This aria touches me so deeply! I feel transported to a higher sphere. Thank Heaven for such sublime music. I am sure it is anything but "easy" to sing. Just sit back and enjoy, and if this isn't your favorite singer, then there are others you can listen to. Please stop insulting artists who work so hard to interpret these sublime works for us. We can all have our preferences. Let's be glad there is a way we can reproduce these performances, even from years ago. Peace and love to all.
Soprano joven con gran proyeccion.Voz bella,con sensibilidad,muy bien proyectada.En la línea de canto y diminuendos,por poner algún "pero",y,sin comparar,creo debería escuchar cantar esta aria a Monserrat Caballé,cuya sutileza es inigualable.creo y espero sea una gran soprano
Nadine has arrived, absolutely, beautiful rendition of Depuis le jour. her breath control is off the charts, truly one of the best renditions i have ever heard. and the beauty of her voice, is like a breath of fresh air. we are very fortunate to have a soprano of her standard, god bless you, and thank you nadine. all the best. Louie Vaccaro, tenor, las vegas.
Praised for her vocal beauty, seamless technique, and abundant musicality, Nadine Sierra is being hailed as one of the most promising, young talents in opera today. She was named the Richard Tucker Award Winner in 2017 and was awarded the 2018 Beverly Sills Artist Award by the Metropolitan Opera. Having made a string of successful debuts at the Met, Teatro alla Scala, Opéra national de Paris, and Staatsoper Berlin, she has become a fixture at many of the top houses around the world. On August 24th, 2018, her debut album, There’s a Place for Us, was released under the Deutsche Grammophon/Universal Music labels.
Such promise!! A very talented young singer, at the beginning of her career. Intelligence, beauty....stay away from the ‘big’ roles.....training and coaching with someone who knows what they’re doing, is highly recommended!
Nadine - певица с яркой индивидуальностью . Особенно она хороша на длинных нотах . Ее мелодия выразительна и очень естественна как и она сама . Браво Надежда !
this is very very difficult aria dont know what this whole thread is getting at. shes just trying to control too much using too much effort. if the voice isnt vibrsting freely its normal that some wobble appers. cmon shes really young. i dont love her but jeez let her, shes still figuring it out
She's wobbling so much. It's incomprehensible considering she's young. She's a pretty face and nice body. Imagine her auditioning while Caballe and Sills and Freni were still around? She'd be laughed off the stage.
She nails it. I also enjoy La Cotrubas version and La Netrebko live at Victoires de La Musique France. And above in the sky of Legends of course La Caballe ❤ version. What about you ?
You are so right Jorge. Glorious big voices occasionally seem to have more difficulty controlling delicate pieces. But I thought she sang it beautifully on this occasion. Beautiful face, beautiful figure, beautiful voice. She's got the works.
J'aime lorsque les personnes ici apportent des critiques alors même qu'ils n'y connaissent absolument rien, car pour faire des comparaisons hasardeuses entre des chanteuses aussi éloignée en tessiture vocale telle qu'une Maria Callas : soprano dramatique et Nadine Sierra soprano lyrique ;c'est aussi débile que de faire la comparaison entre la voix de mezzo colorature d'une Sabine Devieilhe, et la Très regrettée Soprano dramatique Alexia Cousin qui n'ont rien en commun par leur tessitures vocales. Ensuite, il y a le répertoire : chaque voix est plus à l'aise dans tel ou tel registre, ce qui n'interdit pas de s'essayer à tout chanter en prenant bien conscience que l'on sera moins performant, car en dehors de sa zone de confort. C'est un peu ce qui se passe ici avec Nadine Sierra dans cet aria de Louise, en tant que soprano limite colorature qui manque par conséquent de chaleur et de rondeur dans les graves et les mediums contrairement à une Montserrat Caballé avec pourtant la même catégorie de voix, mais qui avait cette prouesse technique d'avoir dans sa voix les rondeurs et la chaleur d'une mezzo soprano dramatique mieux adapté pour chanter l'air de Louise ce qui n'enlève absolument rien à l'immense talent de Nadine Sierra, qui performe bien plus magistralement dans la Traviata de verdi par ex et garde toute mon admiration n'en déplaise aux Cassandre qui ne connaissent rien en chant et qui ici la critique et la dénigre.
Well done considering this piece is not as easy as it appears. Just look at the score. Difficult to keep the tempo flowing without oversinging like many performers.
I hear vocal distress from over-singing. The vibrato is rather pronounced for a relatively young singer, and she has intonation issues. I think she should back off the heavy repertoire.
Testo della romanza - Depuis le jour où je me suis donnée, toute fleurie semble ma destinée... Je crois rêver sous un ciel de féerie, l'âme encore grisée de ton premier baiser. Quelle belle vie! Mon rêve n'était pas un rève! Ah, je suis heureuse! L'amour étend sur moi ses ailes! Au jardin de mon Coeur chante une joie nouvelle! Tout vibre, tout se réjouit de mon triomphe! Autour de moi tout est sourire, lumièere et fête, et je tremble délicieusement au souvenir charmant du premier jour d'amour. Quelle belle vie! Ah, je suis heureuse, trop heureuse, et je tremble délicieusement au souvenir charmant du premier jour d'amour.
Sóprano joven con enorme proyección.Voz preciosa,sensible,bien proyectada en agudos,medios y graves.Salvo algunos matices en diminuendos,fiatos y liessons
hahahahahahaha which world do you live? This voice is about a 100 times smaller than young Callas. As a matter of fact young Callas was a FAT woman and her voice was much much darker, dramatic, heavier and much bigger as a fat young woman than what it became after she lost over 100 pounds later in her career. Nadie is a soubrette. A soubrette soprano vs a real dramatic voice like Callas had? There are NO similarities at all. Nadine wishes!!!!!!!
chosentenore Take a chill pill, he said timbre i.e. her vocal color. He also said “here and there”, meaning in spots only, no one said she sounded *exactly Like Callas or even *overall like Callas. And He never mentioned anything at all about fach. Use basic reading skills before flying off at the handle like a Psychopath, it’s literally uncalled for. His opinion isn’t invalid merely because you say so. See that’s How Opinions Work...
@@beachfanatic2010 Get off your high horse, bud. Cool! You know how the voice works. Guess what? A lot of us do. She's giving a performance, which means she is still working on herself. When you stop performing you stop working to better your musicianship, that is fact. Don't attack others for thinking someone is okay, good, etc. because you don't. And you DEFINITELY won't tell me or anyone else we can't talk to you, you aren't Renée Fleming or Jessye Norman, God rest her soul. You are no higher or mightier than any other pitiful RU-vidr spouting hate and filth.
@@beachfanatic2010 Rien à voir avec la Callas puisqu'on est pas dans le même registre vocal. Ici, c'est une soprano lyrique limite colorature, alors que Callas était une soprano dramatique
I like her but will she last till 40? 45??? Already falling off pitches and somewhat sliding and a bit flat. Why do they rush to put her up there at the top when she is not quite yet ready???
She's sung more difficult arias perfectly. Depuis Le Jour is definitely within her abilities. Singers are humans, not machines; she may just be having an off day.
