PRE ORDER : www.traxsource.com/title/1111...
/ pasodoble
Subscribe (Madorasindahouse) : goo.gl/7pUZ5d
Facebook (Madorasindahouse) : goo.gl/Zdujtj
The general perception of music has been limited by the assumption that the sound must somehow 'reflect' or 'represent' the people. It has been argued by some quarters that, the inherent analytic problem with such a view has been to trace the connections back, from the musical work to the social groups who produce and consume it. What has been at issue is homology, some sort of structural relationship between material and musical forms. The album “Africa Knows Who I Am” by Paso Doble dispels such notions and draws a salient connection with the fecund narratives of existence of the African self-rooted within an ecosystem of lush culture.
This particular album is graced with authentic musical works that not only reflect the chronicles of the African people but also produces them in the creation and construction of experiences of identity in cultural space. The acoustics in “Africa Knows Who I Am”, describe the quality of an experience and therein for people who may not be rooted within the African context, what it means experiencing themselves in a different way…that African way.
It is an album that translates ordinary African social experiences into living sound that depicts life, nature and the supernatural.
The album features Idd Aziz (Kenya), DJ JIM MasterShine SA. (South Africa), Dj Wilson Kentura (Angola), Freddy da stupid (Mozambique), Oluhle (South Africa), Loxion Deep Music Ent. (South Africa) & TroyMusiq (South Africa)
14 мар 2019
