Rabbits (2002) A Short Film by David Lynch 

Short Film submissions of 2024 are now open!: filmfreeway.com/MovieMatinee/

When life does not make sense.... you watch a David Lynch story, and you remember there are things that make way less sense...

The dialogue makes sense but it’s out of order. Someone would have to match them all up. The rabbits are dealing with a traumatic incident. They each speak of their own memories- the same incident, but they each perceived it differently. Their dialogue makes no sense because each of their “truths” were so different. Their trauma shook them up so badly that it infected their daily routine no matter how much they tried to keep their normal life.

I’m at the worst point in my life right now mentally and somehow this is comforting

Rabbits is filmed in front of a slightly terrified studio audience

I gave my friend a copy of this to clear her frequent house parties when she wanted people to leave - it worked. Turns any happy atmosphere into existential dread😂

This is what David Lunch sees when he watches a normal sitcom

Naomi Watts had to grow her ears out for this one. You can barely tell it’s her. What a great actress!

This is exactly my experience of watching Friends

One of my favorite fan theories is that the rabbits are three souls in hell. The reason why they talk in such a bizarre, disjointed way, is because the damned condemned to wander hell for eternity can see tha past, and predict the future, but they are unable to see the present.

I like to think that since we can’t see the TV in shot, it’s like they’re watching us. While we’re waiting for them to do something entertaining, they’re thinking the exact same thing whilst we blankly stare just as much as them Also, the way the droning music progresses makes me feel like it’s about to climax (musically and visually) but it never does

It's like watching an unnerving surrealist play, but you're the only one in the theater. Especially with the prerecorded applauses. Such an uneasy feeling. I love it.

Perhaps the most successful artist who has attempted to get dream logic on film imho.

Amazing how Lynch managed to create AI Seinfeld 20 years before AI Seinfeld. The man is a true visionary.

"Were you blonde?" at the beginning and "I wonder who I will be?" at the end imply to me that these are the souls of the dead awaiting reincarnation.

I like how the audience cheers every time the father in the family walks through the door, as if he's the comedic/heroic "man of the house" sort of character you'd have in a traditional sitcom. Then he waits for them to stop laughing lol

this is the epitome of what I like about Lynch's approach to horror: the true unknown. Full abstraction. It's so slow. It's so empty. It's so repetitive. Why am I completely riveted throughout the whole thing? The majority of this film is static images, but they're full to the brim with dread. Because I don't know what's going to happen next, though I feel like I should. I really, really should know what happens next....

This would’ve been nightmare fuel to me 10 years ago, but now, this is comforting.

David Lynch makes such great use of radiators, sick colored walls, the sounds of remote industry....

i love that train sound in the background. the pulsating hum is hypnotic

Watching this entire series at 12 years old probably did more damage than I intended

It’s distance... We are all distanced, out of synch. This is how I piece together my days. You ARE alone.

This is one of my earliest memories of the internet- my dad used to watch every short Lynch was putting up at the time.

"Smoke, oil, heat... mirror, smear of blood, eye opens darkness." The shadows on the wall are a movie on their own. He's one weird cat, but damned if I don't love his work.

I wish there were more film directors like David Lynch.

The moment the mother said "it is 11:15 pm. it is dark outside" i checked my clock, and it was 11:15 pm on the dot. this movie is freaking me out

This feels like a story of internal dialogs and minimal spaces of the mind. This is what disassociation feels like, thoughts bleed through every now and then, even the feelings occasionally and then you just suppress it back down. Feels like trauma.

There's no director in this world who can turn your subconscious mind inside out like a sock and slap it in your face. Everything is so unsettling but so beautiful at the same time.

I loved the way the narrative was arranged in such a way that the conversation was out of time. If listened, the characters actually kept the convention flowing.

Lynch is an insane artistic genius. I first saw Eraserhead at the cinema way back in the day, and people were just sat there gaping at the screen. All these decades later I showed this to my partner, and she just sat there gaping at the screen! Well done David. Incredible stuff!

It's great how nothing too scary happens, so your mind keeps making up potential scenarios that are actually creepy. Like I imagined that one of them suddenly screamed, or lays down in front of the door with it open, or they start running over the sofa towards the back, or a wolf comes in and kills them all, etc. It's not unlikely because it's such a surreal atmosphere, but it contradicts the slow pace. Your mind makes up all the horror.

No one has mentioned the shadows. They each start with a single shadow, but eventually they all have 2 shadows. Keep your eye on the back wall.

It is like watching people serve prison time inside someone else's mind.

Playing this on 2x does absolutely nothing

I don't no why i liked this but i couldn't stop watching.

An unsettling yet hypnotic dream of a sitcom dystopia.

its almost like David Lynch knew we would watch this shit high as a kite and the dialogue would trip us out.. "i'm going to find out one day." then you start to question if you have secrets and if you've exposed yourself about something.. to "what time is it" for comic relief as if to know that we'd question wtf is going on and why were even watching this at 4am in the morning, with laugh tracks just to trip us out more... Lynch really knew how to grasp that feeling of dread and purposeful randomness, and show it visually in a dreamy nightmarish atmosphere, exactly the way you'd only be able to understand if youre actually dreaming.. from the music, to the movements and position of the characters, and the long stares and randomness of their behavior.. lynch literally just created this to demonstrate the strangeness of the human mind, behavior, and comprehension of random nothingness.

Lynch's atmospheric background noise Makes this a constant return for me.

Donny Darko origin story...

I have one or two brown wild rabbits who live on my property. They recommended this film. I am glad they did.

I'm at work and watching this. No wonder I'm not exactly a popular guy. I'm totally OK with this.

This looks like smth straight out of the Courage the Cowardly Dog universe

I want this played at my funeral.

I think Lynch wants each of us to develop our own interpretation. Surreal.

i love how he just filmed this on the fly in a shed in his backyard. and then just threw it into INLAND EMPIRE mix. I wonder if Watts, Harring, and Coffey are actually in the costumes or they just used their voices. Also, the setting reminds me of the red room from Twin Peaks, another room in another dimension.

It’s a real conversation, it’s just scrambled but you can guess the order once you hear everything

The music is fantastical. Love the foreboding, mysteriousness, and darkness of it.

This is still a funnier sitcom than “the Big Bang theory”

In my interpretation, the film, via metaphor, is talking about 3 rabbits who live in a natural environment, quite possibly a forest. The father of the family goes to work every day at the same time, possibly doing his duties, within the context of the forest. The laughs and the sitcom format refer to the fact that we treat such animals as spectacles, just like their more humanized form, that is, the rabbits have such a form, because it is as if the rabbits were being observed through our human prism and as humans , we often tend to project our "humanity" onto animals, however, the family context is very sad and disturbing and the audience, possibly human, treats it like a sitcom in fact, showing how this "humanistic" approach towards animals, is nothing more than a mere entertainment show for us. The background in the film refers to fire, and in scenes with enigmatic riddles the emphasis is placed on fire, we can constantly see symbols of fire in the rabbits' house, and the descriptions of the father and mother in the film refer to issues of fire and exploitation of nature in a wild and violent way, examples: Sirens, dead dogs, fire which is also mentioned, ships, etc. All of this, joining the dots makes me reconstruct that this scenario is possible. The man in the green suit could be a representation of the human being who uses symbols of ecology to perpetuate such crimes against nature. The family's concern about the father arriving late could be this, the concern about the rabbit finding a human, the reference to the character that the daughter mentions, could be a close relative, friend, or something like that who was killed due to such explorations. The issue of rain could be literal rain, representing a moment of relief for the characters, due to the chaos perpetuated in their habitat. The film also constantly uses the word "wire", which could indicate that the forest to which they belong is being increasingly reduced and limited by such wires and walls. The concern and fear when answering the phone could be a representation of the rabbit family's concern about being disturbed by humans. Finally, the final scene, showing the face of a seemingly bestial and savage figure, could be how this family of rabbits would view humans.

DAVID LYNCH'S "RABBITS" (2002) "In a nameless city deluged by a continuous rain... three rabbits live with a fearful mystery" 7/26/2019 David Lynch Rabbits Script 2/8 DAVID LYNCH'S "RABBITS" (2002) Scene 1 INT. THE LIVING ROOM We see a gloomy room lightened only with lampshade and standard- lamp. There are two women in the rabbit costumes in the room. One of them (JANE), dressed in white, sits on the red sofa near the lampshade. The second one (SUZIE), dressed in red, stands in the left corner of the room near the standard-lamp, and irons the same piece of clothing over and over again. There is a door at the left side of the screen. Near the door we can see an old black telephone. There is another room on the background. We can hear the rain outside. After a long time the door opens, and a man in the rabbit costume (JACK), dressed in a black suit, comes into the room. His entrance is accompanied by the rapturous applause of an unseen audience. After the applause has grown silent, Jack takes his place on the sofa. JANE: I'm going to find out one day. SUZIE: When will you tell it? JACK: Were there any calls? JANE: What time is it? (Audiences laughing) JACK: (Stands up) I have a secret. JANE: There have been no calls today. (Audiences laughing) JACK: (sitting back) I am not sure SUZIE stops ironing, and goes to the sofa. We hear the applause. SUZIE stops behind the sofa. JACK: A coincidence. SUZIE: (laughs) JANE: Do not forget that today is Friday. (Audiences laughing)SUZIE: Where was it? We hear steps outside 7/26/2019 David Lynch Rabbits Script 3/8 JACK: I hear someone. JANE: There is something I would like to say to you, Suzie. (Audiences laughing) JACK stands up and goes out the room. Scene 2 INT. THE LIVING ROOM JANE sits on the sofa near the lampshade. SUZIE stands behind the sofa. They both stare at the door. The door opens, and JACK comes back into the room. (We hear the audience's applause. After the applause has grown silent, Jack takes his place on the sofa.) SUZIE: Oh? (Audiences laughing) JACK: It must be after 7:00 PM SUZIE: I have heard those things being said before. JACK: I will bet you are both wondering. JANE: It is still raining. SUZIE: I have misplaced it. I am sure of it now. JANE: All day. (Audiences laughing) JACK: It was a man in a green suit. SUZIE: Why? JACK: It may even be later. SUZIE: I am going to get them. SUZIE goes into the adjoining room. Scene 3 INT. THE LIVING ROOM JACK stands up and sits back. JACK: Where was I? JANE: I only wish that they would go somewhere. JACK: I almost forgot. JACK goes out of the room and comes back soon. We hear the audience's applause. After the applause has grown silent, JACK takes his place on the sofa. 7/26/2019 David Lynch Rabbits Script 4/8 JACK: Were you blonde? (Pause)Suzie? JANE: I could hear it also. JACK: When it happens, you will know it. Suddenly the light turns off. SUZIE comes back into the room carrying two lighting candles.(We see the RED RABBIT a frightening and weird figure in the upper left corner of the wall. The RED RABBIT speaks loud incoherent strange language.)The RED RABBIT disappears. SUZIE goes out of the room. The light turns on. SUZIE comes back into the room without candles and stops behind the sofa. Scene 4 INT. THE LIVING ROOM SUZIE comes in and the living room is empty SUZIE: Something's wrong. Cold. Siren. Dark. Smiling teeth. Moving wing, fingers. Smoke. Oil. Heat. Mirror. Smear of blood. Eye opened. Darkness. All wet. But in bed. Thorn. Bug in bed, crawling. Over? Moose. DISAPPEARS Scene 5 INT. THE LIVING ROOM JACK and JANE sits on the sofa near the lampshade. SUZIE stands behind the sofa. SUZIE: There was a call for you, earlier in the day. JACK: We are not going anywhere. SUZIE: I almost forgot. JACK: I knew that was what happened each time I thought about it. JANE: Are you going to tell? JACK: It is the rain. JANE: I was wondering when Suzie was going to do that. JACK: Who was it? SUZIE: (looking to the side) It must be the rain. JANE: It is 11:15 PM, it is dark outside. (Audiences laughing) 7/26/2019 David Lynch Rabbits Script 5/8 JACK: Quiet. JACK stands up and goes to the door, leaves the room and back soon with audiences applause. JACK: Let me tell you. JANE: I do not think it is the rain. SUZIE: He goes to work each morning, and then he comes back home each night. JACK: It may have been a coincidence. SUZIE sits down between JACK and JANE. JANE: It did not happen that way. Scene 6 INT. THE LIVING ROOM JACK comes in and the living room is empty JACK: Distant siren. An old warm rug. A dog crawls. Something's wrong. Something's wrong. The dog crawls. Lights blown out. A wind. Dark. Smiling teeth. A swollen tongue. The dog crawls. The socket drips. Disease. Hot. Electricity. Barbed wire. Sharp. Tearing open, red. And wiggling, wet dogs. Running swollen blue feet. Tearing, scraping. Black, old blood. Yellow saliva. Darkroom. Broken window. Green tear. Vinyl. Knife. Blood. Burn. Bulb. Legs high. Cold. DISAPPEARS Scene 7 INT. THE LIVING ROOM SUZIE stands in the left corner of the room near the standard- lamp, and irons the same piece of clothing over and over again while JANE is sitting on the sofa. JANE: When did you say that? SUZIE: It was the voice of a man. JANE: I do not think it will be much longer now. SUZIE: Where is it that you think I meant? (Audiences Laughs) JANE: I was speaking about the other night. SUZIE: I do not know where Jack is. 7/26/2019 David Lynch Rabbits Script 6/8 JANE: I was near the harbor after it happened. It was raining. SUZIE: It is 8:35 PM. JANE: Who was on the phone? SUZIE: It is still raining. JACK comes into the room and sit-down on the sofa JANE: It has always been like that. JACK: When did you go out? JANE: I have known since I was seven. JACK: It happens all the time. The phone rings for a long while and no one answers. Then JACK answer without talk. SUZIE: There is no moon tonight. JANE: I said it looks like it is still raining.SUZIE: Where was it exactly, do you remember? JANE: Is it that late? JACK :(sitting again) Since then? SUZIE: And getting darker. Scene 8 INT. THE LIVING ROOM JANE comes in and the living room is empty JANE: An old warm rug. A dog crawls. Something's wrong. The dog crawls. Lights blow out. A wind. Dark. Smiling teeth. A swollen Tongue. The dog crawls. The socket drips. Disease.Hot. Electricity. Barbed wire. Sharp. Tearing open, red. And wiggling, wet dogs. Running swollen blue feet. Tearing, scrapping. Black, oil blood. Yellow saliva. Dark room. Broken window. Band Aid, old grease cotton. Green tear. Vinyl knife. Steam blood. Burn. Bulk. Chord. Bugs wiggle on their backs. Legs high. Ceiling drip. Cold distant siren. Distant ships. Distant ships. Distant ships. Moving wing. Fingers. Old skin. Smoke. Oil heat. Mirror. Smear of blood. Eye opens darkness. DISAPPEARS 7/26/2019 David Lynch Rabbits Script 7/8 Scene 9 INT. THE LIVING ROOM SUZIE stands in the left corner of the room but she isntironing anymore. JACK and JANE are sitting on the sofa looking at other. JANE: I saw it too. JACK: I am not sure. JANE: I went earlier, when it was just light. JACK: I need to tell you something. SUZIE: It was red. JACK: Did he say anything? (Audiences laughs) SUZIE: You could not do anything? JANE: No one can know about this. SUZIE LEAVES THE ROOM JANE: It happened to me only once. JACK LEAVES THE ROOM JANE: It's past midnight! JACK ENTERS TO THE ROOM (AUDIENCES APLAUSE) JANE: All day. SUZIE: There is something here! (FROM THE OTHER ROOM) JANE: It happened like that earlier. JACK: Who could have known? Suddenly the light turns off. SUZIE comes back into the room carrying two lighting candles (AGAIN). We see the RED RABBIT again but this time is shortly SUZIE: I heard it too. JACK: Do not forget what I have told you. The door opens by itself and the rabbits look at that. We hear a scream and the lights go off suddenly. SUZIE goes to close the door and the scene comes back to normality SUZIE: And then, there it was. 7/26/2019 David Lynch Rabbits Script 8/8 JACK: No. Nothing. JANE: Well then, it must be very dark. JACK: It was the man in the green coat. SUZIE sits down between JACK and JANE. JANE: I wonder who I will be. END.

Only a minute in, and I already feel uneasy. The lighting, the rain, the weird rabbits. I have done a lot of dangerous and life threatening things in my 60 plus years. But there are some limits...

I love this film so much. But I would never admit that to anyone I know because they would think I’m crazy. But you guys - a bunch of total strangers - no judgment!

My friend and I came up with a theory in high school that these rabbits are all holocaust victims in purgatory but they know that someday they will reincarnate, hence "I wonder who I will be". The monologues are them talking about their experiences and eventual deaths in the concentration camp and relating it to a rabbit being killed by a dog. They're turned into prey animals for the same reason. That's also why they have 40s/50s outfits.

Okay, there's actually a proper conversation happening here, it's just VERY out of order.

i love how the rabbits seem to freeze when the applause happens

The oppressive laugh track seems to hint that the rabbits are being recorded for propaganda purposes, and they are constantly watched. That’s why their conversation is tampered with, they can’t say what they want to say lest some ambiguous authority finds out, so they have to make it incomprehensible and meaningless. Their actions are slow and choreographed so they don’t do something that the authority does not like. They seem afraid despite not outwardly showing it. As for the strange occurrences, I have no idea. The strange voice could be the higher authority contacting them, or something else. As for the telephone and the door opening, I don’t know, but it all serves to put you on edge and constantly in suspense for what could happen next. I suppose in that way, the rabbits are us. However I’m probably not correct. Still, like everything Lynch does, it’s riveting

How did David Lynch know so much about my family growing up???

David Lynch. Genius. Brilliant. Cerebral. Wiggley. Darklight. I must take my feet for a walk now.

Each one deeply lost within their own thoughts. Lifetime after lifetime without reprieve, propagating over and over. Each lifetime ends with dogs, sharp knife, electricity, wire…hanging upside down, bleeding out, freezing to death. We sometimes think this is not what happened. Someone called, maybe a reprieve? We almost forget. It’s slow, it’s painful, it’s repetitive. But is it good that they cannot kill us for good? We cheer absent-mindedly, humor is our way. Dark emotions. Nine lives is a joke. So minimalist. Panting we stop picking up the phone. But why do we applaud just another beginning? I missed that part. I also missed the end. Nothing happens. No shame in that. Red. Again. I heard it too. Into another round. How will we meet, who will we be…next time.

I used to love gore movies as a teenager. In college I understood the mundane as terrifying, then eventually it became the absurd and nonsensical. Now I fear myself most of all because who I am now is giving Rabbits by David Lynch and nobody understands the appeal.

This oddly makes sense to me. There's a whole storyline. Like the characters only need to lay out a model of thought and the brain puts the rest together. This is awesome

Nobody is going to explain this to us. Everything has been said before but heard as if for the first time. Applause. "Where was I?" Right there on the red couch. Can we assume the live audience is always rabbits? She comes and goes to no applause. Proving she must have been there all along. What monsters frequent the dreams of rabbits? Talk of endless rain, blood and dogs. It's getting late.

This guy's been warning us for decades : this world is hiding so much from us.

i love how the randomly misplaced laugh track and disjointed dialogue really add to the overall creepiness of these shorts. great job, Mr. Lynch!

One's interpretation can be very good, but it could be different and still be good. Thats the magic of Lynchs art in cinematic experience, subjectively framed according to individuals and their emotional character

the background music and the rain with distant thunders are so relaxing to me :)

I personally think that this is supposed to be something beyond our comprehension would look like We understand that they are doing something, but we don't know what, why, or how (or to who)

I tried to figure this out, but never could. I know all that is going on is the script is being presented out of order. its wonderful to show someone for the first time.

I always wonder how Mr.Lynch explained about this project to Coffey, Harring and Watts. In my imagination it must be a diner serves a "damn" good coffee and he said, "I have a new project. It is about three people with rabbit head. They're in an apartment room...and it's some kind of comedy". Mr.Coffey replied "Woah...that sounds...". "creative" Ms.Watts said. Ms.Harring was smiling in silence.

the ambient noise is amazing

Love this. Come back to it every couple years.

This film was used to test the effectiveness of Tylenol reducing existential dread.

I’ll admit it, it’s hard to contain myself when suit guy walks in

Playing Minecraft with this in the background is an experience.

One day, I chose a wrong turn at an intersection. Its pavement ended past several houses. I had to stop to avoid driving into an open field. A bunny bounced into sight in front of me. Several more bounded in behind it. Then the count was five. Then twelve. Then... too many. The grassy field was full of bouncing, active bunnies. All deciding to follow the first one. To where, who knows? I put the car in reverse and drove away. Where was all the non-sensical applause?

For me, this is what it would be like to live in absolute perpetual fear.

This film is a masterpiece of cinematography.

This is the first time I've seen anything by Lynch and it's one of the most disturbing films I've ever seen. It's like a dream that makes perfect sense until I wake up and realize it didn't make any sense at all. Those rabbits talk to each other in broken order or say completely random words. Why does mother have a double shadow? What's that burning thing on the wall? What is that thing that sometimes appears in the lower left corner? What's behind the door?... I have so many questions, but I think even Lynch probably doesn't know the answer to them. It had unique atmosphere and I really liked it. I would also like to watch his other films and Twin Peaks but I don't know where I can watch them legally.

I love this it has given me insights on what might be happening down in that hole in my backyard

I don't know why I find this environment so comforting?

A brilliant piece of surrealist fiction, somewhat intelligible only with the rest of Lynch's ouevre within one's frame of reference. Much can be said about The Rabbits, but fundamentally they portray the sense of existential dread, obscured by cultural amnesia, and accentuated by our inability to communicate effectively, which permeates the modern age. Think the diner scene in Mulholland Drive. The terrified man recounts his nightmare, but only vaguely. We don't know why he is so terrified, we just hear disjointed enunciations such as 'to get rid of this god awful feeling' and 'he's the one who's doing it'. That suffices -- we hear the scream. Lynch essentially presents us a zeitgeist. It doesn't make sense because our epoch doesn't make sense. The sitcom, in how it wraps reality in a membrane of artifice, typifies that. Thus you have these terrified and equally terrifying rabbits.

Nostalgic horror that is beautiful as it is unsettling: the dread of a ringing telephone, the moaning foghorn throughout the night, green painted walls without artwork, slavery hymn humming, etc. all evocative of melancholic times of the past. This film congers up memories, fears, sadness, madness, deep imagination. Interesting how one can be attracted to such darkness even if is not generally your kind of world at all. This is still quite relatable however.

I love inappropriate audience reactions more than life itself. This is priceless!

I’m gonna host a discord movie night of this and I’m gonna laugh every time the laugh track does to confuse my friends. I’m also going to tell them we’re just going to watch a cute movie about rabbits

Am I the only one who gets chills from this? Especially the laughtrack

My best idea- obviously it really means nothing. But it's fun to give your own ideas. It's the deluge( great flood) so it's always raining. Not all animals for to be saved. This family left with the dark world. Sense of impending death and a demon.

Interpretation belongs to the viewer. IMO: I like that the sequence of the script is off but stays coherent with an idea and story-line. I also find it amusing that the sound effects are off with whatever the Character is doing. Wearing a Rabbit head makes it impossiple to time the lipsinking adding that extra special effect? Making the Characters talk like the old Japanese Monster films of the same period, where their voices speak the words before their lips start moving? I knew before watching this, some people not familiar with David Lynch would be shrugging their shoulders and scratching their heads? Just think in terms of; Life of Rabbits in a 1950's sitcom style setting. With some pointed dialogue by lead Actors between scenes to really explain their trauma? Winter has ended, Spring rains are here and its been a gully washer of a storm! This would worry Mom and Daughter waiting all day for Dad to come home? Lots of rain Yields early Crops, Good Garden's, and many blooming trees. Time to scavange for food? AKA: Time for Rodents to scavange Into the Garden and Fields for fresh Greens. The man in the green suit is the Farmer Mr. McGregor or Mr. Green Jeans. The Man with the Green Suit owns the Hunting Dog. The barbed wire is the newly reinforced fence around the Garden and Fields keeping the Rodents out! With heavy rains there's always an increase of rodents. In some places the fence is most likely Electrified! Blue paws and blood in barbed wire are visions of chased rabbits into the fence after Yellow Teeth and Dripping Saliva get them or chase them! Then the knife... And Leather are probably the skinning process after the fact? Using the Rabbit furs for another purpose? All of the premonitions were a warning to keep the rodents, (Rabbits) out of the Garden! There is however, another place mentioned by Mom and Daughter? I believe it was a dock or pier that was a safe place? In the end the Family seems to have avoided the Garden, listening to the warnings and premonitions given to them? Who knows? Somehow Mom tapped into the Dogs psychic message? Dad had a Secret! Got a phone call. And met the man in the gree suit. Both Mom and Daughter left home and went to the Pier.

Follow this up by watching Watership Down and reading Maus... you’ll never look at Beatrix Potter the same. God bless Peter Cottontail

It took awhile to realize this was people in suits and not puppets O_O

Haven't read into the speculation about this... But god there must be so much... One thing I'm seeing is that there are more rabbits in this room than you'd think... Just watch the shadows on the wall... >_> The mother seems to have two shadows or something... But not just her, there's like 5 shadows I've seen at once... And there only appears to be one light source that should be casting a shadow in that direction...

Ese susto al final es uno de los mas efectivos que eh experimentado, no porque tenga un volumen fuerte, sino por el como la peli te prepara para esa situación. Es una mini pelicula que si bien puede percar de lenta y repetitiva, transmite una perturbacion psicologica y esta tan llena de simbolismos oscuros que es dificil olvidarla. Yo la vi hace años y todavia recuerdo a fuego algunas escenas que me perturbaron de ella. Muy recomendada a los fanaticos de Lynch o de la pelicula Canino.

Meanwhile within the Lynch universe, this is a real sitcom that aired for ten years and then got a medicore reboot five deacades later. Won a ton of awards, a cancelled movie, had their own special anti-drug episode, a couple banned episodes, merch, and was (at the time) the sharpest and most heartfelt comedy you ever watched.

Brilliant! It was more frightening when I started understanding about half way through....

This is how chatbots talked before chatgpt

Lynch creates the illusion of dark just as Turner painted the illusion of light. True art for sure.

It feels like AI-generated seinfeld

I still have the impression that the ending offers a glimmer of hope.

its literally lynch’s perception of where comedy in mainstream culture was headed..

A blogger believes David Lynch understands the keys to understanding some really incredible esoteric knowledge about reality.

I was going to complain that the audio is slightly off, but then again, everything is slightly off.