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Ravel - "Don Quichotte à Dulcinée" Fischer-Dieskau 

FiDiTanzer528
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A set of three songs by Maurice Ravel (written in 1932-33). This was Ravel's last completed work. It had been commissioned for a film by G.W. Pabst starring Chaliapin, but the slowness of Ravel's composing meant that the songs were not used, and Jacques Ibert provided some songs instead.
The three songs of "Don Quichotte à Dulcinée", poems by novelist Paul Morand, reflect the tenderly sincere and humorous moments of this well-known tale. The introductory quixotic song, "Chanson Romanesque," uses a pleasant vocal melody for Don Quixote's declaration of devotion to Dulcinea with a guitar-like accompaniment of the piano in a four-verse set of variations. "Chanson Epique" is the Knight's humble prayer, for blessings and protection, to the Virgin and the saints, in which the piano is used in the style of a church organ with rhythm derived from the Basque zortzico. Its austere chant, near the end of the song, concludes with a peaceful "Amen." The song cycle closes with "Chanson á boire," a robust jota in triple time, suitable for the lively exaggerations and embellishments written for the song's toast, "I drink to joy! Joy is the one aim for which I go straight...when I've drunk." Through this song Ravel bids an inadvertent adieu to music, from then on he suffered from ataxia and aphasia which kept him from coherently completing musical ideas. ---All Music Guide
1. Chanson romanesque
Si vous me disiez que la terre
À tant tourner vous offensa,
Je lui dépêcherais Pança:
Vous la verriez fixe et se taire.
Si vous me disiez que l'ennui
Vous vient du ciel trop fleuri d'astres,
Déchirant les divins cadastres,
Je faucherais d'un coup la nuit.
Si vous me disiez que l'espace
Ainsi vidé ne vous plaît point,
Chevalier dieu, la lance au poing.
J'étoilerais le vent qui passe.
Mais si vous disiez que mon sang
Est plus à moi qu'à vous, ma Dame,
Je blêmirais dessous le blâme
Et je mourrais, vous bénissant.
Ô Dulcinée.
1. Quixotic Song
Were you to tell me that by turning so much
the earth offended you,
I would send Panza to it:
You would see it still and silenced.
Were you to tell me that boredom assailed you
from a sky too beflowered with stars,
tearing the heavenly bodies,
I would destroy night with one blow.
Were you to tell me that space,
thus emptied, did not please you,
Gods knight, lance in hand,
I would bespangle the passing wind with stars.
But were you to tell me that my blood
is more mine than yours, my lady,
I should pale at the charge,
and would die, blessing you.
O Dulcinea.
2. Chanson épique
Bon Saint Michel qui me donnez loisir
De voir ma Dame et de l'entendre,
Bon Saint Michel qui me daignez choisir
Pour lui complaire et la défendre,
Bon Saint Michel veuillez descendre
Avec Saint Georges sur l'autel
De la Madone au bleu mantel.
D'un rayon du ciel bénissez ma lame
Et son égale en pureté
Et son égale en piété
Comme en pudeur et chasteté:
Ma Dame,
Ô grands Saint Georges et Saint Michel
L'ange qui veille sur ma veille,
Ma douce Dame si pareille
À Vous, Madone au bleu mantel!
Amen.
2. Epic song
Good St. Michael, who gives me leave
to see my lady and hear her voice;
Good St. Michael who deigns to choose me
for her pleasure and to defend her,
Good St. Michael, be pleased to descend
with St. George upon the altar
of the Madonna in the blue cloak.
With a heavenly beam bless my blade
and its equal in purity
and its equal in piety
as also in modesty and chastity,
my lady,
O great St. George and great St. Michael,
the angel who watches over my vigil,
my gentle dame, so like you,
Madonna in the blue cloak.
Amen
3. Chanson à boire
Foin du bâtard, illustre Dame,
Qui pour me perdre à vos doux yeux
Dit que l'amour et le vin vieux
Mettent en deuill mon coeur, mon âme!
Ah! Je bois à la joie!
La joie est le seul but
Où je vais droit...
Lorsque j'ai ... lorsque j'ai bu!
Foin du jaloux, brune maîtresse,
Qui geint, qui pleure et fait serment
D'être toujours ce pâle amant
Qui met de l'eau dans son ivresse!
Ah! Je bois à la joie!...
3. Drinking Song
A pox on the bastard, illustrious lady,
who to defame me in your gentle eyes,
says that love and old wine
bereave my heart and soul!
I drink to happiness!
Happiness is the one goal
to which I go straight
When I am drunk!
A pox on that jealous man, dark lady,
who whines, who weeps and swears
that he is ever that pallid lover
who waters down his drunkenness!
I drink to happiness
French poems by Paul Morand
English translations by Felix Aprahamian
Dietrich Fischer-Dieskau (baritone)
Karl Engel (piano)

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6 сен 2024

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Комментарии : 45   
@Jodabomb24
@Jodabomb24 8 лет назад
I can never get enough of the harmonies in the Chanson Epique, near the end, at "ma douce Dame si pareille."
@samuelnamotte9675
@samuelnamotte9675 7 лет назад
The pianist is often wrong. Wrong harmony. but nice that you like it ;)
@Jodabomb24
@Jodabomb24 6 лет назад
I've played and sung it. I know what it sounds like. And as far as I can tell, that part is fine.
@jean-pierrek.9819
@jean-pierrek.9819 8 лет назад
Excellente version de l'œuvre de Raval, impeccable prononciation de DFD. Quel plaisir dans les morceaux 1 et 3 que ces rimes embrassées d'une élégance rare, et quel génie de la prosodie et de la scansion françaises chez Ravel !
@garnerayjb9866
@garnerayjb9866 10 лет назад
I'm french, but so far, except maybe for Gérard Souzay for "La Chanson Epique", this is the best overall version i have ever heard. Merci
@SpaceAgeOdyssey
@SpaceAgeOdyssey 9 лет назад
What a great set of songs. Ravel was such a talented composer. He was like a painter, using colors to evoke emotions, only using notes instead of paint. Kind of funny that the LAST last song/piece he wrote was a punchy drinking song! In stark contrast to the solemn religious feeling of the song just before it, the Chanson Epique.
@FiDiTanzer528
@FiDiTanzer528 15 лет назад
You never heard these songs? I love them. My favorite Ravel songs. The video was lots of fun to do.
@marisouza8508
@marisouza8508 3 месяца назад
Wowwww so Perfect ❤
@saiserieht
@saiserieht 15 лет назад
Very beautiful, this music suits Mr. Fischer-Diskau very well. I will look into his Fauré!
@vereiana
@vereiana 15 лет назад
Very beautiful, Thank you..
@tinykarin
@tinykarin 14 лет назад
Absolutely delightful! First one about Dulcinea is my fav for now!
@williamsharp9148
@williamsharp9148 9 лет назад
OMG. If you know these songs, that G natural in the piano sticks out like a sore thumb! How could this have gotten produced? No one listened to it?
@parkerrognrud46
@parkerrognrud46 9 лет назад
+William Sharp Thank God, I wasn't the only one who noticed! It's extremely irritating...
@automatofix
@automatofix 8 лет назад
+Parker Rognrud It is indeed.
@carlosurbanejasilva4531
@carlosurbanejasilva4531 8 лет назад
Honestly, how could the producer or Mr.Fischer-Dieskau himself have failed to notice that absolutely awful misreading by the pianist?. I find it quite disappointing on Fischer_Dieskau's part.
@willrobinson1229
@willrobinson1229 7 лет назад
They were using a German edition. ;) jk
@rslavov1
@rslavov1 4 года назад
I think there was an edition that actually was printed like this. The editor probably decided to "fix" one of the minor seconds. One of these absurd things.
@Galdorik
@Galdorik Год назад
From a French man, to anyone looking to sing in French, it will be hard to find a better version : aside from his acclaimed voice and celebrated interpretation skills, Mr Fischer-Dieskau's pronunciation is here downright jaw-dropping. I humbly feel as if his version is even of higher quality than Souzay's live one (which, if one is to be picky, suffered slightly of some rhythm flaws), and that's saying something!
@megansspark
@megansspark 15 лет назад
a joy, & wonderfully illustrated!!
@randeringer
@randeringer 11 лет назад
ahh... someone needs to make another don quixote film with these songs, they are beautiful :)
@mole2398
@mole2398 10 лет назад
Piano plays a wrong chord in bars 15 and 17 (& etc). The right hand chord is E natural, F, G flat, not E flat, F, G natural, How odd that such starry musicians get this wrong.
@pierrenhy3835
@pierrenhy3835 6 лет назад
mole2398 oh oui c’est horrible
@robert72744
@robert72744 10 лет назад
Does anyone know where I can find the DG recording from which this was taken? I used to have the LP but can't find it anywhere. Also on it are the Debussy Trois Ballades de Francois Villon, Trois Chansons de France and other Debussy and Ravel songs as well. It is a fantastic recording with FD in his prime...with absolutely impeccable French. For me it sets the gold standard for all of the songs on it.
@oakroom48
@oakroom48 15 лет назад
No. This was a first - fabulous, Karen! Thank you so much :)
@jds516
@jds516 10 месяцев назад
Number 1: 0:00 Number 2: 1:48 Number 3: 4:57
@vereiana
@vereiana 15 лет назад
I put it in my playlist for French language study also..
@m5st5gr5s
@m5st5gr5s 10 лет назад
yes I am completely of agreement with the point of view of Garneray JB Actually my consideration was that Gérard Souzay was the best version i have ever heard but i am in enlightement in hearing Fischer DiesKau interpretation By the way i am french also Hello JB and i am a non professional singer who is going to sing DON QUICHOTTE A LA DULCINE at the end of this mouth cross you fingers for me :)
@oakroom48
@oakroom48 15 лет назад
K, Wow!! Songs are new to me and I adore *adore* the performances;) I am not so familiar with his non-German work, and I am thrilled to hear these marvelous works - ah! Fabulous. Your video is fab - but which is not from you? Thanks so much! :) -b
@davidpowers1108
@davidpowers1108 3 года назад
I have checked around a bit but I can't seem to find when these songs were recorded! They sound as if they are fairly early in his career. He did record this group later in his career. I quite liked the latter versions than this version. It is nice to hear it, though!
@FiDiTanzer528
@FiDiTanzer528 3 года назад
Recorded in 1959
@davidpowers1108
@davidpowers1108 3 года назад
@@FiDiTanzer528 Thank you so much! I knew it wasn't earlier and it did sound like stereo. To me his voice sounded "heavier" when he was young and he seemed to find his niche in the lighter and more lyrical aspects of his voice later on which I quite like and I now try to emulate! For me, watching his singing was the best voice lesson I could have!
@1862Debussy
@1862Debussy 12 лет назад
trop hilarant...je bois la joie...la la la!!! XD
@bilicgoran770
@bilicgoran770 11 лет назад
Merci boucoup.
@jiyujizai
@jiyujizai 4 года назад
💙💛💞☺️❣️
@shl2166
@shl2166 5 лет назад
1:54
@FiDiTanzer528
@FiDiTanzer528 13 лет назад
@ConradHansen Karl Engel
@frankdaykin6268
@frankdaykin6268 8 лет назад
Everyone has commented on the heinous G-Natural in the first melodie, but no one has mentioned how HORRIBLY too fast that song is taken, and how UNSTYLISTIC Fi-DI's rendition is. I loved, ADORED him in Lieder, but this is a disgrace.
@berndjanke3176
@berndjanke3176 2 года назад
I fully disagree with your comment. For me your opinion is a disgrace....
@frankdaykin6268
@frankdaykin6268 2 года назад
Don’t get me wrong, I stated that I LOVE F-D, but his fans seem to have a blind spot, that he could do everything equally well. No one can do that. F-D certainly approached everything with the utmost conscientiousness. However, his French diction was not idiomatic. I’m sure you could say that Souzay’s German diction wasn’t either, as I often have. And then there’s the glaring (obviously intentional, bad edition?) wrong note in the piano in the Chanson romanesque, repeated over and over.
@Ravelcontext
@Ravelcontext 12 лет назад
Yes, but why does Karl Engel play the blatantly WRONG NOTE "G natural" in the first song? This is NOT a very "stylish" version, despite my admiration for F-D in general . . .
@150muscle
@150muscle 12 лет назад
well loved this but souzey fr is pretty hi class
@uknowwho889
@uknowwho889 12 лет назад
That was REALLY annoying me too. It seems such a shame to ruin a beautifully written piece of dissonance, and swap it for a shoddy one!
@JessePlessis
@JessePlessis 11 лет назад
Blimey ... that IS odd.
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