THABKS A LOT. I WISH I HAD YOU AS MY TEACHER WHEN I WAS YOUNG. NOW AT 90 ,I CAN ONLY LISTEN AND ENJOY YOUR LECTURE. MAY GOD BLESS YOU WITH 100 YEARS OF HAPPY MUSIC LIFE
You are simply a great guru, ma'am! Your lectures are all very enlightening and to the core of any raag. I gained a lot through your lectures while preparing for my Masters raag series. Such in-depth explanations are not given in class and we fiddle through the swar combinations out of our own imagination, which sometimes proves wrong or confusing. Your lectures are stark clear and one can never go wrong in presentation once your explanations are integrated in them. Infinite thanks for all your lectures.
Thank you so much mam.main app ko sun ke raag seekh rahi hu.bahut simple sikhati hai jaldi smj aa jata.esse pehle mere ko pta na tha raag aise gate bajate
Pranams another awesome explanation. Thank you and please continue to shower your blessings on students with such great uploads.. Words fall short describing something that is so intangible, helps one connect with another dimension. Thanks again
You along with your friends based in Delhi are cordially invited to Lec-Dem on Sahitya aur Sangeet by DR. SARITA PATHAK YAJURVEDI, on 31st August, 2016 at 7:00 PM in AMALTAS, HABITAT WORLD, IHC LODI ROAD, NEW DELHI
You are a great teacher ! Thank you very much for uploading this 3 set Miya Ki Malhar video. I watched Miya Ki Todi last year and liked it too. I am learning a lot from your presentations. They start from very basic and slowly move up the ladder so I can perform a Raga on Bansuri for a good 30 minutes. May God bless you with long healthy life and happy career ! I consider myself very fortunate to get to know about your RU-vid presentations.
Kiya baat hai very well explained I m throughly enjoying it please keep it up lots informations in each ragas it is very useful to know I have done Visharad from Lucknow university in UK, by listening to Dr Saritaji it’s all now makes sense god bless you ,keep on uploading new ragas
Mam Namaste. Another wonderful lecture. Thank you so much. Please continue to enrich the students with your vast knowledge. We are blessed to have you and thanks again from bottom of my heart.
Jo बंदिश आप बता रहे है ,वो seperately karne ki koshish karne taki ham bar bar sun sake.theory part me bar bar nahi sun sakte.dhanyavad aapki ye seva hamko बहोत फायदे ही नही बल्की , hamko sub samza aise lagta hai.
Very very thanks madam. I fell very satisfied with your lecture. Here I want bring your kind attention towards pl give notation in terms of using both निषाद . Especially at 3 rd Charan you have used it frequently.
Madam going thru your lecture I concluded two songs BGH LAGADO SAJNI' KLSAIGAL and MANKI BEEN MATWARI BAJE isn't Madam your disciple Rafik DIWAN Karachi
Malhaar ke or bhi prakaron ka vedio banaane ka kast karna mam........Aapke vedio dekh kar aisa lagta h ....Aapke saamne baith kr seekh rahe h........Swar ke lagaaw kitne saral shbdon m bata deti h aap........
मैं आरोह अवरोह से राग नहीं बताती हूं उसके चलन से बताती हूं। ये कान्हड़ा अंग को मैंने दिखाया है जिसके साथ मल्हार के सुंदर समंवय से ये राग बनता है जिसे पंडित भातखंडे जी ने क्रमिक पुस्तक मालिका भाग ४ की बंदिशों में भी प्रयोग किया है। पेज 568,570 मैं हमेशा से ही ये कहती हूं कि अ।रोह अवरो ह से ही राग नहीं बनता उसका चलन बहुत ही महत्वपूर्ण है।
Pranams another awesome explanation. Thank you and please continue to shower your blessings on students with such great uploads.. Words fall short describing something that is so intangible, helps one connect with another dimension. Thanks again
