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Age doesn’t discriminate one’s style and ear for good music. You’re gold. Yes it’s a track that makes you feel like you are on one when you aren’t. That’s the power of a great music. Love to all
Hell yah man! I’m in my 40s, and got into it mid 90s. Are you new “convert” to this kind of music or have you been watching the scene develop since Kraftwerk et al?
garage was never really its own style. it’s catchy slang applied to edgy post modernist production. the best elements of garage weren’t new at all when garage dropped. same with dub step, which is rooted in skratch overmono is good. one might even say minimal to an extent? at this point at least.
@@seandelfin Garage is and has been multiple different styles originating from house music. The original (US) garage is distinct from the various UK sounds, such as 2-step or speed garage, which are still styles of their own, much more about rhythmic form than production in their definitions.
overmono boys have been shelling it out for years and years mate, go listen to any truss/mpia3 or tessela productions they sound like no one elses work, do yourself a justice
Man, this reminds me of old school LTJ Bukem. Like 1996 vibe... PFM - The Western. And that high pitched sample that future sound of London used in Papua New Guinea... Absolutely superb.
Yesterday I saw Ben UFO at a warehouse in NYC and it was one of the best things I’ve seen with my fucking eyes, he played this track and I just cried. Thank you Ben, thank you Overmono, thank you techno. 🖤⛓
I love the industrial sizzling, the pops, clicks. Hard hitting track, makes me think of smoke, heat and the damp of bodies in a dance club. Pure dose of atmosphere, stuff makes me want to write poetry.
I'm like totally loving this track, I can't stop playing it, those vocals omg, the beat, the rhythm, its just perfect, sublime, perfection for that mood!!!
Coming from the void of experimental and far out sounds, overmono have crafter a modern garage masterpiece. Special sounds from these brothers. What the fuck
