Loved the studio, this live blows that away! Let me know your thoughts. Don't forget to Like and Subscribe! Check out the NEW Amazon links in the description!
I had a vary hard time holding tears when I saw them in Nagoya in January when they played it 😭 Mayu's voice is otherwordly live, so much emotion in her voice I personnally have never hear that before. She floored me and became my favorite singer ever during this show. She is mostly known for her screams but her cleans are just outstanding.
Such a beautiful song. I do agree the studio version is amazing. the live is even better. Love hearing this side of Mayu and Saki and Hazuki solo? BRILLIANT!! A gorgeous solo between them. those two together always leave me in awe. So much fun listening to incredible band and a thrill to see them live. It was so cool to see them live and can't wait till they come back to the states. Also this concert this video is from is being released on Bluray soon. The whole concert.
They took this vdo down for a time for technical reasons. This show was Feb. 10 Zepp DiverCity. Saki wrote the lyrics, Hazuki wrote the music on a piano, said she wrote it as an acoustic ballad. Naoki Oka is credited as co-composer, he worked often with Saki in her Mary's Blood days doing their arrangements, probably arranged this tune too. Saki said the album "Seize the Fate" has a positive vibe, she didn't want the songs' lyrics to be about unresolved angst or despair. Said the album title was inspired by Beethoven's remark about seizing fate by the throat, taking charge of it.
@otobokegaijin6218 Wish I could have seen that. Always called HARA their secret weapon, but HAZUKI is their diamond in the rough. So happy to leave all the space for SAKI and LISA-X to shine, but she is the magic behind it all.
@@waterwalker9600 Fully agree about Hazuki. Fine guitarist but very modest personally. Her personality is quiet, low-key, mellow, and she's happy to play second fiddle (as it were).
Parallel intertwined solos are definitely the way to go for Nemopila. Nemophila should make this their trademark. A beautiful piece, perhaps the prettiest? I'm glad that Nemophila is so diverse.
Saw them in NYC and it was great, made me become an even bigger fan. Loudest concert I have ever been to. Waiting for them to come back again. Saw Band Maid last Ocober and going in May. Just got BABYMETAL tickets for Sept. Now just need a Lovebites US tour. Peace.
Even as someone who shuns spotlight and is perfectly happy to support another guitarist, Hazuki STILL shines so brightly! She is definitely my favorite guitarist in this genre.💪🏻🤘🏻
Was waiting for you to react to this!! 🔥🔥🔥🔥🔥 The beautiful sound mixing live version along with Mayu's emotional performance makes the song ever more solid
no raspy, no screaming vocals, but with mayu sweet and emotional voice, and that guitar solo section, two guitarists are doing different solos at the same time, the sound together is really wonderful!🤘🏻🌸🤘🏻
As much as it hurts me to see Mayu struggle with her emotions, it adds that certain something to this performance that elevates this already brilliant song to a very special level. ❤🔥 And the fact that they have a great sound mix for a change, which also highlights the instruments perfectly, especially Hazuki and the solo section, is just as much a part of it. 💮🙏🏻 ___________________ 「 _"完璧なんてありえない" / Perfection? No one gets there._ 」 --- *BAND-MAID* 'Warning' 🕊
Thank you for posting this and reacting to this beautiful song. This is really the best way to hear Nemophila -- a live performance well mixed (though edited and therefore likely very different from hearing the experience of hearing it live), with instruments perfectly balanced and Mayu's singing on point. Hazuki's "ballad" let's everyone perform in support of each other without drawing undue attention to any one person. This includes Hazuki's and Saki's exquisite guitar duet, which mixes great interplay, sensitivity, and virtuosity. I know a lot of attention is rightfully given on social media to M&M, but everyone can heap equal praise on H&S. That said, I think an actual acoustic arrangement with band members offering backing vocals would be too wonderful for words (think Gacharic Spin's acoustic take on "Alive" from Delicious Live)!
What i noticed from SAKI is she kinda feel holding herself back. When the song is building up, when she turned around to look at Tamu, she let herself fully deep in feeling the song. Every time she turned around to look at Tamu, something is happening with SAKI.
