Words don't exist for this man. He was so ahead of his time, he literally landed here to show us how it's done and left again. Nobody has ever matched his talent or energy, much less surpassed him. Anyone who doesn't rate Elvis, hasn't delved deep enough into Elvis. He was off the scale, voice, generosity and looks combined. Nobody has ever come close
1-08-35. A STAR IS BORN. 🌟🌟🌟🌟🌟 ALWAYS E-L-V-I-S HE IS THE KING OF ALL GENRES. HE CAN TAKE ANY SONG AND MAKE IT HIS OWN!!!!!GREATNESS🤍 THE FOREVER KING ❤️👑❤️👑❤️👑❤️👑❤️👑❤️👑❤️👑❤️👑❤️👑❤️👑❤️👑❤️👑❤️
This is the Best Elvis/Edit Compilation I have seen yet! I have an Elvis Channel too- more Artsy type videos. Wish I had your editing talent. Truly Amazing! Thank You🙏🏻👍🏻💗
Fantastic Robbo! Elvis estate needs to get hold of you fast. The absolute lame videos they've been putting out are light years behind the quality and imagination you put into this. Very impressive. Perhaps you should get in touch with them and show video this against the dire Suspicions Minds video they just put out, This is more like it, real imagination, quality, and talent. Cheers.👏👏👍👍
An extraordinary edit, amongst the best I have ever seen. Kudos from here to Lima, as they say in Spain. The day I saw him live, on 10 November 1971, the critic RollingStone magazine sent to review the show was Jon Landau . And there is a long paragraph in his review that I would like to share with you viewers, and with you as well. And I quote " There is something magical about watching a man who has lost himself find his way back home... He sang with the kind of power people no longer expect from rock 'n' roll singers. He opened his Boston concert with "That's Alright Mama", but singing it with enough verve to scare the unsuspecting. In fact, he sings so well, the audience hesitates to press him for more, his purpose being to please himself by pleasing them, never to please them by pleasing himself" Your edit and these words by Landau dovetail and they do, so nicely. I only have one complaint, and that is why on earth did you NOT leave Shirley Bassey in this extraordinary edit? scontent.fmga3-2.fna.fbcdn.net/v/t39.30808-6/328015594_849036756181159_5048572824568533386_n.jpg?_nc_cat=105&ccb=1-7&_nc_sid=dbeb18&_nc_ohc=UdkfBt--PVoAX-Hp5qw&_nc_ht=scontent.fmga3-2.fna&oh=00_AfCi4cwCfCA_a1Z_f-TGgEOcWw4d9kTtS3iPzXFym2npjg&oe=63DAF0C1
I kind of wanted to keep as much Elvis in it as possible. This edit is mostly done on the TTWII special edition with credits and lots of audience shots. It also contained audio of screaming fans. I basically took out the credits and fan shots. I replaced the audio with the official Sony release of this track. If I had kept Shirley in, I probably would have had to keep more fans in also.
@@robboelvisvideos8605 Ok, but which of his fans filmed that day had this memorable encounter with Elvis, that same night, at the 30th floor. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-KZhxEBA0MQk.html
