Je viens de découvrir cette version, que dire de plus que Superbe tous autant les uns que les autres ! Je l'ai écoutée quatre fois ( x4) de suite, toujours aussi beau. Bravo à ce jeunes interprètes de New York... Je la garde sous le coude pour les jours prochains c'est vous dire... Jean Lecomte
Unless you were there in Vivaldi's time, i wouldn't know why this or any other interpretation wouldn't be valid and valuable in itself. Even so, there is no holy book of rules for any period or for any kind of music. This is a wonderfully inspired live performance, that brings great joy. Well done and well presented. Live music at its best.
While there is no book of rules for any period, you can extrapolate with greater precision for diferent sets of documents left for history. We know that we can't play Vivaldi the same way we play Mozart or even more clear of a diference, we can't play Vivaldi the same way we play Schubert. We know that from all the documents, letter and treaties that were left from people in those times. We can have a sense of what as considered acceptable or not. IF you want to know a little more, there's a book that talks about this in a funny and easy way to understand if you have little to know musical knowledge but if you do the book is even better, with musical exemples and everything -> The end of early music, by Bruce Haynes.
Karajan would want want all composers to be played in the same way. Suffice to say that it is far fetched to imagine him conducting an early music ensemble. As for this performance I enjoyed it but I prefer Il Giardino Armonico's.
The entire performance is brilliant. I enjoy watching the added musical character, which I think makes the performance seem more meaningful to its audience. The character shown amongst the musicians reminds me of a question-answer or some kind of musical interplay going on between the musical instruments (like a conversation) and it is nice to see the musicians acting alongside showing this kind of thing; with facial expressions and variations of mood, from energetic, serious and happy. It makes their performance more entertaining and expressive.
Considering how young they are and how difficult is this piece they were "bravi". ☺️ However thank you from the bottom of my Heart for using finally the correct handwriting "Follia" and not "folia'👍
Sorry but you must consider that this piece is not an original composition of Vivaldi but a version of the original folklorical music of Spain in the baroque period named "Folia". The real name of the piece is "Folias de España".
@@didacorodericci9630 Thanks for the credit! Mine is probably the earliest of the "modern" folias, but there are certainly other versions of this _ostinato_ that are even older.
Great to see and listen to it:) not only string instruments are present ( even those are my love) , every thing is artistic, including those red/ black, my bow to this group.
MAGNIFIQUE ! Tant qu'il y a des jeunes qui jouent la musique baroque averc tant d'enthousiasme ( aux Etats-Unis !) , je garde l'espoir. Tant pis pour quelques petites imperfections.... Un groupe profondément sympathique. On en redemande !
Someone described what an early performance of this would look like. Early in the 18 century Vivaldi's students were orphaned girls. He wrote this music for them to play. You would be in a church and they would walk in and sit on the high choir balcony all covered in white from head to toe and sit and play music like this.
To lucypal42: an ipad allows a keyboard to play without a page turner. You can turn pages with a pedal. I wonder if your ancestors bemoaned the use of printed music over manuscript?
In the early days of printed books the wealthy often had their staff write out neatly the text and then trash the printed copy. Printer’s font designs themselves were based on the best handwriting styles.
La rivisitazione musicale che fece Vivaldi, ha una sua interpretazione che si discosta dall'Originale Follia di Corelli. A me personalmente piace la Follia originale scritta dal Corelli.
cielo e meraviglia la follia originale fu composta da Lully, poi tanti altri compositori ne fecero della variazioni, tra i quali Corelli, Vivaldi, Marais, Scarlatti...
The immediate quality of your contrasts in theme call the biological functions of musical response into brilliant activity and the whole body responds with involuntary enthusiasm. Such a success!
Violinplayer and Quantz: Have you ever heard of hemeneutic distanciation? This IS the 21st century; whatever Vivaldi heard or wished is pure speculation and does not force us to perform or listen to a "certain" intonation. Performers, readers and listeners have a right to their own version. Liked the IPad also ;-)
for Achilles: there is no flutist nor flautist, as there is no flute in the ensemble/orchestra. The only wind instrument is a recorder, played by Priscilla Smith. In other languages it is called a "sweet flute," but not in English.
@@emilianoturazzi Correct. It isn't a _transverse_ flute, but a recorder is still a _type_ of flute, and there's nothing wrong with calling it that, even in English. Most people will probably understand you better if you call it a _recorder,_ though!
@@andreafalconiero9089 yes you are correct, too. but being a footage of a concert (and with the proper name in the description) there isn't any risk to misuderstand thinking to a transverse flute :)
It’s a fipple flute, played by Priscilla Herreid, currently artistic director of the Philadelphia based Renaissance ensemble Piffaro. Bravo performance!
I really love her playing, but the circling motion she keeps making with the end of her recorder is distracting from her performance. We're already looking at you, you don't need to make a spectacle of yourself! still great though.
+Sonja Maria Dover some people think musisians deliberately make such motions. Believe me, this goes totally automatically. It's just a sign she focuses totally on the music.
I know i'm months late, but I perform music on occasion. I can confirm Jon's statement 110%. Not just from myself but from working with other musicians.
You are projecting your own ego concerns on someone else. She's just playing - and enjoying - the music. She's not thinking about how she looks. If she did she wouldn't be able to play very well. If you're actually interested in the music, close your eyes. Otherwise, why not go to the movies?
***** Cultural Appropriation: "The ridiculous notion that being of a different culture or race (especially white) means that you are not allowed to adopt things from other cultures."
La Tempesta Peanut butter was culturally appropriated from the ancient Mayans by George Washington Carver, but he was black, so we must blame white men for it.
***** It tastes pretty good. The Romans appropriated the gladius from Hispania, it made their legions much more effective. Cultural appropriation is a silly term.
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