Original Piano Sonata - The Mystic Garden 

Knowing the French language definitely helps. French is a language of vowel, German is a language of consonant, the language is reflected in the music.

​@@PieInTheSky9 indeed. Listen to the beautiful French Army choirs!

Thank you! I studied in a small town of Kazakhstan, in a college full of talented teachers. Although this college is known for pushing its students to their limits, I was lucky enough to be surrounded by those ambitious teachers and learn their ways which include strong discipline and attention to detail :)

Me too! ❤

Yes, it will be on Spotify very soon

Hi! Thank you. I use Sony Vegas Pro to make these videos. There's a bit of a learning curve though, but it is worth it!

Yes! Though it needs some minor rework and a brand new recording. Thank you for mentioning it. My apologies for the deleted MS and SoundCloud accounts.

Thank you!

Sehr gut gesagt

Спасибо за теплые слова☺

FL Studio & MuseScore 3.6

IMHO it came from nowhere too. Still, even a piece of sophisticated muzak like this keeps the piano manufacturing industry busy. And that's already better than nothing.

@@Pogouldangeliwitz granted , thank you.

Thank you! Synthogy Ivory II Grand Pianos + a little EQ tweaking

@@nikriedel Can you PLEASE please share how you came up with this melody and the harmonies and chose the title? I am struggling with writer's block and hearing these peices is soothing. Thanks for sharing Hope you can share nay insights on how you came up with this melody or melodies in general.

@@leif1075 I don't really know how to answer this honestly. All I had in my mind is the intention to write something beautiful and soothing with a clear goal to finish the project (even if I'll be struggling with self-doubt and tempted to quit). The music came out of nowhere, and the rest was just letting my body and intuition do the work without getting in the way too much. There was a battle in my mind however. It was using my own theoretical knowledge to sabotage and mess with the project so it would't sound the way I wanted. I won the battle because I knew that will happen. So, I thought if I can predict my sabotaging behavior and manage it through emotional regulation and self-awareness, I can navigate my creative blocks without feeing stuck in one place.

Bb minor: VI - IV - I - minor V, VI - VII - Alternative VI (F# min/A, since there's no Gb minor), and then the same sequence in C#minor. The F# chord created a simple opening to modulate into the sharps. I chose C# because it sounds interesting in relation to the Db major/Bb minor axis. It kind of creates a subtle yet noticable contrast between the keys and doesn't mess with the ear too much🙂

Sure, check the description :)

Thank you! Check the description🙂

Thank you! Well, adding more density and working with it definitely sounds enticing. But I don't know where to find motivation for that without arrogantly butchering the initial melody and harmonic structure that comes out in the creative process. I do have other pieces with denser harmonies and complex counterpoint that I'll be posting soon however