Had one of these for a while. Actually two. Really handy on drum rooms of fok when you have a good sounding room they bring up the tail of the sound in a really pleasing way.
@@maxbauhof yes, haven't tried the reissue though it seems very similar and probably more stable than the original. The plugin limiter doesn't seem to respond the same.
Ive thought about the 500 series ones quite a few times! Would love to see a demo of those! Also, If I end up getting a rack version, I think Id opt for the Txfrmr upgrade! For the extra few hundred bux I think Id do it! I think I actually emailed Q2 and asked what the difference was a few years ago, but forget what they said.
Is it me or it just give everything a room or overhead feel without having a room mic. What’s your thought you are in real time hearing it. How would you use it. Blend under the original sound for a punchier sound. What’s your thoughts
For general use I’d use a lot less compression, definitely went heavy with the compression on this video for the drums and yeah your right it gets that room sound. I’m sure it would be great in parallel too like you outlined. Thanks for watching! It would definitely be killer on some room mics.
1:16 is nice.. so is 2:15. Obv gets a nice room squeeze on the drums, if that's what you're looking for. I really liked it on the acoustic gtr clip on those initial settings.
Max lo felicito y le agradezco por mostrarnos todos estos equipos qué tal vez nunca podríamos soñar escucharlos!!! Le pregunto si ud podría hacer una muestra del standard audio stretch Gracias
quite exciting. i think it was compression that i loved about distortion as a kid. heard these units were finicky and hard to repair. sounds electric though
Yeah real cool piece, I like it on the guitar and bass with just a little gain reduction too on the lower ratios too. Yeah that doesn’t surprise me that they are hard to repair, at least the vintage ones.
