A nother Rag played played in the classic style of it's progenitors! Smooth, easy going and a good feeling for dynamics that lets the phrasing breath! This is also a very positive description of your ability to play these pieces in the way they were intend by the masters!! So very good Bill!!
Thank you very much for listening and the kind comments. The guitar is a 1920 Stetson branded guitar made by the Larson Brothers. It is a very small guitar, measuring only about 12 inches across the lower bout.
@@michaelmaddox Thanks very much from listening and the kind comments Michael. I appreciate it. The guitar is a Stetson branded guitar made by the Larson Brothers in Chicago. It was built around 1910. It’s a very small guitar, only about 12” across the lower bout.
@@woodandwire Thank you very much for listening and taking the time to reach out. I thought the same thing the first time I heard this tune and have worked on a full arrangement of Abilene but never completed it. The song is Rag Picking and is an arrangement of Richard Saslow’s from his book, “The New Art of Ragtime Guitar”. The book is still in print and available on Amazon.
@@alanjackson3119 Thank you for listening and the kind words Alan. This tune, and a bunch of other fun finger style arrangements, is from Richard Saslow’s The New Art of Ragtime Guitar: 2nd edition a.co/d/09ie1jcx
It is a very small bodied guitar Wilhelm. It’s a 1910 Stetson branded Larson. It’s only 12” across the lower bout. It has a very large sound for the size of the guitar . Thanks for listening.
Thank you for listening and the kind comments. The guitar is an early 1900’s Stetson branded Larson Brothers. It’s a very small guitar, just 12 inches across the lower bout and with a 24 inch scale.
@@ParlorMan_Acoustic_GuitarBasically the perfect guitar. I know Larson Brother, they great. I am studying this tune, and I took inspiration. That guitar sounds amazing
The song is called “Rag Picking” by Richard Saslow. It’s from his book of guitar arrangements called The New Art of Ragtime Guitar. It’s available on Amazon for $25
Nice smooth playing, and that little gem of a guitar has a HUGE bottom end for its size, Fantastic! I have a '63 Martin 5-16, which is probably quite a bit smaller even than your Larson, which oddly has incredible bottom end too! Easily comparable to the several 00s that I have. And for the guy that commented about the tempo, you can hit the RU-vid Playback Speed tab and crank it up as quick as you like! ;) It doesn't even change the pitch, just the tempo... ;) Great work... :) I wish I had kept the Larson harp guitar that I had back in the 70s... It's probably worth a small fortune now.
Thanks for listening and reaching out. Back in the ‘60s I was a dreadnaught guy until Eric Schoenberg turned me on to smaller bodied guitars, staring with a 1929 OM 28. My eyes were opened and dreds seem unnaturally huge to me now. The balance I find in the little guys is why I love them. I wonder where your Larson Harp ended up. I’ve got a couple of musician friends who have one.
Thanks for listening Phillip. That guitar is a Stetson branded Larson Brothers built guitar from around 1910. It’s a tiny guy, just 12” across the lower bout, but with a lot of moxie for such a small guitar.
Thanks for listening and the kind words. One of the things I like about Saslow’s pieces is that they sound good with many different expressions. Keep on playing!
Thanks for listening Bill. It takes a ton of practice. One thing that helped me tremendously was taking new songs one measure at a time like a mini song. I use tablature and will learn the first measure until I can play it smoothly. Slowly at first and gradually increasing up to tempo. Then I learn the second measure and then combine them into a two measure song. Then add measures 3 & 4 and so on until the song is finished. Be patient with yourself and it will come. One benefit with this method is that you’ll have the song memorized by the time you’re done
Nicely played sir. I lost that book "The Art of Ragtime Guitar" several decades ago. About 20 or so years ago, I thought it'd be a fat chance, but I emailed Richard Saslow regarding that book. He actually sent me a pdf of it. Now I've gotta find that pdf so I can relearn the songs again. Thanks for the inspiration!~
Thank you for listening and the kind comments. That was very nice of Richard. I still have my old copy of the book. It’s still available on Amazon, but I would rather have the PDF. LOL
@@ParlorMan_Acoustic_Guitar Yes I see that it is avaiilable on Amazon (the second edition). When I was sent the pdf, the second edition was still in the works. I could be wrong but I believe the 2nd edition also has two new songs that wasn't on the original edition. It might be worth getting the book just for the 2 extra songs. Think I just figured out what I'm getting myself for Christmas this year!~
@@markosullivan4095 Certainly, Rag Picking is from a book by Richard Saslow, which is available on Amazon and elsewhere: The New Art of Ragtime Guitar: 2nd edition a.co/d/2Dx5bQo
@@ParlorMan_Acoustic_Guitar I agree, I have a smaller 000 size Iris that sounds pretty big too, also so much more comfortable than a big dreadnaught. Cheers
That is a circa 1910 Stetson guitar built by the Larson Brothers in Chicago. It’s a tiny guitar, a little over 12 inches across the lower bout, but it has a lot of presence for a little guy. The Larson’s made some amazing instruments. Thanks for listening.
Not only did I listen, I’m a new subscriber. Fantastic picking, interesting guitars. I’m interested in single 0 size with rosewood back and sides and largest nut available. Torn between Blueridge, Eastman, and RK. Any thoughts to share?
Thank you very much for subscribing, it truly means a lot to me. I’ve never played a Blueridge and only a couple of Eastmans. Those were really nice guitars but I’m not familiar enough to with them to know if they have a model that fits your requirements. I have played a number of Recording King guitars and banjos and they’ve all been really nice instruments. Their Tonewood Reserve Elite Single 0 would certainly fit the bill. If you would consider a mahogany bodied guitar with a cutaway, try find one of RK’s RP1-16C. My friend Eric Schoenberg had a big part in their design. Another friend owns one and it’s an amazing guitar. RK doesn’t make them any longer so you would have to buy used. Good luck with your search!
I’m fortunate to own the RP1-16c, and it’s my favorite, of All my guitars. I keep silk and steels on it, but wish back and sides were RW. Thank you for your thoughts and reply.
@@whatposterman1222 Sounds like you’ve got a good one. You might want to try some John Pearse Nuages Gypsy Jazz strings and see if they give you a sound you like. They come in both light (.010 high E) and medium light (.011 high E) The lights have a string tension very close to Silk and Steels but I like the sound much better. The medium lights don’t have a ton of tension either. Some of my guitars respond best with the lights while a couple are much happier with the medium lights. Cheers
Thanks very much for listening and taking the time to comment. Obviously, I disagree, but that’s what makes the world go round. I learned the piece quite a bit faster, but prefer the mood the slower pace creates. That’s just me. LOL