Once again, Geoff shows just how nimble he is jumping up and down through so many octaves. And you are right, you never know where Geoff is going to take you. You know there's gonna be dragon breath at some point. And then up to a high tenor. He does amazing arrangements.
In my opinion Geoff just throws you to the clouds and then gently catches you before quickly hopping into the underworld for a coffee, rinse and repeat until in love.
Im still amaze of how Geoff changes his register when singing so that he wouldn't hurt or loosen his lower register when going higher. Love bass!!! Also I do practice subharmonic but still can't make it sound like Geoff does.
I had never heard this song before Geoff's cover not being a Radiohead fan but I've listened to it many many times now and love it each time. The emotions he portrays throughout this song are amazingly beautiful. Love your reaction!
Love this reaction, Dave. It was honest. Geoff really put his heart into this one, and you felt that. I really love this cover, as Geoff's voice resonates with me. Thom Yorke's (of Radiohead) voice never did, so I never much rated this song before. I always find that interesting. Thanks for the reaction. 💕
@@Jamie_T. Oh definitely. I've never downplayed Radiohead's/Yorke's ability to write a song. It's just that, for me, his voice never resonated. It's what I find so fascinating about music, noone hears exactly the same thing when listening to the same thing. So there's no right or wrong, there's just what works for you and what doesn't. 😁
You're one of two reactors I always wait for. Your reactions are so in tune with with what I think and you show how much you enjoy it. Great reaction to a fantastic song.
I like the song since i first heard it. Your reaction was priceless. I always love to see the faces of people when he goes into Deep Sea mode. XD And what i really would like you to react to is: Lonesome Road Tim Storms. It's a good song. And it's deep. Have a nice week. ^^
@@bradriley2614 I don't think that his lower notes are chest-fry, because Geoff himself said that he doesn't even know what it is.. but, some might be accidental
@@Deakyfics you don’t have to know what something is to do it. Go off of how it sounds and what chest fry is instead of going off of what he says. You can’t have 2 different chest voices that sound that much different it doesn’t even make sense
@@bradriley2614 I never said you have 2 chest voices, that's nonsense, but you can make your chest voice different, more breathy like the low note in High que Dry, or more consistent and powerful like in The Headless Horseman, that's what I'm saying, and I also said that he can might be doing some accidental chest-fry notes, it's a possibility
@@Deakyfics sorry I only said that because other people have said he has multiple chest voices lol. I do agree you can use a softer quieter more breathy voice and a louder one but when you’re at the bottom of your natural range you can’t make it very resonant using just your chest voice so you can only really get the quiet breathy sound out. G#1 is geoffs normal everyday lowest chest note I believe he uses chest fry when he wants more resonance even if he doesn’t know he’s using it. I’ve also heard him use chest fry as high as B1. Same with Tim foust, Tim has a very similar natural range as Geoff his lowest daily chest note is around A1-G#1 but Tim also uses a lot of chest fry I’ve also heard him use it as high as B1. The easiest way to tell the difference is listen for a higher pitched sound in the note or a slight popping noise, the fry is what makes that sound.
Maybe it's just because I want to believe it, but every song Geoff chooses to sing seems to have such a personal meaning to him. Till Then, for example, seems to me to be much more than just another song he wanted to sing.
Geoff just makes this song something you care about. The original is ok, but frankly, forgettable. There's just not much emotion in it. But Geoff makes it mean something. The feeling is palpable. As for sound, obviously the original did not have the drops that he does. Not even a little bit. But that breathier tone to the high notes is a specific stylistic choice that matches the original perfectly. I think it is interesting how well Geoff can take the original and arrange it with some faithfulness, but then just improve upon it so much.
