamelo 6 лет назад
Playing on instruments of the time makes it clear Clementi pieces aren't supposed do be played too fast. There is no way people at that time would enjoy listening to music that sound like a heavy metal guitar riff. Good job.
@AuthenticSound
@AuthenticSound 6 лет назад
Thanks!
@thomashughes4859
@thomashughes4859 5 лет назад
Sorry to post again, but this is just compleat happiness ... it is so nice to listen to Wim just playing away. The Clavichord is such a soothing instrument. :D
@MalabarTheGreat
@MalabarTheGreat 6 лет назад
Brilliant. A wonderful touch at just the right tempo. Too many youngsters wanting to play the classics as fast as possible!
@AuthenticSound
@AuthenticSound 6 лет назад
thanks!
@markhopwood6928
@markhopwood6928 9 лет назад
I like the sound of the bass of your clavichord - very rich. The second subject in the first movement of this sonata is very nice. Classy performance, as usual, and not too fast, so we can appreciate all the detail.
@AuthenticSound
@AuthenticSound 9 лет назад
+Mark Hopwood Thanks Mark! You'd hear that bass live... there is nothing added with equalisation or whatever, feeling blessed with an instrument like this!
@markhopwood6928
@markhopwood6928 9 лет назад
That difference between bass and treble is lost on modern pianos. I'd love to hear you do a recording of Clementi's Op 40. No. 1 (particularly the second movement).
@AuthenticSound
@AuthenticSound 9 лет назад
+Mark Hopwood that's the one in G Major?
@markhopwood6928
@markhopwood6928 9 лет назад
Yes, the second movement of that sonata is very grand and beautiful.
@susankinney5193
@susankinney5193 2 года назад
This one sounds fun to play! 😁
@thomashughes4859
@thomashughes4859 5 лет назад
Phenomenal!!! You are a keyboard genius, my friend!
@terryadal731
@terryadal731 5 лет назад
C'est fantastique, c'est trop beau cette correspondance entre les aigues ,et les graves . Magnifique votre interprétation
@chegadesalzburg
@chegadesalzburg 2 года назад
Dear Wim, recordings of Clementi's later piano sonatas is a great idea for next videos.
@mikemccaffrey4303
@mikemccaffrey4303 9 лет назад
Brilliant, as always, dear Wim. I have 2 or 3 recordings of this powerful little sonata, but never could imagine it on clavichord. Now you have realized it for me, even better than I would have hoped!
@AuthenticSound
@AuthenticSound 9 лет назад
+Mike McCaffrey thanks!
@harrisonsteudlein8537
@harrisonsteudlein8537 9 лет назад
That story along with the music made my day! Well done!
@AuthenticSound
@AuthenticSound 9 лет назад
+Harrison Steudlein Glad to hear !
@kralmiroslavi.8948
@kralmiroslavi.8948 6 лет назад
I like music on clavichord. It's beatiful instrument
@AuthenticSound
@AuthenticSound 6 лет назад
Thanks, Mirec, great to read! Wim
@antoniavignera2339
@antoniavignera2339 5 лет назад
Che divertimento questo Signor Clementi,fra ottavi terzine e trilli e quartini ...
@carlobuongiovanni7934
@carlobuongiovanni7934 5 лет назад
Bellissima esecuzione e bellissimo strumento!!! 🎵🎶🎵🎶
@enzocypriani5055
@enzocypriani5055 5 лет назад
Great interpretation
@AuthenticSound
@AuthenticSound 5 лет назад
Thanks!
@zioscozio
@zioscozio 9 лет назад
Wow, what an enjoyable piece!
@AuthenticSound
@AuthenticSound 9 лет назад
+scozio It is (and mostly is with Clementi)!
@sebassebas6111
@sebassebas6111 5 лет назад
maravilloso, gracias!!
@chagkruzart7695
@chagkruzart7695 Год назад
I wonder how Clementi heard this music in 1779, when sonata was published. Instruments were so imperfect but the music sounds written by young Beethoven especially for piano :)
@miguelmendizabalcontreras9771
@miguelmendizabalcontreras9771 3 года назад
You have crazy ideas Wim, but I love your records.
@johnkiunke5617
@johnkiunke5617 9 лет назад
I have a copy of this Sonata. It's very difficult!
@AuthenticSound
@AuthenticSound 9 лет назад
+John Kiunke It is... it's Clementi! Thanks for listening! w.
@fynnjamin
@fynnjamin 4 года назад
According to Clementi's own numbering (and that used by Grove for cataloging his works), this is Op.2 No.2.. Clementi's wonderful 1807 revision of Sonatas 2, 4 and 6 of the set (published by Artaria in Vienna - available online at the Oesterreichische National Bibliothek, and IMSLP) is well-worth checking out, and does not seem to be as well known as the earlier versions. The main differences are in the rondo movements, where the recurring rondo theme is written out in full, with extra embellishments and variations.
@marcelolima887
@marcelolima887 4 года назад
Hey Wim. I enjoyed the story, the sonata, and the clavichord very very much. Thank you!! So - who won that bet? :)
@MartinFrank1950
@MartinFrank1950 5 лет назад
"Un altro giorno gli mostrai la sonata cosi detta di ottave, opera 2° del celebre Muzio Clementi, che'l amico Atwood m'aveva imprestata. [Gaetano Latilla) esaminò solo i primo Allegro, poi esclamò: - Chesta, sì, ca è na bella museca ! Ma si Clementi po' eseguì chesta scioria 'e robba, Clementi nun è n'ommo, è nu diavolo! E te dico ca chisto sarrà lo Durante d'e pianiste future ! Giacomo Gotifredo Ferrari, Aneddoti piacevoli e interessanti occorsi.
@adamgulley1399
@adamgulley1399 6 лет назад
I cannot find a recording of this on the piano?
@AuthenticSound
@AuthenticSound 6 лет назад
A lot of Clementi has been underrepresented, so it would not surprise me, though there are more and more recordings made recently (often in a tempo that I doubt, but anyway it's good he gets more attention!)
@MalabarTheGreat
@MalabarTheGreat 6 лет назад
Ajgthecreator there used to be a studio recording of this entire sonata played on the piano a few years ago, but it's been since taken down.
@ruperttmls7985
@ruperttmls7985 5 лет назад
Vengo de escuchar tu otro video de esta misma sonata en el fortepiano, das buenos argumentos para la eleccion del tempo; pero a mi me gusta mas el que empleas en este video jajaja 👍👍
@santfrias
@santfrias 8 лет назад
Battletoads Double Dragon
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