Mam, after watching your videos, i have become your fan. I have learnt classical music, for years, under various tutors, but never it was explained so detailed and easily by anyone. Meri gayaki aur detailed ho gayi hain. Thanks much. :-)
Nyasa swaras important , S P and M are nyasa, but starts with S ,it shall go by touching D and also both with S . R is not under nysa but it shall appear with Important certain proportion, M is jaan and Badi/Raja swara under purbanga baadi from 12 pm to 12 pm which lies with S R G M. This utaranga and purbangs badi may vary for M and P swaras under expansion of sastra. Hence M appers with repetions of important as Baadi /Nyasa swara . Pancham with R and M appear with beauty. D important must be given for swara important for Raag Durga. Alap with hand clapping must be followed to make Alap . Matra must be duly added in Alap . Taan with matra of Palta must be chosed to make bandish beatify srmrs srmpmrs srmrs srmpdpmrs srmpdpmrs etc must easily understand with Taal and hand clapping with rising swaras. But your advice with Manda Saptak is most suitable to me as new learner,. Taal Mala and Swara Malika too must be taken to practice palata with Taal as I learnt from you teaching. But I could not understand the AAKAR
Mam i am also a regular follower of your sangeet videos. plz also discuss bada khyal also explain its style of singing with matras counting... and "thanx a lot" for your support.
Mam namskar, you are really doing a great job. Please also teach about ragas like darbari, lalit, khamaj, sur malhar, aheer bhairav etc. With regards. Bharat Bhushan Sharma.
BHARAT BHUSHAN Ahir bhairav me re aur Ni komal rehta hai aur sabhi swar seedha seedha lagta Hai .I think so aur raag lalit me dono madhyam ek saath lagte hain isliye thoda 12swaron ko ek ke baad ek lagate jaaiye isse raag lalit kaa bhi thoda sa abhyaas hoga
