New Remixed & Remastered Revolver Early Release Tracks Reveals a Beatle Mystery, and So Much More! 

Mr. MICHAEL NOLAND you should be a music producer. You got the music down you def know your 🎶

This and Rubber Soul are the Beatles albums most in need of a remix. I can hardly wait!

i almost cried when i heard john singing yellow sumbarine, it felt so real, cant really describe my feelings hearing it

I'm in Liverpool and love how Americans took the Beatles to their hearts, Always a pleasure to meet American Beatle fans in the City, were all a bit flattered to be honest with you because of Elvis, Jazz, Hollywood, Blues, Soul etc😁

Gotta go with “No one Cared” for the Yellow Submarine cut. I absolutely LOVE hearing him work through this!!

Great vid Micheal. Love your enthusiasm on this and of course on previous vids too! Thank you so much.

I'm so glad John and George listened to these remixes and signed off on them. 👍

Great video as usual. So mind blowing to see how yellow submarine started.

Michael, your videos are informative and very enjoyable. Keep it up!

Excellent video Michael...5 days to go!! Revolver has always been my favourite Beatles album. Have played it to death and will do the same with this delux set. It is mind blowing that have listened to these tracks probably a hundred times and more and they never get boring/tiresome. My favourite song on album is AYBCS. Take 5 supposedly heavier than album take?? I cannot wait to listen 😄

I'd go as far as to say that we were robbed, this version of got to get you into my life blows the final mix out of the water. Whoever decided to turn down the fuzz guitar is guilty of a phenomenally grave crime

I love the Beatles

Oh yea dude! I'll definitely buy a t shirt for the channel! This is one of my favorite music shows

Fuzz bass playing the horn parts at “Got To Get You Into My Life” at the Super DeLuxe version recently released. This is probably Macca showing Martin roughly how he want it to be made by horns.

Fantastic Mike!!....🍁

I really like the stripped down version of Got To Get You Into My Life... it's less schmaltzy.

Have you noticed that the guitar riff on this version of "Got To Get You Into My Life" is almost identical to "Paperback Writer"'s riff? The tempo is different, the guitar tone is different, but these are basically the same notes.

The brass parts on Got To Get You Into My Life sounds like Paul’s fuzz bass (same sound as on Think for Yourself)

Michael - I would not be aware these other tracks had dropped yet unless your video appeared in my feed. Gratitude. #1 I'm stunned by the 'Yellow Sub' and 'Into My Life' tracks. Gobsmacked. 'Tomorrow' is definitely the same as Anthology but cleaner, if you will. I often watch on my TV which doesn't permit me to comment. So let me take the opportunity here to tell you how much I enjoyed the CCR content you recently posted. Well done, well timed and juicy. Gratitude #2.

Hi Michael, like you I can't wait to hear the new album. I can A/B the songs with my Parlophone original. And another later copy I have. Awesome run up to the new release. Join me Sunday on Royce in the House as we explore Laurel Canyon's music scene during the Summer of Love when the Counter Culture was on fire. It should be a fun time.

Rubber Soul and Revolver are my favorite Beatles records.

Great analysis. Can't wait for Yellow Sub Part 2! John's melody is the main course, Paul's chorus is the dessert.

first, the melody John comes up with is not the finished melody, it's in 6/8 time, and he has virtually no words except "in the town where I was born, no one cared". It is beautiful in this form no doubt. It's a wonderful fragment of an idea of the song. When Paul states it was "mainly" his song , he is likely referring to the chorus , the entire rest of the lyrics, the changed melody and the changed time signature. So, it still is probably 80 / 20 McCartney. But this is how they likely worked many, many songs and WE (the listener) are not privy to all that because WE weren't there. If John, himself says it was mostly Paul's baby than that is pretty much the answer. Suffice to say.. they contributed to each other song's more than we know.

Gratitude!

If I can notice something I never heard before or its clarity is improved, I consider that enough. I’ve never been all that bothered by the placing of the instrumentation and vocals. Anytime I say, “I have to go back and listen again to the original”, that’s a plus in my book. That’s happened more than once. Giles simply turned it up to where you could hear it better.

I almost thought it was a kazoo or paper over a comb on got to get you into my life loving it very upbeat and jaunty

fabulous presentation

Great insight into the new releases Michael. And like you I find it fascinating to delve into the intricacies of who played what - often with some surprising discoveries! And well done on the channel growth. You've put in a lot of hard work and it's obviously paying off. So pleased for you 👍👍

Keyboard instead of the horns??? Correct me if I'm wrong, but it sounds more like a guitar through a fuzz-box to me!

I am willing to bet that is Paul's fuzz bass, not a keyboard. We'll have to wait for the box set.

Rubber Soul is the one people waiting for..what a masterpiece

My belief at this point is that the same Fuzz Box (Vox Tone Bender) that Paul used on “Think For Yourself” is being used on Guitar. If so it’s at this point not clear if Paul or George is playing it. If it’s a Keyboard of some sort it sounds like it’s being played through that same Fuzz Box. It’s all single note so I lean towards it being a Guitar. If you listen closely to the original mix the Horns are in the right channel and very faintly in the left channel you can hear the Fuzzed Instrument. It is a little bit louder on the second verse.

It’s interesting that close to the release of yellow sub that it’s was described as two separate songs put together and yet for the rest of his life John insisted every time he was asked that it was a Paul song and Paul agreed. Now what we need is for someone to ask Paul to clarify, but of coarse they won’t and instead will continue to ask him the same tired questions and get the same tired answers.

I hear on the new got to get u, shades of the guitar in getting better!

I do like to know exactly how the songs were built: who wrote which parts? Who played which instruments on which pieces? That’s the main part of Beatles history that interests me.

No need to wait to hear the boxed set. It's been available on free download sites since Oct.20,2022. Yes, I've ordered the CD boxed set (specifically the Japanese SHM-CD pressing, which will arrive from Japan in early November), but thanks to the free download sites, I'm enjoying the music now. The free download also has a PDF file which gives you the complete book.

Excellent video. Just one comment on the pre-released early version of Got To Go Get You Into My Life: To my ears it doesn't sound like an organ but like a fuzz guitar that was used instead of the horns on the final version.

Didn't know John wrote the verses for yellow submarine

Great video Michael. I'm also so looking forward to this release. I also see they're re releasing the early Queen albums remastered Queen ll comes out November 4th. Remixed from original analog tapes. Lot's of vinyl to buy lol.

I do not begrudge paying out for all these deluxe boxsets (vinyl for me) because we are getting lots of new and unheard stuff from a band that broke up 52 years ago. You get to hear how creative and prolific the Beatles were and how they collaborated with each other. Listening to this work in process of “Got To Get You into My Life” has made me love the song for the first time because to be honest, the finished version with all the horns, was never my favourite track off Revolver. Imagine how it would of sounded if it was a Guitar driven track like Paper Back Writer and Rain? I’m sure we are going to enjoy listening to the new boxset. 💜💜🇦🇺

So Mike, you’re saying this remix package is worth plunking down $200? I have an original UK mono pressing, with the remix 11 of "Tomorrow Never Knows" which still sounds fantastic, as well as, a few other pressings. It’s getting a bit much financially these days. So at this precise moment I’m undecided. However I’ll probably break down and buy it. Love your channel.

different mix tracks always interesting.

Beatles Revolver is mostly Paul’s gig but Lennon added a lot.

Apple/Universal would do well to add you to their elite list of RU-vidrs getting advanced freebie copies of these sets. In time, I’m sure.

"The Town Where I Was Born"

Yea these mixes were amazing to hear! Can’t wait for the full release..

I have a question about pitch correction applied to vocals. The answer will be an unsettling surprise to some and maybe others simply don't care. IT HAS BEEN WELL ESTABLISHED , at this point in time, that pitch correction is now being applied in real time to current live performances as well as current studio recordings. One of the "key" phrases to understand is the difference between "re-mixed" vs "re-mastered". Pitch correction software now has the ability to take master tapes recorded 50 yeas ago, isolate individual vocals, pitch correct them and then add them back into the new mix - one of the choices the engineer makes when "re-mastering". . One of the problems is that the general public has no idea at all that this is happening or really even understand what this exactly means. They just care that it sounds great. And I also find disturbing that this information is NOT being included when you purchase a "re-mastered" version. They really don't want you to know. Now I don't know whether Giles has pitched corrected the vocals, or not. BUT, If he has, then these new releases really constitute false advertising and "butchering" of sorts. Personally I don't want to hear John's voice pitched corrected. It simple it not real and hence not John. It is a mechanical, roboticized version of him. But I don't know if it has. And before some you you go off the handle and make the case that pitch correction is just another effect, like reverb or double tracking --- well --- your wrong. This alters the voice between the mic and effect that might be applied to it. So in the end, this could be a very grave error on the part of Giles.

The Brass part is not a keyboard it is a guitar with a Fuzz tone pedal .

I always personally had a “blah” view of Got To Get You Into My Life because of those annoying freaking horns. Those freaking horns ruined Lennon’s Nobody Loves You from Walls and Bridges and were annoying during Wings Over America which zI saw in Oakland Cow Palace when I was 15 yrs old. We took BART to get there, just me and a buddy of mine. BART was new at that time. We got there by mid morning and it was festival seating so staying in-line was critical. There was already a huge line but us two 14 year old punks cut way way close to the front of the line. When they opened the doors we ran like hell and got right in front of the stage… like we could lean on the stage. During the concert the Bedlam of the crowd pushed us back somewhat but it was insane for a 1st concert experience. We cut out before Paul could his final encore which Paul didn’t do anyway because he was angry at the crowd for a couple reasons, so we make the last BART return time. Paul was pissed at the audience because some dumb girl threw a wrapped b-day present for Paul at him while Paul was talking. The present hit the microphone which hit Paul’s mouth. Paul was clearly pissed off and said “thank you” and kicked the present off the stage and had someone bring him a towel to see if he was bleeding. Then, after 1st encore, Paul said he had a REAL SPECIAL SURPRISE for a guest and of course everyone thought “John Lennon” and we got a major crowd pushing and crushed and paul said Billy Graham and some people started booing and it was a real let down. I didn’t know who or cared who Billy Graham was. Anyway, we had to run like hell for the BART station and barely was able to leave Oakland to go home that night. I can’t believe my parents let me do that but times were so much more innocent back then. Crime felt rare. It was not the hellhole it is today.

I've done some Beatles remixes in the past. Many years ago. Too bad I can't really put them on RU-vid. Some sample-heavy electronic remixes I did on an old Yamaha SU700.

Check out blank pages by Frank James and peacock alley by Damion angel 2 really fine albums

The entire box set has been leaked if you know where to look for it. Just sayin'...

The Yellow Submarine John demo really got to me. I can’t stop listening to it. It captures such an incredible intimate moment of this genius and his magnificent voice. It is a true gem that’s been hidden for so long.

No music? Out last Wednesday..prerelease promo copies out o u t

leaked

Hey buddy NOT a Beatles Fan , but , Im glad their songs are only 2 minutes long lol

you remind me of that vocalist cretin Ken Tamplin.....not as "repellent"....but still..... combining "old toad" optics with gushy, gaggable enthusiasm. But hey, you're approaching 20K!! KUDOS to you.........

Play the music you’re talking about man

Where are clips of these new mixes? It’s boring just to hear you pontificate on the differences!!