Тёмный

Olga Spessivtzeva & Sir Anton Dolin in Giselle 

goldenidol
Подписаться 1,7 тыс.
Просмотров 62 тыс.
50% 1

Sir Anton and Spessivtzeva discuss dancing the roles of Giselle and Albrecht. The footage of them dancing is from 1932. Spessivtzeva had suffered a nervous breakdown earlier and is probably medicated here (not while she is dancing!). She passed away in 1991.

Опубликовано:

 

17 сен 2024

Поделиться:

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист
Посмотреть позже
Комментарии : 56   
@НінаБойко-н9д
@НінаБойко-н9д 2 года назад
!!!!!!!+++ ОГРОМНАЯ БЛАГОДАРНОСТЬ ЗА ЭТО ВИДЕО !!!! Ольга. СПЕСИВЦЕВА вошла в историю как хранительница заветов РУССКОЙ АКАДЕМИЧЕСКОЙ БАЛЕТНОЙ ШКОЛЫ !!! КЛАССИКА бесспорно была сферой её таланта !!!
@Галина-г9л1л
@Галина-г9л1л 3 года назад
Спасибо! Уникальная запись! 👏👏👏👏👏🙏
@nevermind1117
@nevermind1117 3 месяца назад
Какая она оказалась! На других не похожая Жизель. А прыгает как высоко! Наравне с партнёром. И очень оживленная, ей веришь. Это сейчас все Жизели на один манер, безжизненные. Спасибо за видео, сохраню.
@jkircher314
@jkircher314 16 лет назад
This is really wonderful. Not just because it's so touching, but to have a chance to see such a sublime artist - very rare. So expressive, so youthful and brimming with life and grace. And there's such animation and bounciness to her dancing! Joyous, lively, adorable, lovable! Her technique is exquisite, of course, but the soul that is radiating through the dance is what is, for me, so touching. Can there be a more moving Giselle? Thank you so much - better than I could have dreamt.
@Ewaasia
@Ewaasia 15 лет назад
Olga is just miraculous, I didn't even expect that I could ever say it, but she is even better as Giselle than stunning Carla Fracci (but the part in 'La sylphide' still belongs to her). She's perfect. Why there are not such dancers as her these days?;)
@guzelfetkulina9599
@guzelfetkulina9599 4 года назад
Marianella Nunez is really good. I mean, there are still amazing dancers.
@АннаПетрунина-в2ф
Бесподобна Уланова и очень хороша Осипова
@zamyrabyrd
@zamyrabyrd 13 лет назад
It's like she is dancing on air - melodious!
@nonenoneonenonenone
@nonenoneonenonenone 5 месяцев назад
She does seem to stay in the air, to leap more slowly, the proportional relationship of her grands battements is unique. Where Markova was frail and weightless, Spessivtzeva is aerial and spacey. It's easier to believe her Giselle would go mad.
@isabs8616
@isabs8616 3 года назад
Is it possible she went to the French riviera in South of France sometime ? My grandfather had a romance with a Russian ballerina, and many years later, my grandmother told me her name was " Spessivseva ", it is so amazing I find her name here . My grandfather kept a pair of dance shoes of her, as a souvenir, very small size. I just saw in her biography that she worked in France and Italy, she may have met him at this moment, he lived near Nice.
@nonenoneonenonenone
@nonenoneonenonenone 5 месяцев назад
Yes, in the 1930s perhaps, with the ballet company.
@janetfroman4065
@janetfroman4065 2 года назад
To see living ballet history ...❤❤❤
@timothyk9086
@timothyk9086 5 лет назад
From 1:37-1:40 is an absolutely Divine moment, unbelievably beautiful how her movements flow together, what feminine grace she has! Thank God for beautiful girls like Spessivtzeva
@casteretpollux
@casteretpollux 2 года назад
Love this so much. Dolin is wonderful too. Dancers need to see how they.pay real attention to each other in the dance.
@sparowsparow9165
@sparowsparow9165 4 года назад
Спасибо за видео!
@ВалентинаБойко-ж1п
!!!!!!!!!+++ БОЛЬШОЕ СПАСИБО ЗА ВИДЕО !!!
@ТатьянаМамедова-г9э
Замечательно! Большое спасибо!
@mithrilmoon1
@mithrilmoon1 12 лет назад
@jkircher314 I so agree! She is a complete joy to behold. And, despite the age of this clip and the years that have passed since it was recorded, her dancing looks totally NOW, fresh, immediate, timeless.
@nonenoneonenonenone
@nonenoneonenonenone 5 месяцев назад
She dances like a real human being. Her turnout is natural, not exaggerated, and it doesn't even really matter that much. It's what she is doing that matters, the character.
@powerdisney
@powerdisney Год назад
Just exquisite ...such comfort for me as escapism in my teens...the moves were shapes in my soul altho I never was so sublime as Pavlova....thanks for sharing and re shared
@anniemihn
@anniemihn 9 лет назад
Her technique is as good as any 1st class ballerina right now. It's unbelievable how extraordinary she is.
@timothyk9086
@timothyk9086 5 лет назад
BETTER******
@OLIVCHEN77
@OLIVCHEN77 6 лет назад
She is a great dancer, and not only that! She is a in the style of the ballet, and the time it was written. She must had been a wonderful actress too! And its interessting, in my ooinion, that Alonso is in her tradition. They are both in a extra class! Not this jumping all ariund like Ossipova! That is impressive, yes, but it had nozhing to do with Giselle!
@nonenoneonenonenone
@nonenoneonenonenone 5 месяцев назад
Exactly, this is the Imperial Russian ballet, not the Soviet ballet, which is so compromised in its esthetics.
@simonaperez1475
@simonaperez1475 2 года назад
Какая она красивая!!! Длинные ноги руки, очень худая, выглядит современно!! Но сколько в ней магии/ волшебница!! И костюм Жизели весьма смелый!)
@АннаПетрунина-в2ф
Да уж, чересчур
@Vik42220
@Vik42220 10 лет назад
I remember first seeing this tiny bit of film many, many years ago on television as part of a biographical film called "The Sleeping Ballerina." Dame Marie Rambert commented on Spessivtzeva's performance here. She said, "See, she jumps almost as high as Dolin" and remarked on her "extraordinarily pointed foot, beautiful arch. Her arch was like Pavlova's arch." Unfortunately when this biography was shown it was long before the VCR era, so I didn't get to record it, but I remember it well--
@ajazhuzhu
@ajazhuzhu 13 лет назад
Thank you for video!
@Vik42220
@Vik42220 10 лет назад
Madame Rambert also said that such pointes as Spessivtzeva's and Pavlova's were "quite rare."
@nonenoneonenonenone
@nonenoneonenonenone 5 месяцев назад
They didn't use throwaway shoes, that's for sure.
@BytomGirl
@BytomGirl 6 лет назад
Amazing... sharing in my ballet group
@BytomGirl
@BytomGirl 6 лет назад
Shows how little Giselle changed in 85 years. And now there is a great ballet by Boris Eifman based on her life called Red Giselle. I would never know about this clip if it wasn't for one of the dancers from Eifman Ballet, thank you.
@ГригорийСуриков-п9д
Браво
@claudiapinho-memorias
@claudiapinho-memorias 6 лет назад
Belíssimo
@5670gemini
@5670gemini 15 лет назад
I too have the book - have you got the copy of the Three Graces (Pavlova, Spessivtzeva and Karsavina) buy Serge Lifar? I got a copy on Amazon. But but how did you get this footage?
@nataliacarlton3413
@nataliacarlton3413 Год назад
Olga is 37 years old here, in 1932.
@Vik42220
@Vik42220 11 лет назад
I have always wondered if Natalia Makarova ever got to meet her idol, Olga Spessivtseva. It would have been possible. Natasha defected in 1970 and Madame Spessivtseva did not pass away until 1991. Of course, I do not know what condition Madame was in physically or mentally, so perhaps such a meeting would not have been possible. It is fascinating to imagine such a meeting. It would be like a modern-day composer meeting Beethoven. Does anyone have any idea?
@kabardinka1
@kabardinka1 4 года назад
Makarova was able to meet Olga while Spessivtseva lived at Tolstoy Farm. There's a photo of them together. She also met Mathilde Kschessinska while the Kirov was on tour in Paris.
@viktoriaironpride4977
@viktoriaironpride4977 3 года назад
@@kabardinka1 That is fascinating! Thank you so much for your reply!
@nonenoneonenonenone
@nonenoneonenonenone 5 месяцев назад
She lived in New York State, so they certainly could have met. Nina Stroganova went to Madame Olga to coach her in Giselle.
@user-xe7lf5er6g
@user-xe7lf5er6g Год назад
💘🌟👏👏👏💐💐💐
@daeelly
@daeelly 16 лет назад
In what year was this filmed? It is so beautiful!
@ТатьянаМамедова-г9э
1932
@numberonefilmfan
@numberonefilmfan 16 лет назад
c 1932, i think.
@suzannederringer1607
@suzannederringer1607 5 лет назад
Does anyone know when performances dropped the final scene in the score - the return of Wilfred and the Court (including the poor fiancee) all fully dressed at barely daybreak, to reclaim Albrecht and take him back to 'reality'? I have never seen this anywhere. And it's good that it was dropped, because we KNOW that Albrecht will have to return to 'normal' life and his obligations - but it's just RIGHT to leave him alone onstage after Giselle returns to the grave (and eternal peace) - leaving Albrecht overwhelmed and transformed by his experience. He needs time alone!
@5670gemini
@5670gemini 15 лет назад
Have you got more of this...presumably you have a copy of the 1962 BBC documentary The sleeping ballerina?
@kabardinka1
@kabardinka1 8 лет назад
Her first nervous breakdown was in 1934... so, this likely unmedicated.
@The-Portland-Daily-Blink
@The-Portland-Daily-Blink 3 года назад
Her technique is equivalent to any dancer of today, which for that era was really unheard of. Most of the ballet dancers then were not very good and generally 20 pounds overweight. She was so ahead of her time. You can see the perfection of her technique even in this poor quality film.
@nonenoneonenonenone
@nonenoneonenonenone 5 месяцев назад
That is such an outrageous slander of dancers of that time. They had much better technique in many ways. Technique is not about how high your arabesque is, it's about how well you are balanced, how straight is your line, and how well you hold it, how musical is your phrasing. It is in those ways today's dancers usually fall short. They care far too much about acrobatics. Nor were they overweight! They were healthy and strong, not Balanchine stick figures that make the audience sick. They might even have dared to have breasts! Like Cyd Charisse. Name any dancers today who can do what Cyd Charisse could do. What ignorance! Dancing is not better today. It is less artistic, less musical, less expressive, less stylish, and only more acrobatic.
@The-Portland-Daily-Blink
@The-Portland-Daily-Blink 5 месяцев назад
@@nonenoneonenonenone LOL... Well, we can agree to disagree. I studied for many years, and with some of the best instructors from NY. We often talked about the history of dancers who came before. Also, Cyd Charisse was NOT a ballet dancer. She had ballet training but was not a ballet dancer, which is why she was known only as a dancer in Hollywood films. Using her as an example or comparison is rather funny. And yes, many of the dancers of that time were overweight, and their technique was deplorable, not better than dancers of today. Perhaps you should read some books on the subject. As to "outrageous slander" toward dancers of that time, oh please. Seriously. LOL...
@peterking8740
@peterking8740 10 лет назад
Not brute but bumptious. None like her.
@Ирина-в6б3ы
@Ирина-в6б3ы 4 года назад
это ужасно.
@OlgaShirokikh
@OlgaShirokikh 3 года назад
Это трагично и драматично...
@Ирина-в6б3ы
@Ирина-в6б3ы 3 года назад
@@OlgaShirokikh Какая она была красивая.....Я искала ее фото,красиво и очень чувственно.Она 96 лет прожила- целая эпоха
@cirillmentat9556
@cirillmentat9556 3 года назад
Может на фоне странно расслабленной спины? А вот ноги превосходно скоординированы. Сейчас этого не хватает.
@Ирина-в6б3ы
@Ирина-в6б3ы 3 года назад
@@cirillmentat9556 я думаю,ракурс с'емки напортил. По записям того времени Ольга производила фурор и была одной из самых одаренных и духовных балерин. Мне довелось видеть не много видео с ней,но впечатление было другое.
Далее
'Giselle' - A Documentary
1:35:28
Просмотров 28 тыс.
For my passenger princess ❤️ #tiktok #elsarca
00:24
Prank Orchestra
00:10
Просмотров 1,6 млн
Dance Legend Adam Cooper
1:03:58
Просмотров 175 тыс.
The Evolution of Giselle Over the Years
8:23
Просмотров 95 тыс.
In memoriam Olga Spessivtseva si sir Anton Dolin
8:27
Olga Spessivtzeva - In Conversation With Anton Dolin
10:15
The Dying Swan Anna Pavlova 1907 and Vera Karalli 1914
3:27
For my passenger princess ❤️ #tiktok #elsarca
00:24