I respect this gentleman's self control - he walked past the kitty without wasting film on it, like I would have! Jokes aside, this channel is such a gem. I used to think B/W landscapes were boring, but videos like this are proof that if you're good, you can get amazing B/W landscape shots!
I do like the wildlife I come across on my walks and always talk to the animals. I like to alert them as I get closer so they don’t get a sudden shock 🙂
Glorious location, epic walk and resulting photographs to match. A lesson in how to use minimal equipment and film to best effect. This video was the highlight of an otherwise grey and miserable bank holiday. Thank you Steve.
I really liked the motion blur in the shot at 9:37 and the sun flare at 9:58 - I could almost feel the heat of the sun even though summer has mostly passed us now.
Very nice landscape you've been there! Wish to come there, too. I was really curious about the results with Rollei IR 400. Just bought two rolls in medium format and I intend to use them on my Rolleicord Vb. There are two reasons for it. One is that the Rollei is an TLR and makes it very easy to compose and focus. The other is I just found an original IR-filter for this lovely piece of fine mechanics. I'm already keen on seeing the results. Love your photos and your gear as well as your way of thinking! Go ahead and keep on track. Thumbs up for your channel!
Nice idea about using a TLR to shoot IR. For the same reason I use a rangefinder instead of an SLR when doing IR. No mirror slap, leaf shutter, a fast lens and I can even get away with shooting hand-held.
Just watched four of your superb photo journeys in the lovely Hills and Valleys. Learning all the time, I hope, but find watching them very relaxing and the treat at the end of the day. Thanks again for sharing your fun and knowledge. Mark
You should be recognized by the Wales tourism department. As a light weight backpacker myself I'm always impressed by the wise choices you make for hiking gear.
Thanks Peter. I spend far more time assessing and testing backpacks and accessories than cameras, as you no doubt already know it's the subtleties of how and where things are carried that make all the difference to a long hike.
Aha, I have two rolls of Superpan 200 in 135 and 120 in the freezer, keep meaning to shoot it as IR. I also like Retro 80S rated at EI 1. BTW, what speed do you rate the Superpan at?
@@SteveONions At box speed Steve, 200 iso. It appears to produce a true IR effect with the filter and I don’t think the Rollei IR 400 is any more pronounced. Btw I develop in Photospeed. I don’t even bracket my exposures unless it’s something very special. Surprisingly, I trust the camera’s meter most of the time, and it’s not a modern camera!! I don’t necessarily shoot in full sun, but I like a lot of contrast, and skies with a bit of character. Looking forward to your next instalment!!
I watched your program today and wanted to thank you! Best vacation I've had! Really splendid pictures, although your journey a bit painful, it was nicely done!
I was wondering if one could shoot this film and get good results (on a single roll) by simply changing filter/exposure, and what a sample developer/time would be. You saved me some work! I ordered some in 35mm that I intend to try in Pyrocat-HD, hoping for a usable speed boost for the IR shots. Thanks! You live in a lovely part of the world. I do too (western Canada) though sometimes it seems that there's too many trees, and not enough trails🤣🤣
Inspiring video lesson Steve, you are a craftsman of the photo. Also it was nice to hear someone pronounce the camera's maker's name the way it should be, instead of anglicizing it. And that splash on the stream must have felt great with your sneakers on...! Unfortunately I don't have my F3 Nikons anymore, but who knows, my darkroom is still there. And yes, great to see you are like me in the Ilford family...! Cheers.
Good to see you didn’t get rid of your darkroom, wish I’d kept all my original gear now instead of having to buy it back at three times the original price 😀
@@SteveONions Life is full of choices and it's pointless to regret something once it's done and gone, no? One of my F3 Nikons just gave up and the other was lost when I lent it to a student. So I got myself a little Canon G9 and voilà I was in the digital century. But the film bug is still there, who knows... in my next life haha...! Greetings
Thanks for the enjoyable video Steve. I always find it amusing when people talk about not wanting to shoot in bright sun. I live in Southern Arizona in the US and if you don't shoot in bright sunlight, you can take almost half the year off. Sure, you can shoot for about 1/2 hour early or late in the day as well as monsoon season but I find it challenging to see what I can come up with in the bright sun. Make artistic lens flare your best friend!
I've never seen the issue with bright light either, it's just a different set of conditions and often suits B&W images better then the traditional 'best times'.
Thanks Ludwig. Sometimes I’d like more definition but usually I prefer the texture of 35mm for shooting dramatic weather. If the day is still and clear I would opt for 120 very often.
Cracking day out Steve - I don't mind aching after such a day in the hills. Cnicht is a favourite, too, though I tend to approach from the Cwmorthin side. I've never been a fan of IR effects (white grass and foliage just ain't for me) but the shots with the Yellow filter are superb. I'll look out for that film and give it a go. Hwyl
Cnicht is one of my favourite mountains also. It's become a need to climb it at least twice a year. Great images Steve - very inspiring, thanks for the Rollei IR tips. I have 3 F80s but not used them for a while, but maybe I will try some B&W after seeing this.
You make such a difference in my approach to photography. I recently shot a roll of this film, and because I was concerned about developing, used a red filter the whole time. And developed it in Diafine. It was OK, even interesting. But I will order more of this film in a minute and explore your footsteps. You really are a gift. Thank you.
Wow. 14 miles. I can't even imagine that these days. Excellent fitness there Steve. That really is a versatile film. I had no idea it was suitable for both IR and non-IR. Very enjoyable film Steve.
Well you certainly got your 10,000 steps in on that walk! No wonder you’re feet were so hot! Great video Steve, I’ve never tried IR film before but may do so in the near future. Wonderful images as usual! Cheers!
Another great video to add to the ones you've already posted featuring IR photography. Thanks Steve. My Rollei 400 has arrived, R72 filters in the post and I've been looking for a book on the subject. The only ones I can find seem to focus on the technical details of the electromagnetic spectrum and filters. If you know of any that are more relevant to subject and light would be very helpful. Keep up the good work!
I don’t have any good sources of material on IR photography unfortunately. I like to keep the sun over my shoulder or at 90 degrees to the subject, straight on does not work. I also like to overexpose quite heavily and base my times on an exposure index of 6 for the Rollei film. Shooting +1 and +2 from there will give you a thick but printable/scannable negative.
@@SteveONions Thanks for the reply. I'd picked up on the full sunlight / midday and 90 degree aspects from your videos. My "Pig Iron" R72 seems to require an extra 7 stops. I guess I'll just have to enjoy the suck it and see approach! Have a great Christmas and hopefully getting out with the camera yourself.
Thanks for this timely video. I've had a roll of Rollei Infrared 400 loaded in my Minolta SR-T101 for a couple of months and have just not been motivated to shoot it-I've felt trapped by the IR label. This video has taught me that it's OK to use this film flexibly and not be constrained to using it only with the R72 filter.
What a stunning Walk, I wish I could have been your shadow on that day, only thing is I would have stopped so many times to capture an image you would have lost me after a couple of hours Your images were great, personal preference were those taken with the Yellow filter, more walks please the scenery is wonderful, Colin.
Thanks Colin. I need to keep telling myself to get a move on, doing so many miles in a relatively short time doesn't allow for much loitering sadly. I'm trying to shorten the walks to allow for more stops!
As usual Steve. Great images. Great place to do landscapes too. I didnt catch what Asa did you use for the R72 filter and what aperture you use in those images. Thanks Steve for sharing your images!
Than you for another interesting video about infrared photography. I am really enjoying these videos and I actually had the courage to test out infrared myself over the summer. It is a really interesting flavor of black and white and it certainly needs a very specific way of composing. I developed with ID-11 and got smashing results with that as well, but I'll certainly try Rodinal next time. Thank you for bringing us along.
Glad you liked it Espen. I see all B&W photography as a departure from reality and have no problem using IR film to get a different look when it's needed. There are times when IR film can be used without the obvious trademark white foliage, Winter is surprisingly productive for me.
Excellent video Steve, super images as always, thank you. Interesting to see you use IR400 in the F80, I understood the wind-on measuring "light" in the camera would adversely affect the film, clearly not. I now possess an F80 (entirely your fault!) and really enjoy my outings with it. Take care.
A great walk Steve. You looked relieved to get to the top in that heat. Great choice of camera for a 14 mile hike and the photos were great. I have to say the footage you filmed had such great composition too. I’ve just come back from Ireland. Very wet, but I got one or two grainy B&W images.
Glad you liked it Simon, what a shame you got wet in Ireland. If it's any consolation 5 of the 6 walks I've done in Snowdonia this Summer have been wet, this video was the exception!
@@SteveONions I’ve come to expect in the far north west of Ireland Steve, but the bonus for me is the cloud formations before and after the many storms. Better than wall to wall blue skies. The Wild Atlantic way has been great to travel around over the years. I started shooting in Ireland with minoltas, then Canon Eos 1 and 620, then digital and now back to film cameras, my new to me Nikon Fe and FM cameras. I’ve gone full circle Steve. My digital cameras will come and go, but my film cameras I will never sell. When I see a video notification from you, I get myself a cappuccino, a home made flap jack and enjoy your adventures in the wilderness.
Thank you! I never knew Rollei actually created films, let alone an Infrared film. I always knew of Kodak (both B&W and Color) and Fuji films and even Agfa films, but not Rollei. I knew they made good cameras.
Enjoyed this as usual. Given the number of images you showed with the yellow filter I assume you found that combo superior to the IR filter images (as did I). I didn't even know you could shoot IR film with anything other than an IR filter so I learned something new today. Look forward to your next video.
The non IR shots were easier to take Jim so there were more of them. It was also less than ideal to shoot IR in the mountains than somewhere like woodland or the coast.
Amazingly enjoyable video as always Steve. Love it! Glad you’re able to adapt to the summer. Didn’t expect anything else from such an amazing photographer!
Really enjoyed the images, particularly those with the Yellow filter, less so the Infrared ones, but as I do have Rodinal already, I might splurge on a filter and a roll or two of this.
That one person who disliked this video can basically go to hell;) Great evaluation of how the film behaves with different wavelengths, and then the sharing of final visual products. What a glorious natural environment to share with all of us. I also didn't get my steps in today so thanks for roughing it for me! Appreciate everything Steve.
Beautiful landscapes and vistas, brilliant video. There is an interesting “trick” one can do with B&W IR film, if you use three filters in front of the lens either Blue, Green and IR or Green, Red and IR you can colour the scanned negatives and add them together in Photoshop (or equivalent program) and “recreate” Kodak Aerochrome. A technique I have started to experiment with, fiddley but fun. Again grate video!
Such a wonderful video! May I ask something? So the Rollei infrared film can be processed on a normal Black and White chemistry? Let's say D-76? or in the usual ID-11 and Ilfosol?
I’m always inspired to go out and take a few photos after watching one of your videos Mr O’Nions, though I’m guilty of late of having to throw away film developer and stuff that’s gone off - so I was particularly interested in your tip about the Rodinal (which I think I’ve probably used once or twice a few decades ago), but I didn’t know that it’s renowned for its long shelf-life … thanks for the tip!
Cnicht, it is my fave mountain in North Wales also. 14 miles.. that was a bit of a hike for sure. Where did you start your walk from? Anyways, as always a great watch and some excellent images, the pick of them being the old stone building shot you came across. I think I would have been stood in the nant with you after that hike!. Quick question re the Kood IR Filter you showed. Can that be adpated to use on a digital camera say with thye mode set to mono? atb Al
if your camera sensor is somewhat ir sensitive then yes but you will need a tripod as exposure times can be long, so handholding isnt an option, not as good as film but worth a try
Thanks Alan. Starting point was the end of Llyn Dinas, walked down to Beddgelert then Aberglaslyn and Nantmor. The slate trail path took me to the point where the path from Croesor meets the start of the steady climb up Cnicht - this route added about 3.5 hrs to the start of the hike! Digital cameras can work with an IR filter, especially early ones. Later ones usually have too strong a blocking filter but it's still worth trying.
good information thanks Steve - I like the idea of trying the I.R. Would you say of your other filters for mono however that the yellow filter is the most frequently used for landscapes?
Great video as always. One question: Did you encounter any fogging on your negatives? The F80 uses an infrared light as a frame counter to count the sprocket holes during film advance, and I've read that this makes it and similar cameras unsuitable for IR photography because the sensor will fog the film. I have an F80 (well, an N80 here in the US), and I like how lightweight it is, but I've always felt I needed to use IR film in my other, heavier cameras that have traditional mechanical frame advance.
Once again an exceptional video with fantastic images. I've been following your channel for a few months now and am always fascinated by the landscape and the exceptional photos. I recently started shooting 35mm analog again. I would be interested to know what developer you primarily use to get such clear and fine negatives. Primarily I use Ilford FP4 plus and Delta 400, thanks for your advice. Greetings from Germany.
Thanks for commenting 😊. The images always look good on video thanks to the relatively low resolution you can get on screen. There is more grain in real life but I don’t mind this. The main developers I use are HC-110, ID-11 and Microphen (for pushing). All give excellent results with the films you list with FP4+ and ID-11 1:1 being a particularly good combination.
Great video and absolutely stunning pictures! I have lately got some vintage filters, one of them infrared, and after watching your video I can't wait to try it. Love how versatile this film is. May I ask what device you use to attach your camera on the shoulder strap of your backpack? It seems very convenient to have the camera always ready to shoot.
I enjoy your videos. I have a Hasselblad 500 C/M and a Nikon FE. I've been missing shooting film. If Utah cools down enough this month or next, perhaps I'll get out there and shoot.
A really interesting exercise and thanks for the virtual walk up in an area where I am familiar with (because of the narrow gauge railways and the several quarries feeding into the valley south of Cnicht , Croesor was the main one.) Was the vlog shot on your GoPro or one of the M4T cameras? Not important, but why, somewhere around 8 minutes, did you climb over a style when there was a break in the wall right next to it? Did you have energy to burn?
Excellent photos. Travelling light a major help! The photos on screen look as good as the bigger formats, but realty is larger formats are more "creamy". Maneuverability a plus with one box and one lens.(even a zoom_ something to consider on my jaunts. Mine a lot shorter. :-)
There’s no real way of exploiting the greater detail from 120 or large format in videos Jason, even smartphone images have way more resolution so unless looking at a print the 35mm images are more than enough 🙂
I have the same camera and been looking for a similar lightweight walk around lens for it. I thought that in a previous video I had seen you using the Nikkor 28-200G, so I’m a bit surprised to see the Tamron here. Results look very good. I’m going to purchase one of them. Would you recommend the Tamron over the Nikkor?
You have asked the question that I have been asking myself Veronika, I must do an objective test of my various 28-200 lenses and finally decide for myself. The Tamron is very secondhand and doesn't suffer from any zoom creep that makes it useful for carrying on the Peak Designs clip.
Hi Steve, Super videos. I watch every one. With your long exposures over 1 sec, either normal film or Infrared, do you need to cover up the viewfinder to prevent light leak or are you ok with your cameras such as your Nikon FE2 / Olympus 35mm RC I have seen you do a lot of Infrared with? Just wondering if light can leak through these big glass finders. One of my old Minolta X700 cameras comes with a little plastic clip to put over the finder when bright or long exposure light, so just wondering please. Also, what ISO do you set the Rollei Infrared 400 at. ISO 12 or 6? I have also tried Rollei Superpan 200 set to ISO 6 and getting Infrared results too, although I am a very new beginner to Infrared, your the master! Keep the videos coming, really inspiring.
I rarely if ever cover the viewfinder Graham and haven’t suffered any ill effects so far. For IR shots I set everything in manual mode so extraneous light wouldn’t affect my settings.
Also, I use an EI of 6 for metering but usually just go with 1 sec@f/16 in full sun and bracket 1 stop either side which always gets me a useable negative.
No problems with the F80 at all Charlie. Rollei IR is only sensitised for the near infrared spectrum and also has an effective anti halation layer. I suspect the IR advance of most late film cameras works further up the scale.
I find all these photographs very beautiful. I would have preferred another photographic format. I think 35mm is too rough for this type of image. But that's just my opinion. Thanks for sharing these beautiful landscapes.
Looks like you didn't have to contend with crowds, which is always nice. My favorite shot was the vertical of the valley at 4:55. Lovely. Did you add any grain in post or was it all from the film?
So Rodinal at 1:50 for 12 minutes for all (reasonable) sizes of Rollei IR? I have to admit I’ve been slow to come round to appreciating the value of IR film, but many of these photos were more than convincing. Yet another episode I wish had been longer.
Do you get the warm tones in your prints in the darkroom, or digitally? Looks great. I always loved that look when I worked in the darkroom but I do all my post digitally now
Hi, I'm a veteran and dedicated viewer of your channel. I saw you shoot a lot of infrared. I have 2 old film roll by HIA kodak, I'm asking in what iso do you recommend to use? and if red filter will give me good results?
Hi Yishay. If it’s the original Kodak HIE then it was normally exposed through a deep red filter at EI 25. Given that the film will be quite old now the red dye they use to sensitise it will have degraded so I’d allow at least and extra stop of exposure.
Lovely images as always! I've been trying Ilford SFX200 with a dark red filter per suggestion by Michael Pilkington for a less extreme effect, quite like the results with 120 film. I'm developing in HC-110 dilution B as in massive dev chart. Cheers!