Passing Chords and Passing Notes 

I am watching this video at 2:00am in the morning with not a really clear mind. But I can still tell how important this lesson is to me. Thank you so much!

You made many good points in this video, and I believe the sense of harmony is built up on daily listening and practice.

Brilliant- many thanks. So begin in one key then do anything as long as final chord is resolved. Love it

Assaf , as always, I only have words of thanks for you , you're a great person , thanks again , hug

thanks for sharing, this helped me get a better grasp on when it is more appropriate to play notes outside of the scale. Ive never noticed that it usually occurs on the 5 chord in 2-5-1 and then resolves

You are a great teacher and definitely a smart guy. Congrats!

This is great! I've always been looking for creative ways to create unique passing chords but I couldn't quite figure it out. This helped immensely!

Oh Mr. Mangold Thank You so MUCH for this GREAT LESSON

very helpful especially about soloing and playing anything to come back to the base.

Accidentals in key of C major. C,D,E,F,G,A,B normal voicing The accidentals - C#,D#,F#,G#,A# all played with either diminished chords or slash chords. For example play, D min9, D/F#(D major in right hand F# in left/bass) E/G#(E major in right hand G# in the left) upto an A minor. then B/G(G major right hand, B left hand), A/C#(A major right hand C# left hand) and back to Dmin9. The accidentals can be played with dimished also so D/F# can instead play F# dimished etc. You can play up the scale chromatically this way and it sounds amazing. I would love to hear/see your interpretation of this. Have you covered this already in a previous video ? Direct me to it if so please :) Thank you

very very useful...never tried such an amaaaaZing progression...🎹👌😍🎹

Thanks for the lesson! I'm a novice at the keyboard, and I find your teaching style quite refreshing -- you focus on generalizable techniques as opposed to teaching a very specific example. But I think what you're playing is known as an altered dominant. If you change the F# to an F, it sounds quite pretty (IMO), as opposed to "almost passable".

very very nice. thank you. why do you put the g-flat in for the second chord (the "5") at the end? sounds good, but do you have Any random insight as to why?

This is gold to me! Thank you so much, kind sir!

Hey im writing an essay on jazz improvisation, and I was wondering whether I could send you an email with some questions?

Educational as always! Thank you!

Very helpful.Do you have any Counterpoint video.Thank you for sharing

Unfair. You did kept the G. You kept G bass and B, 1 and 3. The rest can be altered as long as its not too bad. The 5 can almost always be omitted or altered. Another thing. I didn't see what I would call a passing chord. Those were the main chords in a II - V - I. To be considered passing, doesn't something else have to be thrown in,for example, a half step before or after the II or V, or use some kind of substitute for the half steps.

When you resolve to the tonic chord does it have to be in root position?

Context is everything.

I am in grade seven and my music teacher is making us do a task that requires passing notes... I have a few questions, how may fingers can you have on each hand, do you always need the g, do you need to use both hands at once doing the passing notes?

Thaaanks a lot master..you are soooo great...

amazing video..Thanks @MangoldProject. Can you do a video on how "Out of Scale" chords can be used to create a very distinctive feel and ambience

Amazing as always. I really mean it. I can feel how good you'v been studying vibrations aka music. Xd litle question... are subtitions the same as passing chords?

Aunque no habló tu idioma idioma alcanzó a entender algo gracias muy buena pedagogía

I like the way you think about piano. Why don't you put a video up on your channel's home page that explains what exactly the Mangold project is?

Love this video! Thank you so much man.

very insightful, muchos gracias!!

wow, just learned a lot today..thanks ;)

Does this work in non-jazz genre songs?

Is this same as chord tone & non- chord tone ??

Thanks...Great lesson..!!

why u used D in Cmaj7

It was really helpful

Very nice..tutorial

Thank you!

woah! thanks for that

3d chord is not c maj7, but c maj9

Ahhh thank youu

Man I need a piano teacher

You can play the phone book and I'll watch it.

Bebop great

Is this kind of what the guy is doing here at 2:10 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Z9YWGp-wARU.html with his solo?

Almost passable?? It sounds horrible (too me)

make it shorter