Тёмный

Rachmaninov - Piano concerto n°1 - Richter / Sanderling 

incontrario motu
Подписаться 60 тыс.
Просмотров 13 тыс.
50% 1

Опубликовано:

 

30 сен 2024

Поделиться:

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист
Посмотреть позже
Комментарии : 25   
@mdoroudi986
@mdoroudi986 7 лет назад
Awesome................perfect & unique forever............................................
@vladimirmiguel7554
@vladimirmiguel7554 2 года назад
Richter came to the world to leave us the memories that he was the best pianist ever seen .
@MrAam1964
@MrAam1964 9 лет назад
The best interpretation ever of the first piano concerto of Rachmaninoff!
@zinam5795
@zinam5795 Год назад
Very Light & easy; Alive Rhithm vith technique! BRAVO
@SuperAsalvador
@SuperAsalvador 7 лет назад
Sergei Rachmaninov Piano concerto n°1 op.1 I. Vivace 0:00 II. Andante 12:31 III. Allegro vivace 18:53 Sviatoslav Richter Symphony Orchestra of the Radio of the USSR Kurt Sanderling Studio recording, Moscow, 18.II.1955
@mariobarbov9605
@mariobarbov9605 5 лет назад
Absolutely fantastic
@berlinzerberus
@berlinzerberus 10 лет назад
..his benchmark, unsurpassable!
@margaritafoncueva79
@margaritafoncueva79 2 года назад
Brillante e inolvidable RICHTER!!!!
@MichaelConwayBaker
@MichaelConwayBaker Год назад
Phenomenal. A fantastic by both Richter and the orchestra.
@meredith218461
@meredith218461 8 лет назад
Here is the relatively young Richter, full of fire and volatility not to mention awesome mastery. This legendary performer played virtually all Russian piano repertoire with an authority and empathy unmatched by his contemporaries. Having said this I also admire the Ashkenazy/Previn account of this concerto from 1972 which has a similar intensity. I have always thought this to be a Finely constructed work deserving greater recognition from many of todays players.
@notaire2
@notaire2 5 лет назад
Wunderschöne Interpretation dieser spätromantischen Meisterwerks mit klarem Klang des Soloklaviers und perfekt synchronisierten Töne anderer Instrumente. Der erfahrene Maestro dirigiert das perfekt trainierte Orchester im gut phraiserten Tempo mit perfekt kontrollierer Dynamik. Einfach wunderbar!
@c.g.marseille4510
@c.g.marseille4510 6 лет назад
Richter, on the piano here, is making a very fine and fascinating drawing as from a building
@zinam5795
@zinam5795 Год назад
All Technique 's Singing❤❤❤❤❤❤❤❤❤
@照豪竹内
@照豪竹内 10 месяцев назад
この録音は私がまだ、音楽を聴き始めた頃に、レコードを買い音楽に本格的に取り組むきっかけのそれも巨匠リヒテル氏の録音です。古いレコードで、確かこれの裏はサンサーンスの5番「エジプト」でした。なんと懐かしい。なんと素晴らしい演奏。もう一枚氏の弾いた協奏曲の名盤は同じく録音の古い、グラズノフの1番と、プロコフィエフの1番でした。この二枚はなんと表現してよいか、私の音楽生活を決定した二枚とも言えます。聞きながら、当時をありありと思い起こしました。彼は巨人巨匠です。あげて頂きありがとうございます。😔 何十年か経って思いがけなく自身の心の支えを眺める感じです。とてもとても不思議な気持ちです。🙏😔
@margaritafoncueva79
@margaritafoncueva79 2 года назад
Infinito Talento! Insuperable!!
@vladdegs
@vladdegs Год назад
Better than the Ashkenazy:Previn recording. Absolutely stunning performance, which we expect from Richter and he never fails to deliver.
@betterthanbareleinad3221
@betterthanbareleinad3221 10 лет назад
I thought that the Concert No. 2 and No. 3 were insurmountable until I heard this from magnificent Richter. There is much here that is exquisite, a rhythmic perfection almost defying belief.
@loboris1995
@loboris1995 10 лет назад
There are two versions that I also love ( even if this one is for the me number one ) : is Byron Janis and Peter Rosel ( this one much slower )
@emilgilels
@emilgilels 7 лет назад
Earl Wild is also excellent, in this as well as the other concerti.
@jennyjang5894
@jennyjang5894 5 лет назад
What a Splendid rendition ~
@MXDelfos
@MXDelfos Год назад
Outstanding. I like it more than the Second. Richter captures all the romantic and decadent spirit of this concerto. Very beautiful. And Sanderling is equally good. I liked this performance a lot. I even downloaded it. I will hear it many times from now. Thank you very much!
@jeltokmaster
@jeltokmaster 5 месяцев назад
6:10
@ulfwernernielsen6708
@ulfwernernielsen6708 6 лет назад
Very good but I prefer Byron Janis and Philips Entremont.
@stephaneblet6141
@stephaneblet6141 3 года назад
Me too. Especially my beloved Byron...
@AndSendMe
@AndSendMe 2 года назад
It is a source of continued fascination for me that the strict objectivity Richter brought to Rachmaninoff's shorter works fits them so perfectly as to exclude all others, but he never managed to own the glory of the larger works. His playing often feels calculated and remote in these larger works, even, strangely, in the grandest gestures. For all that Byron Janis' Moscow performance is more free than I normally approve, it manages to sneak all its excesses into just the right nooks and crannies. Its phrasing and overall unity are perfection.