In this conversation with Anupama Chopra, Rajkummar Rao throws light on his next big release “Srikanth” directed by Tushar Hiranandani. He delves into his process of preparing for the role, and how spending time with visually-impaired individuals shaped his character, both on reel and in reality. He then talks about the recent trolling he’s been subjected to, surrounding his chin surgery, and the noise social media brings along. He discusses his love for films, and tells us how much he enjoyed and loved the Diljit Dosanjh starrer Amar Singh Chamkila.
#RajkummarRao #Srikanth
00:00 - In conversation with Rajkummar Rao
00:29 - Moving into the season of Rajkummar Rao
03:06 - The noise surrounding the plastic surgery
06:11 - Paparazzi scrutiny and fear of misinterpreted images
09:20 - Prepping to play a visually-impaired characters on screen
14:07 - Challenges faced by visually impaired individuals
16:00 - Importance of finding one's own acting process and adapting it to different film genres
18:35 - Does gender play a role in navigating challenging characters?
21:20 - Rajkummar discusses the current landscape of Hindi Cinema
23:40 - Does the market conditions impact how he chooses a film?
25:04 - Responding to a script internally
26:32 - Has he changed as an actor since LSD?
27:46 - Negotiating the politics of the film industry
30:49 - Rajkummar watches one film a day?
31:20 - “I’ve seen Chamkila thrice already”
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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.
1 июн 2024
