My Romance + a bunch of turnarounds | Jazz Piano College 

Thanks Tony. Trying to learn this on piano to play for my wife. It’s ’our song’. I played it on guitar for her when we first met, we got married, and the rest is history as they say. Cheers and all the best.

Tony, we all do of course watch all of your videos to the very end, and we have subscribed and are waiting for the next one to come. Thank you so much. :-)

It’s so great that you think out loud and help us slowly analyze the possible voicings! This new vid is particularly helpful ! Thank you.

I just love the way you work through voicing options with such a relaxed approach.

I just recently found your videos. They are great. Keep 'em coming. Extremely useful. The video about jaming with C major and Eflat Lydian made playing in modes so easy. It was like a light just went on.

Always si clear and useful

I was watching your old video for my romance and glad you uploaded this. Thank you for this.

This was just what I was working on earlier today, by great good fortune!

Awesome, Tony! Love that Bill Evans turnaround! I've played that one at the end of Waltz For Debbie a hundred times but for some reason, it never occurred to me to put it in other numbers. It works! Thank you for the idea!

I love this song!

Thank you Tony for this video. I had spent prior hour watching videos on Table Tennis Forehand Topspin, and when your video arrived it was at a similar level of difficulty and so my brain clicked immediately into your lesson. It's been so long since I watched one of your videos that it seemed fresh yet comfortable like an old familiar suit. I will resubscribe to your Patreon. It's the least I can do to show my gratitude for your wonderful videos. You are my favorite piano teacher, and although I drift away periodically, I always come back eventually to your firehose of great information.

My Romance great standard ❤️

Always fun and insightful - thanks!

Very cool! as a left hander with a good span, I still find it better to play some (but not all) of these chords as 3 notes in the left hand and two in the right.

15:30 hilarious commentary lol 😆

My Romance looks like the tune is a turnaround a lot itself. reminds me of getting sentimental is like that too. However I should really be sticking to learning just a couple at a time

Hi Tony, could there be a place where Cycle or a Coltrane Change or Shadow Harmony would be possible? Shadow harmony is a technique of Mick Goorick(former reacher of Berkeley who developed both Shadow Harmony(if i remeber the name correctly? as Generoc Modality Compression, together with Tim Miller) it is cloe the 145 125 soltutions of Chick Corea and his tetratone scale's...Shadow Harmony is a technique where a part of the melody is just played at another rate so 2 or 4 bars at will could be played together with the harmony in another key...normally they choose like 4 bars...so that a melody thesis is clearly covered, and than after 4 bars make a nice modulation...if you take It could happen to You and one starts in Eb and go to Gmaj7 after for bars, using this very formular you go from D7- to Gmaj7 in stead of Ebmaj7!! is that Magickal or isn't it!!! something trivial starts to change in something special!!! What A marvelous trick if you want I could send you the changes where but of course for you this is easy to understand this simple formular...Fun is to do this with your own bass player and don't tell him when you "leave" key I once did this with blue Bossa we ended up me playing in Ebminor and he in Cminor and I modulated back every body thought I was doing a Fancy "Out" thing I wasn't!!!### ?? w.t.f. With other words I was using Shadow Harmony on the spot the nice thing is that Dominant for the transmission called transmission Dominants are Ambigious in Nature and there is where the real magick Happens....

13:37 this sounds better with the C# XD

What is the reason for learning and using the Berkeley College standard open voicings? Are they formulated to be the best open voicings one can find or is it a starting point for learning more types of open voicings?