play minor on EVERY chord 

Apologies about the slightly glitchy video. It is in fact my camera doing weird stuff - you do not need to contact a medical professional.

Greetings from France , very great and useful lesson,this is what students need to progress ... A simple and clear way to make jazz improvisation easy understandable and drinkable...Sorry for my english!Have a good day...

Rewatched and grabbed the Kofi file. This captures something that seems to get missed with a lot of the consumers of the Linear Expressions DVD/booklet (self included). Pat's taking his minor language and doing the various transpositions and conversions, and they sound so damn good. Minor or no modifications and they work so well in all the other contexts... But that's a far sight from declaring every major ii V in sight "ii dorian" and every minor ii V ii "locrian #2" and claiming to understand Pat's minor conversion... I was definitely that bum for too long. 😅Your resources are awesome, thanks for making the various PDFs/PPTs available!

Thank you sir. You make wonderful videos

Love the boom!

Yes - anything to excape the diatonic trap. Very interesting.

Hi Christian . I discovered your channel and it's a Gold mine . Thanks a lot for all you make

Cool idea! Experimenting with the 'minor on dominant' example, it seems to work equally well with any transposition that ends the lick on a chord tone. Your lick in Fm over Bb7 ends with walking down to the 3rd of Bb7, which sounds great, but equally so does playing it in Abm and ending on the 5, or Dbm ending on the root, etc. Sometimes it feels like we can get away with anything as long as it ends on a chord tone.

Those minor licks seems to be a movement to either the 3rd in dominants 7th chords or runs to the flat 7 of that chord in a kinda altered way. Nice. Thanks!

Thanks for this. By the way, what's that Sonny Stitt track (07:57)?

Great video! Django was already doing a simplified version of a couple of these (vim or iiim over I, v6m over V7) by the late 30s. No question, though, that the boppers took it to a different level.

Great stuff 👍! I think Pat Azzara (Martino) used to call this 'minorising' chords.

Hi! Thanks for the useful lesson! I guess in the section on the half dim, where you talk about the minor one step down the dominant, over the Eb7 in Charlie Christian's solo you probably mean Db min, not D min? Db min maj7 would give the 13 b9 sus sound over Eb7 I think.

More musical room setup ... Good !!!

Was that Charlie Christian bit from his solo on Rose Room?

Can you play a dom 7 over a minor 7?

Wes did this too