Octatrack midi out runs to CV.OCD midi in. A 64ppqn clock from CV.OCD runs to the DoubleKnot clock In. A division of that that clock is then being sent to the clock input of The Man with the Red Steam with another division being sent to one of the Gongs to give me the 4/4 beat. The first and third red outputs on MWTRS run to the data inputs of the DK, the second is triggering the other Gong and the third is sent to the Deerhorns orange.The first, second and third oranges of MWTRS are triggering the AvDogs and Dust with the fourth looping back around to the Data Input. The AvDogs internal sound is muted and Dogvoice is being sent into them to be shaped instead. The Deerhorn is muted and is instead being used as a modulation source. The UltraSound Filters are listening to one of the envelopes and also one of the clock divisions from the DK, I also have the Dust audio output running to the versio input of UF on the mixer.
I am doing the same thing with the audio output from the Gong I am using for the 4/4 ( In the case of the Gong it is boosting the volume but with the dust into UF versio in, it is allowing some of that magic dust to seep into the UF).
The DK audio output from one side is running to Astral Destiny and the other side into the BugBrand CrossOver Filter (which is set to the Twin Peaks Configuration). One of the R2R outputs and the XOR output (being fed by above mentioned R2R signal aswell as the SawWave from the other other half and step seven from the shift register) are controlling CVF1 and 2 on the COF.
Octatrack is acting as a mixer with effects aswell as providing the hihat.
4 янв 2024
