Rachmaninoff Chopin Variations, Op.22, Piano Sonata No.1(Full Album) played by Zlata Chochieva

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Two rarely played pianistic masterworks by Rachmaninoff on one disc. The first Piano Sonata and the Chopin Variations suffer unjustly from the fame of their elder brothers (resp. The second Piano Sonata and the Corelli Variations), yet they are truly the works of the same genius, in their broad and expansive romantic language, their pianistic glittering and bravura and their true Russian Soul. They are close to the heart of the young Russian pianist Zlata Chochieva, who makes with these pieces an impressive debut on Piano Classics. Zlata’s technique knows no limits, but it is her exquisite musical taste, her innate melodic feeling and sweeping passion that impresses her audience most deeply. The winner of several important Piano Competitions she embarks on an international career.
Variations on a Theme of Chopin Op. 22
00:00:00 01 Theme: largo
00:01:13 02 Var. 1: moderato
00:01:56 03 Var. 2: allegro
00:02:11 04 Var. 3
00:02:26 05 Var. 4
00:03:16 06 Var. 5: meno mosso
00:03:41 07 Var. 6: meno mosso
00:04:44 08 Var. 7: allegro
00:05:02 09 Var. 8
00:05:23 10 Var. 9
00:05:43 11 Var. 10: più vivo
00:06:14 12 Var. 11: lento
00:07:41 13 Var. 12: moderato
00:09:47 14 Var. 13: largo
00:11:03 15 Var. 14: moderato
00:12:23 16 Var. 15: allegro scherzando
00:13:46 17 Var. 16: lento
00:14:55 18 Var. 17: grave
00:16:29 19 Var. 18 più mosso
00:17:20 20 Var. 19: allegro vivace
00:18:32 21 Var. 20: presto
00:19:39 22 Var. 21: andante-più vivo
00:22:16 23 Var. 22: maestoso
Piano Sonata No. 1 in D minor Op. 28
00:27:07 24 Allegro moderato
00:39:13 25 Lento
00:47:20 26 Allegro molto

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14 июн 2024

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Комментарии : 19

@thebananatuna 3 года назад

Regarding the Rachmaninov Sonata, this is absolutely the PERFECT interpretation for me - above all others BY FAR. I have loved the music for many years but never could find an interpretation that satisfied my needs until this one. She has such a wonderful grasp of the giant demands, technically and EXPRESSIVELY, of this monumental composition!!! I just LOVE it!!!! The Chopin Variations are wonderful too, but I am just now becoming familiar with them. Surely she is the right one to introduce them to me. What a magnificent musician!!!!!!! She deserves world acclaim.

@williamdiffin28 6 месяцев назад

Yes. My thought exactly with the First Sonata. I had been familiar with it for many years before hearing Chochieva's standout interpretation. Lugansky's is worthy too.

@ziegunerweiser 6 лет назад

I own this CD Chopin variations are among my favorite compositions ever written, I don't think it's possible to have enough recordings. Both sonatas are just incredible works of genius

@cybrfc5315 3 года назад

In less than five min we find ourselves completely absorbed in this magic

@danieldelarocha3227 10 месяцев назад

Beautiful. It reminds me of Barry Manilow Chopin variation - Could it Be Magic. The most amazing offset of classical music I have ever heard.

@davidmarsh5274 Год назад

Many thanks to Zlata Chochieva for introducing me to this wonderful sonata.

@marioescudero7103 3 года назад

Gracias

@luisdeorueta9748 5 месяцев назад

❤

@alfredoarruda2988 2 года назад

Thanks fron Brasil

@chankim5811 3 года назад

превосходно

@NOSEhow2LIV 6 лет назад

Very well played and conceived, but i really miss a certain.....weight of sound, a darker sort of...Russian Roar; here it seems the piano, (as recorded), has no bass. Certainly we benefit in clarity and logic but the rather plasticky sound becomes too monotonous for me. Is this a strategy of the record label, the taste of the artist or just an unfortunate unplanned result? Or is it a Yamahaha? And why on earth didn't they tune it properly? The theme is already slightly wobbly! I'm remarking only on the Chopin Variations so far; haven't heard the 1st Sonata. This pianist has great clarity and musical logic; i'd like to hear her in concert.

@michaelcappette6072 6 лет назад

NOSEhow2LIV l

@alexculbreti3169 4 года назад

I suggest you turn your volume up from 10 to 50 at least. This is the best preformance of this beloved work I've heard including Askenazy. Can't stop listening to it. Strongly recommend her Chopin etudes as well. She's one of the bright stars of the new generation, with Yuga, Grosvenor and Trivanov. She bests Trivanov with this piece.

@nosehow2liv525 4 года назад

@@alexculbreti3169 So turning up the volume x5 would improve musical and tonal quality? Thank you for such a revelation! Better re-read my comment as you've not understood at all. I like this pianist and most things about her interpretation. The issues are mostly with the recorded sound and the instrument. If you take Ashkenazy as a reference here, you'll be easily satisfied by anyone else; he was too old and had an arthritic condition when he recorded this! Trifonov's disc may be ok, but he could never play it in public, (heard him 3 times: catastrophic each time), and his invented "return to theme" instead of Rach's coda is criminal damage. Possibly a visit to your ear specialist would be advisable? Best regards.

@alexculbreti3169 2 года назад

@@nosehow2liv525 Ah, my dear chum! If one can only listen to the 4th variation with it's Rach bells and triple fff bass octaves one should hear enormous bass, at least through me headphones. But enough of quibbling, have you heard Giltburg's opus 39 etudes or Gavrylyuk's 2nd sonata. The exciting thing is there are young pianists who are changing my visions of these works through their fresh interpretations. My ENT was amazed at my remarkable hearing by the way. Warmest heart felt condolences

@EmptyVee00000 4 года назад

No excitement in her playing.

@thebananatuna 3 года назад

You’ve got to be kidding.

@williamdiffin28 6 месяцев назад

No engagement in your hearing.

@EmptyVee00000 6 месяцев назад

@@williamdiffin28 She has powerful hands, and a big piano technique, but lacks the orchestral expansiveness and large-scale phrasing required to make great music; some nice mini-phrasing in and voicing places, but one "beautiful" moment after another does not cut it. Needs more solemnity in the hymn-like chanting second subject in the first movement.