Footage shot in HDV with a 2:3:2:3 pulldown (24 FPS in 1080/60i), converted to Apple ProRes 4:2:2 and reverse-telecined on a clip-per-clip basis (making 1080/24p clips). No color correction or alteration to the image otherwise has been performed. Some was shot in crappy lighting at +18dB gain, but most was at 0dB with nice lighting. The difference is obvious.
6 окт 2024