These are just Equal Interval root cycles, but you’ve only used parallel voiceleading, which is easy but predictable. So it’s leaving out the other parts of the “Rubik’s cube”, so to speak. And when you do voicelead, the direction of the root tones (up or down) impacts the voiceleading.
Hey Jeremy, when are you gonna do a video dedicated to left-hand impressionistic arpeggio style ballad playing? You know, the kind of Debussy Ravel rubato Erroll Garner crossover up and down ad libbed left hand type arpeggios. They are rubato in the sense that they are not a strictly patterned left hand arpeggio and therefore are guided by the phrasing of the melody itself and fit the melodic moment and not “in time”.
