Thank you Jeremy for teaching solo piano playing. Ballads like such are essential for technique development especially for solo performance. It opens a palette of vast choices for the player to decide what to use and what works. So, until the player has listened adequately over the years and acquired good taste and judgment (and practice), he/she is left with only one option, and that is to learn the pertinent stuff that is taught in music college curriculum.
This video is fantastic! You’ve earned a sub - my theory definitely outweighs my actual piano skills but this method is so practical and inmediately applicable, I’m confident it will help me immensely!
Super helpful! Can't really say why but somehow it complements the info in your (great) book. I just love the vibe and the feeling of these videos as well, they are somehow personal and not to "dressed up". So generous of you to just give all this for free, I feel I want to give you some money for it!:)
Really excellent for me if a bit ambitious. I'm a decades long jazz guitarist that just started piano and this is really providing some great insights. If only I had some technque!
Very interesting and kind of eye opening for me! I have mostly been thinking in terms of "pre learned" voicings when playing solo jazz piano and that admittedly makes the voice leading a bit clunky sometimes. I also have never heard someone say that you should try to keep the bass tone as low as possible at all times but that makes a lot of sense for the fullness of the sound. I have ordered your book and am waiting for it eagerly. Thank you for sharing your knowledge!
What a nice and thoughtful note. Thanks, Fredrik! Don't hesitate to let me know if you want some more guidance from me at any point during your journey.
Wow, Great teaching. Very clear explanations and I like that you showed us the different ways that we can play the song. Can't wait to see what you'll be teaching on Piano With Jonny next week!
@@JeremySiskind Just bought it, and I'm very impressed. I'm a sax player trying to level up my piano skills, and this will keep me very busy for a long time!
This might sound silly, but something I realized with your (really great!) system of Major chords having 1-3-7-9-5-13 available, or minor having theirs was a little hack. If it’s minor, avoid the 6/13. If it’s major, avoid the 4/11. Other than that, if your fingers are on a note within the scale of the key, you’re likely hitting a chord tone! Just spread your notes out and try to keep the root at or near the bottom. For some reason it’s easier for me to remember to avoid one note than to try to think of the other 6 available to me!
24:10 Im gonna steal that Eb run, and then the AbMaj7, and then the Db6 octaves stuff, then G7 run down into Cdim up 😁 Btw Erroll Garner must be pissed nobody ever plays the B section of his tune hahah
Thank you, Jeremy! Great information provided in a clear and concise manner. I look forward to purchasing your book in the future when my 3 year old daughter grants me a few minutes to practice...
@@JeremySiskind For sure! Very helpful to see the process in real time and how your thinking unfolds. In my view this is the kind of implicit knowledge that is difficult to capture in a book! This is the value of youtube videos to a large degree I think! Inspired to make an arrangement now again, working on playing Cole porter tunes atm, next it will be "everytime we say goodbye". Look forward to the next vid!
This is the best explanation I've come across -- for how to play the type of jazz I primarily set out to learn. Like some other posts, I think I got stuck in a rut with the trying to adapt the A/B aka rootless voicings to include the melody in my right hand, usually with a simple 1-5 or 1-7 in the left hand. From there, I might try to throw in the occasional So What or an upper structure. With this video, of course I might still use those voicings, but I think I now have a way better framework to go about it, using this process as a guide for how to choose alternate voicings, rather than just try to "throw one in" and hope for the best. Thank you Jeremy!
I sometimes play a C7#9 instead of the Cm7 which you show around 17:00. In fact, the song is played right before the Clint Eastwood directed film and the orchestra happens to play that same sharp 9 which I like just for variety's sake.
Hi Jeremy. I'm wondering why you used a G-7 in measure 5 instead of the Ebmaj7, and a G7 in measure instead of the G-7 in measure 7. You know that I'm easily confused!!!!
This was an amazing lesson and a powerful musical statment at same time. I have question, you said that there's no systematic formula for the voicing when applied to standards so how should I approach my studies should I drop the idea of learning voicing formulas like ''five Voice Shell Extensions'' found in books like ''Jazz keyboard Harmony'' or ''Voicing for Jazz Keyboard'' and focus only on your book or is there value in using them in conjonction with your book. As a bassist I'm trying to find the best way to avoid confusion. Thank you for your help !
I have to admit I don’t know the specific voicings you’re referencing. Voicing formulas are very useful for trio, quartet, or even duo playing. For solo playing, each melody note and shape has to be treated pretty individually if you’re going to get a really good result, so most formulas aren’t going to cut it. That said, as you dive deeper, you will see many common patterns that will arise, so it’s not as though you have to “reinvent the wheel” each time. I’m not sure that’s a clear or helpful answer...I think there are many ways to get to good voicings, but this one is the most reliable I know and I would be wary of any formula that didn’t take into account the melody note as well as the register of each chord.
Hi, i love jazz but after watching a ton of videos buying and reading most recommended books and listening/ transcribing some solos i don’t see much improvement… is can play all scales and chords but it sounds so basic. I had many times that i want to give up because I practice all the time but still cant play any tunes well. Its like im always practicing but when it comes to tunes i seem not to get there… how did you deal with overwhelm? And did you had difficulty on your path as a jazz musician? Did you had times wanting to give up ? 🤷
Hi Richard! That's a big question! Without really knowing you or your practice routine, it's impossible to really answer it, but I can tell you that the most common problem I have is students trying to do too much too quickly. I think the language-learning metaphor is really useful here. You wouldn't expect to be able to speak French fluently after one semester or even one year of study. Bite off very small pieces, have small goals, and trust the process. Make sure you're working on training your ear as well as your technique. Go slowly, write things out. If you can get any kind of small coffee shop gig to force you to play without stopping, that's one of the best ways to learn - either solo or with others. Find a community of learners that will challenge and support you. Good luck!
Hi Jeremy! Can you give the link where I can buy your book? I’m at intermediate level, where can i start in order to strengthen my jazz theory. Many thanks 🙏 Jeremy!
As far as videos go, I think these two are good: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Fg_W-t_WBBc.html and ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-PTcLSCGXc_Y.html
