Patch from Scratch of an Ambient Stereo Modular Synth 

If I can offer a suggestion: put the 2HP Shakmat HiPass before the compressor/limiter. I’m not super expert in compression but I’m pretty sure ideally you want unneeded frequencies gone before you hit a compressor so to not eat it’s headroom / trigger it’s threshold ceiling with inaudible bandwidth. Nice walkthrough of your case!

Shooo, man we were sure rewarded for sticking through it once you got patching! Unbelievably intuitive rack for such complex layers & textures here.

Exceptionally helpful. Thank you.

Such a cool case! I stumbled onto your account a while back and looking through your case design really helped me put mine together. Glad to get a breakdown video!

You built a great instrument, enjoyed the walk through very much.

so inspiring! thank you for sharing

You, sir, are genuinely good at modular.

Interesting case and very thorough explanations! Thank you!

This is super inspiring, thanks for sharing in such detail! Subbed. :D

Very inspiring. I have been swapping cases around a lot of late, and this is encouraging to keep trying to find a stable methodology. Thank you.

Thank you for this excellent video! This was exactly what I needed! 😊😊😊

Best channel! Thanks for all the help

Cool setup! Big sound! Great choice!

I really appreciate your recording/output setup. I feel similar - not wanting to spend all my time thinking about producing music, but actually playing music, generating new ideas, and seeing where they lead. I have a similar setup with a Disting MK4 instead of the Wav recorder but have been back and forth on whether I should be using a DAW or not. You gave me a lot of freedom to stick with what I have and enjoy it. Thanks for the creative boost!

this is great

thank you for sharing ！inspiring！

Some kind of epic!

Such a great patch from scratch, as soon as you engaged Drezno it became very hard for me to listen but I still loved what you did here, thanks.

Wow, just wow. Four notes of input leads to a whole world of possibilties.

interesting suitcase with a lot of potential🎼👌

Nice demo! When I look at that, I say to myself that I must NEVER start to build modular setup.... because I would spend ALL my time in front of it

Thanks for this. I've been watching the evolution of your main case because it was clear to me when I first saw it that we have similar intent, both in terms of the instruments we are "building" and our approaches to making music with them. Most of my pieces extend from a single sample as well, either from my field recordings or the St. Modular Radio module (I remember when you had that in your case as well). I love Morphagene through Beads as the trunk of my routing. I use 0-CTRL like you use Pressure Points to scrub, modify the loop length, pitch shift, etc. the sample on Morphagene. However, Beads then gives me a lot of sample mangling possibilities before I route it through my other effects in parallel. I also rely heavily on the W/D parameter on Beads (and all my effects modules, really) to evolve/progress the music. When I want to do something more rhythmic/melodic, my favorite technique is to seed Beads with some multiplication of the End of Splice Gate (clock) from Morphagene so Beads' grains live slice the loop. I'll also sometimes pass the clock through Steppy before it hits Beads so I can turn slices on/off and change the rhythm. It can also be fun to mix the static control voltages I send from 0-CTRL to the Slide parameter (playhead position) on Morphagene with a clocked LFO or sequence at a small grain length so each "scene" I select within the sample is already mangled.

You should call the overflow case "Ineedem". That way "they're in case I need em"

"I don't want to do any Eq, I don't want to do any mastering, I just want to make the music I like." Love it. I have always been into recording as well as music, but the the steps and time required in multitrack recording and mixing just aren't that fun. Making the music this way is much more enjoyable, so I just want to do that. It's not a job, it's something I do for fun. Thanks Warbase.

Would love to see an in-depth video on how you use the panharmonium

You probably don’t have room for it, but watching this video I think you’d find the Endless Processor by Blukač Instruments intriguing. Whether you’re willing to eat 16hp for it is another matter, but it’s built on the DaisyDSP and could easily be reworked into a Versio module.

Have you played with Kammerl's "spectral clouds" mode for clouds? It seems like it's somewhere between panharmonium and the original "spectral madness" mode. I'm just wondering about whether this comparison is close or not?

Extremely meticulous and thought-out presentation.

Hi I was wondering if you could talk about your end of chain, in particular your use of compression. I recently acquired a Librae Legio (thanks to this video!) and it is fun. But to be honest I am not sure if I am helping or hindering my final mix. It looks like you pretty much set it and forget it, which is what I hope to do. But how do you know how to set it? There are few videos on this module. I'm sure if you were to do a short vid, quite a few people would check it out.

Really nice path! What is the model of the last output unit?

How do you spell the manufacturer name of the wireless headphone transmitter?

Do you have a modular grid version of this case?

Only one case ? Starting in modular ? 😊😊😊😊

Why not use a Zoom device for your remote recordings instead of lugging all the expensive mods to do so?

I liked the walkthrough of the init patch and your in/out config. The sound that came out was not to my liking. Seems overly complicated for such basic ambient stuff that sounded very digital, but to each their own. Have fun.