My Three Sons Star Stanley Livingston Shares Why He left Acting Rare Stories | The Jim Masters Show 

This was a wonderful interview, thank you both!

All of the JMS episodes are over the top but this one....what a load of fun! I really enjoyed every minute and I could have listened to Stanley tell his stories of a life time in "the biz" all night. And it brought back the memory of 6-year-old me getting a hug from 11-year-old him back in my home town. Thank you SO much for this wonderful conversation, Jim. And to Stanley, thank you for coming back to Loveity Hall! Till next time, CHEERS!

I must say he has such a great memory for being in the business for 68 yrs!❤️ Thanks, Jim ❤

Another great episode and wonderful guest! Really enjoyed hearing Stanley tell all his amazing stories. Thank you Jim..and thanks Stanley for coming by to see us again.

Great and fun show tonight. Thanks Jim.💚💖💚

Stanley is down to earth-Fantastic interview!

❤❤❤❤❤❤❤

Fantastic conversation!

Although her career in films and television ended about 40 years ago, there are still viewers who cherish the memory of the perky blonde singer, dancer and actor Dorothy Provine, who has died of emphysema aged 75. Most memorable was her vibrant performance as Pinky Pinkham, the charleston-dancing flapper in the TV series The Roaring 20s (1960-62). Provine was in all 45 episodes of the series, which was set in Chicago and revolved around the speakeasy where Pinky performed to an audience that inevitably consisted of racketeers. According to Time magazine in May 1961: "It is Dorothy's oooohing and shimmying that have kept the series afloat." Provine had incited much oooohing herself in the title role of The Bonnie Parker Story (1958), a gritty, unglamorised, low-budget depiction of the two-person crime wave during the Depression, released nine years before Arthur Penn's Bonnie and Clyde made the duo world-famous. Provine's feisty portrayal (in her feature film debut) of the gun-toting criminal who linked up with Clyde Barrow (thinly disguised here as Guy Barrow to protect his family, who were still alive), seemed to promise a film career on a par with her more buxom blonde contemporaries, Mamie Van Doren and Jayne Mansfield, the sort that gentlemen preferred in the late 1950s. (Marilyn Monroe, of course, was hors concours.) But Provine, for all her physical attributes and several sexy roles, could not conceal her girl-next-door persona, which gradually emerged in the mid-60s. Provine was born in Deadwood, South Dakota, but was brought up in Seattle, where her parents ran a nightclub. She graduated from the University of Washington with a degree in theatre arts in 1957. After only a few appearances in amateur productions of musicals, she was spotted by a Hollywood talent scout and given the lead in The Bonnie Parker Story. Despite her good notices, Provine was offered only two B-movies in 1959: Riot in Juvenile Prison and The 30 Foot Bride of Candy Rock, their come-hither titles promising more than they delivered. In the former, the 24-year-old Provine played a juvenile delinquent, one of a number of young women introduced into a male prison that had been made co-ed by a liberal governor. The mildly amusing latter film had Provine accidentally turned into the giant of the title by the inventor Lou Costello (in his last film). At the same time, Provine was a regular on TV, gaining her first series, The Alaskans (1959-60), set during the Yukon goldrush of the 1890s, in which she played a saloon owner and singer called Rocky Shaw who has attracted an adventurer, Roger Moore. The onscreen romance reflected the fact that Moore had fallen for Provine in real life, which almost caused a rift between him and his wife, Dorothy Squires. Frank Sinatra then dated her for a while, but there was no question of marriage as the Catholic Provine would not wed an already twice-divorced man. In her biggest hit, The Roaring 20s, she delightfully sang at least one vintage number in each episode, and she also had a top 20 hit in the UK with one example, Don't Bring Lulu, in 1961. Provine was cast as the cool wife of the put-upon Milton Berle in Stanley Kramer's mammoth homage to slapstick comedy, It's a Mad Mad Mad Mad World (1963), in which she is the only one of the avaricious group hunting the $350,000 of stolen cash who wants no part of the fought-over money. Provine then played what could be called "a good sport" in half a dozen comedy films, the sort that Ethan Coen felt "had a very weird, wooden aesthetic that nobody's interested in any more", but which he loved as a child. These included the tame but entertaining sex farce Good Neighbour Sam (1964), in which she co-starred with Jack Lemmon as his suburban wife; That Darn Cat! (1965), a Walt Disney movie in which she and the cleancut Dean Jones were upstaged by the feline of the title; Kiss the Girls and Make Them Die (1966), a contrived James Bond pastiche with Provine as an English spy; Who's Minding the Mint? (1967), as the girlfriend of Jim Hutton's US mint employee; and the riskily titled Never a Dull Moment (1968), opposite Dick Van Dyke. In between, she made a terrific cameo appearance in The Great Race (1965), singing, in a saloon again, He Shouldn't-a, Hadn't-a, Oughtn't-a Swang On Me! It was while making Kiss the Girls and Make Them Die in Brazil that she met the English-born director Robert Day, who was shooting Tarzan and the Great River there. Despite her previous qualms about divorced men - Day gained a divorce on the grounds of adultery with Provine - the couple married in 1968, and she retired from show business, appearing in only three TV shows in the 1970s. She is survived by her husband and son, also called Robert, and her sisters Patricia and Susan. Michele Dorothy Provine, actor and singer, born 20 January 1935; died 25 April 2010