When I posted this I never thought for a second that someone would be dedicated enough to sit down and transcribe the entire thing Great job! I would have been okay giving you the midi if it would have made your job easier lol
Oh my god. I never expected the video to get so many views but to have the original creator comment? Dang. There are some mistakes in the transcription, so I would be very grateful if you could provide a midi. You can find my contact email under the "about" section of my channel. Thanks! -Joe
@@lnt2024 hahah. Well, if the bass fingers on the left hand would stay static for a bar, I think this would be actually manageable. But if you’d have to move them, it’s near impossible😂😂😂
After hearing how many of you wanted to learn this, I put it into a SheetMusicBoss-style piano tutorial ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-YTL58Qs20gk.html Also now official sheet music! www.musicnotes.com/marketplace/sheetmusic/MK0079555
I think the dissonant feel this has might be interesting to use for songs that very, very slowly become more dissonant. At the beginning of a polyrhythm bar you can barely the music being off rhythm, but it becomes more noticeable at the end of the bar.
A wrinkle could be how you pair the sub-tuplets. Best explained where do the extra notes land (example: 9-tuplet 8ths could be 2-3-2-2; 2-2-3-2; or 2-2-2-3).
@@renica2787idk the exact reason but it might be the weird harmonic with the increasing speed of the polyrhythm. The weird Harmonie already makes me feeling quite unconfotable and that feeling gets significantly increased the faster the polyrythem becomes. For me it felt like the polyrythem came closer to my natural heart beat and after it bypasses it i had to speed my beat up idk... it was really unconfotable for me
