Not only beautiful but also remarkable, Beautiful melody raaga Joyjoywanti scientific and too much practical explanation, Those who are students of music also those who like classical music they received precious jewels,will be satisfied. Congrats performer respected Vijoy koporkarjee also all' the respected members of the team.
Guruji take my Pranam.Your explaination is exceptional . I am as a student (instrument) highly benefited by attending your this classes......,Tanmoy from Guwahati(Assam).
sorry to be offtopic but does anybody know a method to log back into an Instagram account..? I somehow lost the login password. I appreciate any tricks you can offer me.
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At 12 26 we hear r to p then mgr. So like you mentioned the mandr puncham to re in Madhya saptak is true of jaijaiwanti. How is it then we can do p to re in the Alaap. As that you say it is chayanat ang. Very confusing. PLEASE explain. Or is it an acceptable aesthetic
Seema Gaur Row re pa magare is very much used in Rag Des which pandiji me tioned that Des and Bageshree ang is seen in jaijaiwanti depending on bandish as well...Chayanat will be sareregagamamapa-re
Please don't give symultineuosly knowlege about two types of raga ,because it is twisting our understanding.instead of it u please explain only one type a on a time.