Realistic Reverb: How to Mix GREAT Foley & ADR for Films

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Learn how to re-create the genuine reverb of your film location with special guest Mark Edward Lewis of CinemaSound.com so YOU can become a post-production audio God!
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Опубликовано:

24 окт 2019

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Комментарии : 99

@romanbamburin 2 года назад

A Spider-man AND a sound designer. This guy can do everything!

@TheFilmLook 2 года назад

Sure can 😂

@user-ik2lh9hz6g 4 года назад

You look to much like Tom Holland, I fall for it every time! ;]

@TheFilmLook 4 года назад

I [this is Rob] do the same thing every time I see him, which is nearly every day haha

@rubenalcaidejesus 4 года назад

Great tutorial! Thanks!

@elliothartleyuk 4 года назад

Great video! Love the new intro and lower thirds!

@aniketbhardwaj583 3 года назад

Really great thing to see

@GatesRick 4 года назад

Great job as always guys.

@TheFilmLook 4 года назад

Thanks Rick

@OnDaBeatBoy 2 года назад

this is such a great vid !!!!! thx!

@AIishereFOR 3 года назад

i love you guys! great video!

@TheFilmLook 3 года назад

Thanks so much!!

@betternotmyname 4 года назад

this is really great stuff for maximum detailed foley recordings.

@TheFilmLook 4 года назад

Once you add a little bit of true reverb to the foley, it really embeds it into the scene!

@pavguliani 4 года назад

Awesome stuff again guys! fantastic tutorial, so well explained and really helpful for us india filmmakers. Cheers

@TheFilmLook 4 года назад

Really glad you liked is Pav.

@Direct19681 4 года назад

Awesome video guys!

@TheFilmLook 4 года назад

Thanks David.

@Yadadamizzle 3 года назад

holy 200hz

@ItsMotionTime2 3 месяца назад

Awesome tutorial

@arturkhafizov6140 3 года назад

Thank you guys for your videos. What you do is very cool!!! Picture sound everything is on top! I like the way you provide information, short and clear!

@JoshReels 3 года назад

I see the Corridor Crew hat! Great tutorial

@TheFilmLook 3 года назад

You know it!

@DroiMedia 4 года назад

This is such a kickass and thorough solution to one of those things that ALWAYS bugs me (when I can tell there is ADR but it doesn't match well) - but I've never been able to tell what was really wrong with it thus never knowing what to do about it. Great vid, gents :)

@TheFilmLook 4 года назад

Cheers Adam! This topic was something where we knew of the issue, but not the solution. I think Mark explains it so well, it almost feels like cheating! It makes you wonder what other sound secrets there are in the industry that don't quite filter down to the indie/zero-budget/videography level.

@DroiMedia 4 года назад

@@TheFilmLook so true, like what else am I just totally oblivious about?!

@RomanoSoprano 4 года назад

WOW such a great technic. I think it can be used in matching the lavs with Boom mic aswell.

@TheFilmLook 4 года назад

That's something we would have to test.

@EinarMosBrG Год назад

Thank you so much Tom Holland ❤️

@salexmatei 2 года назад

I think you can get better stereo results if you pan one track left and then duplicate and pan the other right but load another of the stairwell transients as an IR.

@TheFilmLook 2 года назад

Ahh that's cool! If you have 2 IR's each in 1 ear?

@davidtregde8732 4 года назад

I'm so glad I watched until the dead cat "boop" at the end. Well done guys

@TheFilmLook 4 года назад

All improvised!

@davidtregde8732 4 года назад

@@TheFilmLook the episodes where your personalities come through are a lot of fun. Shows that you're not just great writers and filmmakers but also some really great dudes.

@TheFilmLook 4 года назад

@@davidtregde8732 This is something we are going to try and do more of, we are just filmmakers like audience are.

@NKBPICTURES 2 года назад

Omg spidy 😊

@MitraAquaScapeBandungReborn 4 года назад

👍👍👍👍nice...

@bryankato1 Год назад

Why not use a different impulse response for the left and the right to create a stereo reverb?

@NaokiApri 22 дня назад

my thoughts exactly

@lucastefanvasileberde6656 4 года назад

Really solid know-how! I've always wondered if there's a way to capture the reverb of a room and transpose it to your film. Excited to see what you put out next!

@TheFilmLook 4 года назад

We also wondered that, until Mark told us how.

@martinwallmann1877 3 года назад

great way to get better ADR audio. To improve the IRs, simply pop a balloon instead of clapping (carefull with balancing your levels and also protect your ears)

@TheFilmLook 3 года назад

I bet that livens up the crew in the morning! haha will have to try that cheers Martin :)

@Gregg0Palmer 4 года назад

Great video. Quick question: would not the slate clap be a better source of an impulse response?

@TheFilmLook 4 года назад

You need a deep clap to get the best results, a slate clap would give you a bright clap.

@ColeEdits 4 года назад

Hello Tom Holland 👋😂

@TheFilmLook 4 года назад

Tom Holland reference #15653 👎👎👎👎👎 😗

@sayf3115 3 года назад

Hahahaha

@drsjamesserra 3 года назад

#lol

@adrjork 3 года назад

Hi, congrats for your video. Just a question: I understand the method to transform a mono IR to a stereo IR (via delay), but what if I need to transform a mono IR into a 5.1 IR? (Thanks in advance.)

@TheFilmLook 3 года назад

Not entirely surely. Jump over to Mark's channel and pop him a message. He will know the answer!

@davide7019 Год назад

Hi, saw you are using audition, i have a question, you can set your edit section on grid made by frames and also, can you navigate with a one frame nudge right and left on the time line? Like people do on protools with + and - of numpad

@costashaniaalejpoly 4 года назад

great video !! thank you !!! can i ask you what type of mics are recommended for indoors foley/sound effects? any recommendations for a 100-200$ budget ?? thank you

@TheFilmLook 4 года назад

We use a Rode NTG3 for pretty much all production sound as well as recording foley. Super low noise, which is great for foley!

@TheFilmLook 4 года назад

For the $100-$200 range, trying look into some budget condenser microphones (for recording foley, at least). We use a BM-800 for recording the podcast and it's surprising how clear it sounds.

@costashaniaalejpoly 4 года назад

@@TheFilmLook i just found a nice deal for a used sennheiser me 66+ k6 ...have you tried it..?.any thoughts...? thanks for your recommendation

@Mihimal 6 месяцев назад

what if i use Lightworks with Ardour?

@CreepyFilmz 4 года назад

What about ADRs for outside?

@TheFilmLook 4 года назад

Method still applies. Record a bunch of impulse responses at the EXT location, grab some atmos of the location (traffic noise, wind, trees creaking, etc. etc.) and use this technique.

@Binayajst8 4 года назад

Awesome man. #4th viewer

@zach_blackburn 6 месяцев назад

Ok. But what about if you're outside?

@danielteo4974 4 года назад

Is that a corridor digital cap?

@TheFilmLook 4 года назад

Yes it is :)

@kino_verite 4 года назад

Awesome, mate (anyone ever tell you that Richard looks a bit like Taron Egerton?)

@TheFilmLook 4 года назад

Either him or Tom Holland...on almost every video haha

@marlonabelsilvarios2566 4 года назад

@@TheFilmLook Was looking for this comment

@vegardpedersen 4 года назад

I am not good wit haudio editing. I have never really gotten into it. When I started out when I was 13-14 years old, it was enough for me with video and to learn Premiere Pro myself (and from RU-vid videos). In the past years, I have began learning color grading. For audio, I have never taken the time. I like to do Foley sounds, but I just add them on the timeline in Premiere Pro without messing around with settings. Audition looks so advanced, but I have used it a bit before. So sound design is my weakest point and I a minterested to learn a bit more about it. On the Horror short film, a friend of mine does the audio in Audition. He is interested in sound aswell, so maybe it's a bit easier. I try to get as many of the Foley sounds on location as possible. Things like foot steps in a big hall, if I don't have the possibility to go back there I try to find a similar place with the same amont of reverb. Great video! I learned a lot today :-)

@TheFilmLook 4 года назад

Yes there is a lot of different areas of filmmaking, it's nearly impossible to know how to do them all. Having knowledge and little experience in each area will make you a really filmmaker, plus you can find out what you really like doing as a filmmaker.

@vegardpedersen 4 года назад

@@TheFilmLook yeah. Agree.

@kylechase834 4 года назад

Does this work when trying to make ADR sound like its in an outside location?

@TheFilmLook 4 года назад

It does! It's ideal for ADR with outside locations too :)

@kylechase834 4 года назад

@@TheFilmLook How do you determine the 'Room Size' on Convolution Reverb when its outside?

@TheFilmLook 4 года назад

As far as I'm aware, the room size slider just chokes the reverb decay as you bring it down to zero (I think! Please correct me if I'm wrong). I would say it's a matter of personal taste and what you think sounds "right". Find a parameter which you think will fool an audience. A good way to see if you are getting the right amount is to listen to the scratch audio and see how much it reverberates in the location. Try to match it.

@mitschcrafter6766 3 года назад

could you technically also remove reverb that way?

@TheFilmLook 3 года назад

Yeah definitely, the de-reverb tool in audition is really powerful! It's included in Premiere Pro now as well.

@FightNightLegacy 4 года назад

Taron Edgerton doppelganger for sure! great videos tho.

@lizziehartree6687 4 года назад

Really interesting - can’t wait to be a God lol 👍🏼

@TheFilmLook 4 года назад

Let us know when you reach God status.

@5minutesofpiano 3 года назад

why don't you use a buss channel to make a mono signal stereo!!

@pgfrank2351 2 года назад

Wow this was awesome! Can't wait to apply it. Btw, kinda cracks me up that your guest who's a sound expert sounds like crap lol.

@MrNokiax201 4 года назад

Now the lines " the stairwell at back of our studio..." Sounds wierd to me

@TheFilmLook 4 года назад

Right!? Like when you say a word too many times and it loses all meaning.

@nareshmore8306 3 года назад

Hey TOM..😂😂😅

@TheFilmLook 3 года назад

Hey!

@danielasanchez4674 3 месяца назад

Note to self: impulse response

@RocknJazzer Год назад

Ironically, Mark Edward's voice audio sounds really bad, thin and harsh, I thought it was a joke as a bad example he would switch over to something good in comparison, but no. Richard's voice sounds great...warm smooth.

@7jelly777 3 года назад

Irish tom holland

@TheFilmLook 3 года назад

English, but aye!

@starerik 4 года назад

Makes a tutorial on how to mix great audio but doesn't EQ their own voice to get rid of an annoying frequency.

@TheFilmLook 4 года назад

We have another video on that here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-nzaEPHByCIk.html

@akiirabeats 3 года назад

no you're not richard, i know u😵

@TheFilmLook 3 года назад

You know.

@brainwasher3742 4 года назад

It sounds ‘right heavy’ because one channel is earlier than the other. So much misinformation by the ‘audio guru’ guy. Appalling. In this particular instance btw, it would’ve been possible to use the on location audio, if you had a lav on. Just match reverb time by ear. I’d say don’t do the ‘haas effect’ non sense. It’s useless for film mostly.

@daredevill0407 4 года назад

9:31He literally says that its due to the delay time 👁👄👁

@brainwasher3742 4 года назад

Ethan Edwards I’m aware, and? Why is something being panned right by delay time desirable to something being panned right by a volume difference? Especially dialogue that is meant to play from phantom center.

@daredevill0407 3 года назад

@@brainwasher3742 wait sorry what is it you're asking? As in why did he raise the volume of the panned side to create a phantom center?

@brainwasher3742 3 года назад

Ethan Edwards I’m not asking anything. What’s your favourite colour?