this is a 35 min video, but I watched it more than an hour , awesome video, and finally I found that secrete behind that 3dimentional type, fully satisfied, and you got a new subscriber : )
Thank you so much. This was very informative. I very much appreciate that you provided a copy of the RAW file to work along with you on. That alone was hugely helpful. I'm truly a novice, but considering capture one since the photo editor I used to use was lightroom 6, and I'm not interested in a subscription model. Thanks again.
I srated the 30-day trial today. I was impressed that C!1-21 asked what camera brand I use. Other programs are generic. I don't know the work flow much yet, but I like what I've learned.
Thank you Eli, great job. I am so glad that I have Capture On e Pro for the Mac. The lates updates make the program even more awesome. Can't wait to try them out. Once again, thank you and keep safe.
This tutorial blew me away... WOW I've been thinking of switching to Capture considering the type of shoots and colors I like and I feel very limited with Lightroom. Thank you for this in-depth look into your editing style Eli, very well done!
I am new to capture one and this helped me so much! Thank you! My image turned out awesome, and I'm excited to practice the techniques on the other images :) new subscriber!
The smoothness slider is about the "transition width" on the color wheel to feather your adjustment. It has nothing to do with "how smooth is the color".
@@EliInfante I shoot Sony and the files look great, I love working in layers. Now using the "migration" workspace for now until I custom the menu. Oh, also I love to work with sessions instead of catalogs. Having all these folders organized in the session is awesome, I bought the Sony version years ago guess it was Capture One 9 and never bothered to learn it, the learning curve hasn't been that bad as I thought it would be.
Great techniques - I appreciate you sharing them with us. The process for broadening the skin tones in the beginning is killer. One thing that popped into my head when doing the before & after comparisons at 19:00 is how much the image would have changed if you'd have profiled from a color checker like an X-rite tool. I know you've done skin work at this point, but globally I wonder what the starting point would have been.
Eli, thank you so much for helping us enter the world of portrait editing with Capture One. With all the modifications you did, I wonder whether there is a chance in C1 to store your default values in a brush to not having to recall them when editing. I used a lot of customized brushes in Lightroom and would love to keep the element in C1. Do you have any tipps? Thanks in advance
@@EliInfante How would you take this to Photoshop for further edit? Do export it as TIFF and open it over there or is there a way to directly open it on PS from Capture one? Thanksss :)
Awesome tutorial Eli, really well presented and packed with info. I've been using CO for a few years now and loving it more with each release. Do you try to do full edits soley in CO if you can get away with it as there's so much you can do especially in terms of colour grading. Or do you find that the plethora of techniques for grading and skin retouching in PS is still essential. All the best, Tony.
Great video. I'll have to play around with this today. Thanks for sharing your image. A quick way to do before and after is going into the keyboard shortcut and giving it a open key. I used the Y key. By default Shift+Y changes the before and after mode.
@@EliInfante That's insane! I was digging the "skin tone" feature. I spend an hour the other day fixing and matching a bad makeup job. I guess I'm in a dilemma about getting C1. I see the benefits, but I still need PS for frequency separation. I'm not sure if I should spend the extra $$$?
Just started watching your videos and really enjoying your presentations! Do you have a particular set up to your capture one interface or is it the default? Do you use sessions or catalogs? Would love to see any videos on your workflow! TIA
I use capture one and Photoshop to edit my images but i don't find the right workflow to be more efficient in my editions, sometimes i am in capture one and jump to Photoshop and look like two or three times, I don't know if for your audience it'll be a good idea but if you decide to make it, I will be very happy. Thanks for your amazing content
Fantastic, thank you so much. I'm just transitioning from lightroom and I'm in love with Capture One 20 so far. Just one question, does Capture One have an ability similar to "auto mask" when painting localised masks? Thank you :)
Thanks. Very informative! By the way, you mentioned you are doing this editing on tablet at around 7:25. Are you able to do the CaptureOne editing on iPad? Since there is no CaptureOne app available for iPad, how is that possible? Thanks again!
Great video! Just a quick question. With the skin tone tab I usually adjust uniformity first and then amount. Is there a reason you do it the other way?
brand new user still in trial period -newbie question - I made a new tool bar as per Eli' instructions - added a complete list of tools I usually might need -named it, chose icon etc - seemed fine but then realised that some of the drop down menus won't open - e.g. filters, library, curves, keywords, color balance, black and white, lens correction, keyword library, style brushes or presets - is there a maximum number that can be added and work ? Are there some rules you need to know that aren't obvious? Any help appreciated.
Im surprised your image edit turned out well actually, since you used a few options that actually achieve the same thing (channel curves and color balance, luma range and vignete + dodge and burn) .
about luma range: how can your sensitivity slider work if you have the radius set to zero? You have to have some minimal radius to make your sensitivity slider operational, no?
This is a great workflow...however...Im going to be the elephant in the room....This is great for females 20-25 years old. Basically flawless skin. A little dodge and burn and whala! Gorgeous. right...well 20-25 year olds dont buy Portrait packages. Mrs. Smith that is in her late 40's does. This is great for the hobbyist, Not for paid client work. The inability for frequency separation is a deal breaker. Quite honestly, its par lightroom standard. Ive spent hours trying to make it work but have to keep rounding in and out with PS to complete client work. Id love to be able to migrate into C1 but my gut tells me we are years away from adobe standard. I love what you do...I love your work but 18-25 year old females in every portrait, is unrealistic....for a professional anyway. Have a great thanksgiving!
euh... the raw file in your clip looks much more muted than on the raw file on my calibrated screen before you even retouched it. How is that possible?
@@EliInfante No, difference is really too big. My pictures on my monitor are the same of all the other devices I have tested. Can not imagine that my colors are incorrect. I am using an Eizo with X-rite colormunki
I don't really understand your use of R+G+B curves to change colors. Doing S curves for each channel is kind of killing what you want to do with the image ... it nearly only increase the overall contrast just as the luma or RGB curve would. Why not using color wheels instead ?
So... Sensitivity does NOT work if you don't set a radius first in the luma range tool.. And smoothness on the color tool it's referred to the color you picked.. Does not change the smoothness of the color.. Be careful when you teach something that you are not familiar with..
