Living on the edge. I've seen 86 on the CPU meter. Dangerously close to cutting out. I'd set the reverb to normal Q and Density to 4. Even direct with in-ears (pretty bright) I can't tell a difference. Effects always have cpu draw even if bypassed.
I really enjoyed this! What a well sorted rig you've got there.. I agree re. FRFR cabs, they don't work live, (for me) ..gots to move some air. Nice one mate!
Yep, there are some new FRFRs im using and i really like them. the RED SOUND. They are GRFR (guitar frequency) so my eq-ing required. Give them a try. You'll love them shop.independentmusic.com.au/lg-12-active-and-passive-monitor-system-for-digital-system-grfr/
@@PeterNorthcote Phew, they're too rich for me :) look nice though.. the problem I have is I've played in a 70s style power trio since '79 and a large part of that is riding the feedback wave created by the half stack on a riser behind me, so I fret a D without strumming and it immediately rings out, I have the 4x12 at the height it would be if it were on another 4x12 so it's easy to hear alongside a loud drummer, I step to one side to reduce the feedback or step into the sound beam to increase it.. I find the microphone in the virtual line from modeller to IR to FrFr mutes the musical feedback in a weird way, so I just send the IR to FOH and the pre IR signal to a tube head for the 4x12, best of both worlds.. love how deep you are into the Fractal.
Came here from a thread on Fractal forum about the noise gate, specifically how you don't use it. But I don't hear much noise. Do you turn the volume down every moment? How do you get such a low-noise base sound?
Hi Peter great video thanks for sharing. I was wondering what differences you might have between this patch and a patch for a guitar with humbuckers please.
Well, i use the same patch. I once copied this patch and lowered the GAIN on each AMP. But I just know how to deal with each different guitar now. And that's what its all about. A different guitar for a different tone. As i feel like i'm just skimming the surface with the FM9, it may all change one day. In fact, I'm sure it will.
Great vid - some really nice sounds here and beautiful *diverse playing to demonstrate the possibilities. I'm close to pulling the trigger on an FM9 or FX MK3 - this modeler seems to be the most natural sounding. Q - Aside from processing power have you detected any difference in audio sound quality between FM3 FM9 and FX MK3? Have you tried any others like Quad Cortex?
