Piotr est unique il transcende tout ce qu il aborde . Technique parfaite au service de la musique et de l émotion . Piotr se donne toujours totalement .
Voce potente e squillante, acuti vertiginosi e disinvolti, eseguiti con scioltezza e sicurezza. Grande pathos e senso drammatico! 😢 Vista tutta l'opera con Netrebko, la mia Lucia preferita ❤
Met opening performance also on theater High Defi, Rolando Vilazon was sick, then this new star is born... Great performance, shining bell, what a gorgeous tenor!!!
@@miguelmost00000 I will check that out. He has the sparkling of youth and artist... great fit. I started to know him 12 plus years ago when he showed up at Lucia's show at Met. I felt his voice sounded a lot similar to the inlay of Carreras. Thank you so much.
Magnificent! The purity of his voice is outstanding, no scratchiness, no throatiness, no harshness. The voice is perfectly integrated. . Reminds me of the young Domingo whose voice was much darker but had the same purity of sound. May he not overtax his beautiful instrument.
I haven't heard Beczala live so maybe I my opinion isn't definitive. But on the recorded evidence, he's damn good. At one time I tried to collect every Lucia recording. So I have some frame of reference. It's a tough piece. I watched a tenor friend crash and burn in performance trying to sing it. It's a tough piece The best recording I've ever heard is probably the one by De Muro Lomanto. Beczala here is far better than Alfredo Kraus or Bergonzi or Bruce Ford. Or Pavarotti for that matter.
Classic singer’s face. Many have noted his resemblance to Wunderlich. Big sinus cavities. (Strange to have abbreviated the final note when he was singing so well.)
You prolly dont care at all but does anyone know of a tool to log back into an Instagram account? I was dumb forgot the password. I would love any tips you can give me.
@Axton Frank I really appreciate your reply. I got to the site on google and I'm trying it out now. Seems to take quite some time so I will reply here later with my results.
Tombe degli avi miei, l'ultimo avanzo d'una stirpe infelice deh! raccogliete voi. Cessò dell'ira il breve foco… Sul nemico acciaro abbandonar mi vo'. Per me la vita è orrendo peso!… L'universo intero è un deserto per me senza Lucia!… Di faci tuttavia splende il castello! Ah! Scarsa fu la notte al tripudio! Ingrata donna! Mentre io me struggo in disperato pianto, tu ridi, esulti accanto al felice consorte! Tu delle gioie in seno, Tu delle gioie in seno, Io della morte! Io della morte! Fra poco a me ricovero darà negletto avello… Una pietosa lagrima non scenderà su quello! Ah! Fin degli estinti, ahi, misero! Manca il conforto a me! Tu pur, tu pur dimentica que marmo dispregiato: mai non passarvi, o barbara, del tuo consorte a lato… Ah! Rispetta almen le ceneri di chi moria per te. Rispetta almen le ceneri di chi moria per te. Mai non passarvi, to lo dimentica, rispetta almeno chi muore per te. Mai non passarvi, to lo dimentica, rispetta almeno chi muore, chi muore per te. O barbara, rispetta almen le ceneri… Ah! di chi moria di chi moria per te.
