José Fernández Bardesio plays Oblivion by Astor Piazzolla, piece included in the CD "Dirección Sur" . Arr: J.F. Bardesio www.fernandezbardesio.de www.haensslerprofil.de Guitar: Daniel Friederich, 1983
I noticed he plays predominantly with this thumb and first two fingers then surprisingly used his Little finger for the higher section. The best rendition of this Piece and I really don't like Piazzolla jammed on the guitar. This is exceptional letting the music breather and flow. Congratulations on a masterful arrangement and incredible musicianship
This man is a multitalent, the arrangement, his technique, his understanding, his inner calmness and expression are incredible achievements. This is not only a musician, he is a brujo who invented La Guitarre Enchantée.
Beautiful, angel-like performance with great musicality, effortless playing, incredible emotion, tone and touch. You are an incredible Maestro! Sincerely, Jim from Southern California
Felicidades Maestro Jose Fernandez Bardesio. Su arreglo y la manera magistral en que usted interpreta al gran Piazzolla es algo mas,que un regalo para los amantes de la música y un punto de referencia para nosotros los guitarristas. Vaya ironia el titulo de Oblivion para una joya inolvidable. Es posible adquirir la partitura en alguna parte? Gracias
Excelente ejecución y arreglo! En mi caracter de aficionado y de poca técnica valoro mucho cuando un.arreglo respeta fielmente el.espiritu de la obra y ademas es "amigable" en su digitacion. Felicitaciones al yoruga
Among all arrangement I've came across with, this is most moving one. Just great, clean sound, super b technique and, of course, to play Piazolla, the feeling is the most important! Maestro. Bravo!
Не согласен с Вами. После Нади Коссинской выглядит никак. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Ez62cQPYyI8.html&start_radio=1 Хотя видно, что человек хорошо играет ...
@@Foma_Popov Exactly, Nadja's arrangement and rendition is incredibly moving, perfect and haunting. But Bardesio is great, too. Good there are two such fine artists around.
Maestro i miei più sentiti complimenti! Interpretazione magnifica, tecnica impressionante e suono purissimo.L’arrangiamento è meraviglioso, posso chiederle se è possibile acquistare la partitura? Le rinnovo i complimenti e la grande ammirazione.
Very nice, but a question: Why the separation between the turn and the mordent at 1:32? Seems like it should connect there to maintain intensity. I mean, this guy has obviously been playing guitar longer than I've been breathing! Rock on!
Dear Jose, felicidades, it's an amazing arrangement, I would be grateful if you can send me the notes and tabs. I'm very excited to play. Regards, Vitor
Dear Jose , the arrangemnt is really good. Could I get it as well? If i play it live or record it you can count on the credits for the arrangement, Thank you very much!! my email is dachaguitar@gmail.com
Hermoso José, bravo!!, Posees una de las Friederich más bellas que he escuchado, me encanta. Si pudieras pasar el arreglo te dejo el mail, adrianoalanis@hotmail.com Saludos!
Посмотрел, послушал... выглядит она, разумеется, тоньше и изысканнее. :о)) Но исполнение (на мой взгляд дилетанта) не вполне верное: пьеса Oblivion по жанру - милонга, а это означает соблюдение определённой, характерной для милонги ритмики (хотя бы подспудно). У José Fernandez Bardesio понимание этого имеется и исполнение соответствующее. У Косинской эти замедления, акценты и прочие украшательства только портят музыку и замысел автора. Опять-таки, это сугубо личное мнение. :о)) Ну и, разумеется, инструмент у José Bardesio по звучанию настолько превосходит тот, на котором играет Косинская, что и сравнивать их трудно.
