Great video! I am learning to compose, and this has been so helpful. I do have a question, though. Is it really necessary to notate a specific method, like the ones you suggest, to produce the desired gliss, or can I just indicate the gliss in the score/part and let the horn player know/learn/figure out/consult their teacher (or consult you), on how to produce it? Thanks!
How do you notate a whooping sound upward, closed to open? Can this effect be achieved with a large jump in pitch like an octave? This is a wonderful video by the way.
I have a question. How to exactly write a stopped note on a music sheet? Not a gliss, just a note. Knowing the played note sounds a half tone higher when stopped. For example if we want to hear a C we'll write G of course on a F French horn. But if we want the heard C to be stopped, should we write F sharp on the sheet? Or we leave the G and the player automatically plays a half tone lower when seeing the ''+''?
