Ramakrishnan Murthy: Raga Pantuvarali 

Very beautiful brilliant soulful rendition

Highly soulful composition while the saint Composer reiterates his faith on Lord Rama ! Good flow of panthuvarali....Excellent tone and diction.....Presented a very comprehensive niraval @rAjillarAni tyAgarAja rAja rAghava/Charanam3 n a brief Swarakalpana with phrases of the ragam.....Very melodiously sung...best wishes.

very nice rendering. sri rama krishna is most charming classsical musician in carnatci world.

My hearty bĺessings shanthidevi vedula Banglore

Ram never tired of hearing your bhakti filled rendition along with excellent accompaniments 🙏

What a fantastic rendition

Somehow Panthuvarali raaga gives that calm and composed feeling and totally cut off from the rest of the world. This is most scientific and I am sure modern methods can do research on this raaga alone and its effect on body and mind. This is pure joy and just imagine 500 years ago great sages RUSHIs like Thyagaraja swamy composed this. Somehow words can not explain the feeling I am having .

How many time I listen this Kriti. Thanks Ramakrishnan Murthy.

I must say this.. This kriti just took me to the trance 🙏 No words 🙏 Great rendition 🙏

Credit goes to guru. Gurubyonnamah.

My hearty blessings

on violin sriram sir is always superb

U r really gifted ...thanks for this presentation..violin is also excellent..it touches the soul...expecting more videos,im using this to teach my son...

Very gripping performance

god bless you dear and your team for this raga

My fav kriti ❤️❤️❤️❤️

Excellent Singing.Keep on going.All the Best.God Bless you

Soulful rendition

sooper great rendition my dear friend

Very nice rendition.. sincere and ardent! The melancholy feeling of pantuvarali is brought out succinctly and poignantly. Great Volin work!

Superb Rendition with Apalana followed by the Krithi ! Ninne Nera Namminanura raagam: Panthuvarali Ragam 51st Mela Rupaka Talam Thygaraja Swamigal Krithi Aro: S R1 G3 M2 P D1 N3 S Av: S N3 D1 P M2 G3 R1 S In this kruti Tyagaraja recollects the songs and games of his childhood which sometimes revealed the deceptive nature of the world.He condemns the futile arguments by scholars about Vedas and epics.He also denounces the ascetic sacrifices to achieve He states that he has placed total faith in the Lord. P ninnE nera namminAnura O rAma rAmayya Oh Father Rama,I've absolute faith in you. AP anni kallalanucu ADi pADi vEDi pannagashayana nE cinna tanamu nADE Oh my lord reclining on serpent,even from my childhood, I prayed to you by way of singing songs and playing games which often revealed some deceptive nature of the world. C1 vEda shAstra purANa vidyalacE bhEda vAdamula dIraka bhramayu vArala jUci I have seen learned pundits of Vedas and epics involving in endless arguments because of delusion. C2 vEda shAstra purANa vidyalacE bhEda vAdamula dIraka bhramayu vArala jUci I have seen people getting fatigued in performing sacrifices and austerities to achieve and enjoy worldly pleasures. C3 I janmamuna ninnu rAji jEsikonalEka rAjillarAni tyAgarAja rAja rAghava These people will not shine truly in their life unless they agree to understand you.Oh Raghava,Tyagaraja bows to you. Panthuvarali Raga :- This raga is also known as Kamavardhini ( in some texts also called Kashiramakriya ) and is equally well known in Hindustani Music as a raag belonging to Poorvi Thaat. While some sites refer this raag as Puriyadhanshree, some call it simply as Purvi Like a river that flows through hills and valleys, cobbles and pebbles, the melody in every raga moulds itself into subtle gamakas and brighas giving rise to a musical landscape that is unique. Our Indian Classical music system is breathtakingly beautiful, and offers much variety in terms of musical scales and flavours. A meditative raga, Pantuvarali brings forth a wide gamut of emotions when elaborated, and is one of the favourite ragas of rasikas and performers alike. A hint of pathos, intense yearning, a pleading quality - these are the signature emotions that Pantuvarali would convey. The notes assumed by this raga are Shadja, Suddha Rishaba, Anthara Gandhara, Prati Madhyama, Pancama, Suddha Dhaivata, and Kakali Nishada. Purya Dhanasri in Hindustani closely resembles Pantuvarali. Kamavardhini and Kashi Ramakriya are other names by which this scale is known. In ancient Tamil music, this scale is called Sadari Pann. While the Pancama serves as a focal point for beautifully-woven phrases to converge, the Gandhara and Nishada harmonise each other. Saint Thyagaraja has composed several kritis in this raga. These are hugely popular in the concert platform, and can instantly enliven a kutcheri. Thyagaraja's ‘Raghuvara Naanu', ‘Ninne Nera', ‘Vadera', ‘Saramegani', ‘Shambho Mahadeva', ‘Siva Siva Sive Ena Radha', ‘Aparama', ‘Sundaratara Deham', ‘Naradamuni' and ‘Shobane' (Utsava Sampradaya) are all prominent. Almost all of them start in the upper Shadja - these never fail to attract even the most distracted / sleepy or hungry listener! Dikshitar's ‘Ramanatham Bhajeham' and ‘Visalakshi' merit mention and one cannot overlook Swati Tirunal's ‘Sarasaksha' immortalised by M.S. Subbulakshmi or Bhadrachala Ramdas' ‘Ennaganu Rama Bhajana'.

Very satisfying performance

devine rendition

Wow

ninnE nera raagam: kaamavardhani 51 pantuvaraaLi (kaamavardhani) mela Aa: S R1 G3 M2 P D1 N3 S Av: S N3 D1 P M2 G3 R1 S taaLam: roopakam Composer: Tyaagaraaja Language: Telugu pallavi ninnE nera namminAnura O rAma rAmayya anupallavi anni kallalanucu ADi pADi vEDi pannagashayana nE cinna tanamu nADE caraNam 1 vEda shAstra purANa vidyalacE bhEda vAdamula dIraka bhramayu vArala jUci caraNam 2 bhOgamula kOraku bhuvilO rAjasammuna yAgAdu lonarinci yalayu vArula jUci caraNam 3 I janmamuna ninnu rAji jEsikonalEka rAjillarAni tyAgarAja rAja rAghava

Super

Chinnatanamu veedi not vedi pl note my dear bRamakrishna

Excellent Renditions... But I have a suggestion....At times I feel similarity to Musician T M Krishna who I like too.... develop your own style....