Offenbach - Gaîté Parisienne, Arr. M.Rosenthal / REMASTERED (reference recording: Felix Slatkin) 

Album available // Offenbach: Gaîté Parisienne & Symphonic Dances by Felix Slatkin 🎧 Qobuz (Hi-Res) bit.ly/41C4Ac8 Tidal (Hi-Res) bit.ly/3VtbFag 🎧 Apple Music (Lossless) apple.co/3VvYkOx Deezer (Hi-Fi) bit.ly/3FYEENx 🎧 Amazon Music (Hi-Res) amzn.to/47kAyL7 Napster (Hi-Fi) bit.ly/3vgKIzn 🎧 Spotify (mp3) spoti.fi/3NGfBn7 RU-vid Music (mp4) bit.ly/3hR0xXb 🎧 Pandora, Anghami, Soundcloud, QQ音乐, LineMusic 日本… Jacques Offenbach (1819-1880) Gaîté Parisienne & Symphonic Dances by Felix Slatkin Gaîté Parisienne, Arr. Manuel Rosenthal 00:00 I. Ouverture (La Vie Parisienne) 02:05 Il. Allegro moderato (Mesdames de la Halle) 03:09 III. Polka (Voyage dans la Lune) 04:41 IV. Ländler (Lieschen et Fritzchen) 06:15 V. Mazurka (La Vie Parisienne) 08:29 VI. Valse (La Vie Parisienne) 10:37 VII. Entrée du Brésilien (La Vie Parisienne) 11:44 VIII. Polka (La belle Hélène) 13:08 IX. Valse (Orphée aux enfers) 16:30 X. Marche (Tromb-al-Cazar) 17:51 XI. Valse (La Vie Parisienne) 19:40 XII. Entrée du Brésilien (La Vie Parisienne) 19:53 XIII. Valse (Les Contes d'Hoffmann) 21:52 XIV. Le Duel (Rosenthal) 24:10 XV. Valse (La Périchole) 26:48 XVI. Prélude au Can-Can (Rosenthal) 27:12 XVII. Can-Can Scene 1 (Orphée aux enfers; Robinson Crusoe) 29:07 XVIII. Can-Can Scene 2 (Polka; Orphée aux enfers) 30:54 XIX. Can-Can Scene 3 (La Vie Parisienne) 32:57 XX. Can-Can Scene 4 (Orphée aux enfers, La Vie Parisienne, Les Contes d'Hoffman) Symphonic Dances: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-cu-p26fuZ-U.html Waltz (The Sleeping Beauty; Pyotr Ilyich Tchaikovsky) Bacchanal (Samson et Dalila; Camille Saint-Saëns) Navarraise (Le Cid; Jules Massenet) Galop (The Comedians; Dmitry Kabalevsky) Norwegian Dance No. 2 (Edvard Grieg) Russian Sailor’s Dance (The Red Poppy; Rheinhold Glière) Pizzicato Polka (Sylvia; Aram Khachaturian) Sabre Dance (Gayne Suite; Aram Khachaturian) Pavane for a Dead Princess (Maurice Ravel) Farandole (L’Arlesienne suite; Georges Bizet) Polka (Schwanda the Bagpiper; Jaromír Weinberger) Hollywood Bowl Symphony Orchestra Conductor: Felix Slatkin Recorded in 1956, at Hollywood California New mastering in 2022 by AB for CMRR ❤ Join us on our WhatsApps fanpage (our latest album preview): bit.ly/3Mraw1r 🔊 Discover our new website: www.classicalmusicreference.com/ 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ): bit.ly/370zcMg 🔊 Follow us on Spotify: spoti.fi/3016eVr ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr For fun, wit and exuberance, it would be hard to find anything in ballet literature that compares to the Gaîté Parisienne. An ironic homage to Parisian café society, which takes off in a bright and lively clip, lightly launching one dazzling musical motif after another. Using the delightful melodies of composer Jacques Offenbach and the book by Count Etienne de Beaumont as ingredients, Leonide Massine, a world-renowned dancer and choreographer, created the ballet in 1938 for the Ballet Russe de Monte Carlo. This production, which translates all the effervescence of Offenbach's music into dance, was a spectacular success and the ballet continues to be enthusiastically received. La Gaîté Parisienne is set in a fashionable Parisian restaurant where, as the curtain rises, the waiter is animatedly preparing for the night's activity. First to arrive is the saucy Flower Girl, followed by three cocodettes (girls of easy virtue) and their escorts who launch into a lively mazurka. But the girls are quickly abandoned when the charming glove saleswoman makes her appearance, men crowding around her as if she were a princess. Then, to enter the café, there is the comical and greedy Peruvian, who always carries his luggage, so eager is he to enjoy the legendary delights of Parisian nightlife. Although most of the girls laugh indulgently at his antics, the glove salesman (whom he loves) chooses to ignore him. But when the elegant baron arrives and rejects the flower girl, the glove salesman is delighted by his attention. The increasingly tipsy Peruvian is briefly entertained by the cocodettes, but is pushed aside by a group of arrogant soldiers, who waste no time in conversation. The next couple is La Lionne, the city's reigning beauty, and her admirer, the Duke, who jealously watches her flirt with one of the officers. Meanwhile, the glove salesman teases the Baron by feigning a sudden interest in the Peruvian. A situation must inevitably blow up, as it does. The Duke and the Officer fight over the Lioness, the Baron and the Peruvian over the Glove Salesman. The resulting melee proves too much for the Peruvian, who takes refuge under a table. When peace is finally restored, the Baron and the Glove Seller - now reconciled - dance, expressing their love. The other guests return to their romantic moods, and the café returns to its normal pace, enhanced by the extravagant dancing of the Can-Can girls. Like the Baron and the Glove Seller, the Duke and the Flower Girl, the Officer and the Lioness also happily associate. Only the Peruvian is left to his own devices and sulks. Georges Bizet and Jacques Offenbach PLAYLIST (reference recordings): ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-LbD_1WfUJ2U.html

For fun, wit and exuberance, it would be hard to find anything in ballet literature that compares to the Gaîté Parisienne. An ironic homage to Parisian café society, which takes off in a bright and lively clip, lightly launching one dazzling musical motif after another. Using the delightful melodies of composer Jacques Offenbach and the book by Count Etienne de Beaumont as ingredients, Leonide Massine, a world-renowned dancer and choreographer, created the ballet in 1938 for the Ballet Russe de Monte Carlo. This production, which translates all the effervescence of Offenbach's music into dance, was a spectacular success and the ballet continues to be enthusiastically received. La Gaîté Parisienne is set in a fashionable Parisian restaurant where, as the curtain rises, the waiter is animatedly preparing for the night's activity. First to arrive is the saucy Flower Girl, followed by three cocodettes (girls of easy virtue) and their escorts who launch into a lively mazurka. But the girls are quickly abandoned when the charming glove saleswoman makes her appearance, men crowding around her as if she were a princess. Then, to enter the café, there is the comical and greedy Peruvian, who always carries his luggage, so eager is he to enjoy the legendary delights of Parisian nightlife. Although most of the girls laugh indulgently at his antics, the glove salesman (whom he loves) chooses to ignore him. But when the elegant baron arrives and rejects the flower girl, the glove salesman is delighted by his attention. The increasingly tipsy Peruvian is briefly entertained by the cocodettes, but is pushed aside by a group of arrogant soldiers, who waste no time in conversation. The next couple is La Lionne, the city's reigning beauty, and her admirer, the Duke, who jealously watches her flirt with one of the officers. Meanwhile, the glove salesman teases the Baron by feigning a sudden interest in the Peruvian. A situation must inevitably blow up, as it does. The Duke and the Officer fight over the Lioness, the Baron and the Peruvian over the Glove Salesman. The resulting melee proves too much for the Peruvian, who takes refuge under a table. When peace is finally restored, the Baron and the Glove Seller - now reconciled - dance, expressing their love. The other guests return to their romantic moods, and the café returns to its normal pace, enhanced by the extravagant dancing of the Can-Can girls. Like the Baron and the Glove Seller, the Duke and the Flower Girl, the Officer and the Lioness also happily associate. Only the Peruvian is left to his own devices and sulks. 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CMRR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr

AMAZING for celebratlon of New Year 2023 🤗 💐 🌈 😎

thank god for your channel, happy new year

Remasterisė au Champagne, un délice ! 🍾🥂🥂🥂

Absolutely wonderfoul music 🎶

Lebhafte und erfreuliche Interpretation dieser zwanzig romantischen und fein arrangierten Meisterstücke mit farbenprächtigen doch perfekt entsprechenden Tönen aller Instrumente. Der intelligente und geniale Dirigent leitet das perfekt trainierte Orchester im relativ schnellen Tempo und mit möglichst effektiver Dynamik. Die verbesserte Tonqualität ist auch erstaunlich hoch als eine Originalaufnahme von sechsundsechzig Jahren vor. Alles ist wunderschön und faszinierend!

Magnifique! Merci beaucoup. Bonne année et surtout bonne santé et salutations sincères de Montréal, Qc, Canada

Thanks and HAPPY NEW YEAR!!!!!

Happy New Year to the team! Best wishes for the future year to come. What a delightful musical celebration for our festivities. Many thanks as always from a very happy and loyal listener to your channel(s).

I really like your comments and program notes.

당신의 다양한 음악 프로그램 진심으로 감사하고 고맙습니다 항상 건강하시고 새해 복 많이 받으세요

My best love since early childhood.

HAPPY APRIL FOOLS DAY🤣🤣🤣I am familiar with this set of Offenbach's pieces, his music is very happy and fun (if you look at his photo portraits, he always smiled), very cartoonier and circus, it reflects very well the happier spirit of not only Parissians but French in the era of operettas and vaudeville, I also associate it with classic movies and cartoons like Looney Tunes or Tom and Jerry, to the point that I feel like I heard certain melodies in my childhood, what better way to end than with his 2 most enduring pieces, the "Infernal Galop" from Orphée aux Enfers and the Barcarolle from "Les contes d'Hoffmann" (memories from La vita è bella). What better than this excellent quality recording with the Hollywood Bowl Orchestra conducted by Felix Slatkin, the most suitable for this type of music. Also HAPPY NEW YEAR 🥳🥳🥳

How very exciting! I just love it. Thank you.

3:09 : Début 4:41 : Brigadier 11:44 : Gardavou

Offenbach-Gaite Parisienne =Wow 💥💥That’s Great !!Would be Wonderful to Dance to 🙏🙏🎶🎶⭐️⭐️⭐️⭐️@ Classical Music /Reference =6.35pm ✨✨🩰🩰🎶🎶

Promo-SM ✌️