Raga Marwa | Vidushi Dr. Ashwini Bhide Deshpande 

Mesmerizing Rendition of Raag Marwa By Dr. Ashwini Bhide Deshpande.
00:00 - Vilambit Khayal : Piya More Anat Des
41:10 - Madhyalay Khayal : Begi Aao
48:06 - Drut Khayal : Maai Ri Sanj Bhayi
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Raga: Raga Marwa
Taal: Teentaal, Rupak, Teentaal
Composition: Piya More Anat Des Gayilava
Begi Aao
Maai Ri Sanj Bhayi
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tanpura and Vocal Support : Rutuja Laad
Swarangi Marathe
Swarmadal : Poorvi Tonpay
Tabla: Pt. Vishwanath Shirodkar
Harmonium: Vid. Seema Shirodkar
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📝Lyrics:
************ Piya More Aanat Des ************
स्थायी : पिया मोरे आनत देस गईलवा
ना जानू कब आवेंगे |
अंतरा : उनके दरस देखवे को अखिया तरस रही
उन बिन कछू ना सुहावे ||
*************** Begi Aao********************
बेगी आओ दरस दिखाओ,
तुम बिन लागे ना जियरा मोरा ।
बाँट तकत हूँ आस रखत हूँ आस रखत हूँ तुमबिन लागे ना
जियरा मोरा देर भई अब तो आवो पिया ॥
************ Maai Ri Sanj Bhayi ************
स्थायी : माई री सांझ भई
अजहूँ ना आये बलमा।
अंतरा : निसदिन तरसावत हो करत हो झूठी बतिया
कौन सौतन तोहे बिलमाए बलमा।।
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About Artists:
Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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Video Courtesy: Pancham Nishad