I run a recording studio. I once recorded a 5-track jazz EP in one and a half hours, including the mix! The band (electric piano, sax, drums & electric fretless bass) were gigging every night and knew exactly what they wanted. They were excellent players and their gear was in great shape. I put up some mics, did a line check and some basic EQ (on an analog console) and got a stereo mix, which I fed to all the musicians' headphones. They mixed themselves, just like they did at their gig every night - they listened to each other and each controlled their dynamics accordingly. They did one take of each tune, no overdubs. I simply printed the stereo mix off the console and it was done. The band went home with a master CD, ran off some copies and were selling the CDs at their gig that night. Great music. Much more fun than projects that take 3 months just to track, then weeks of editing and mixing . . .
@@malonedrum Rudy's recordings are unmatched to this day, both in capturing the sound and dynamics of a jazz band and quickly capturing spontaneous improvisations by the some of the greatest musicians ever. timeless records and the gold standard for this kinda thing. Can't say my recording was as good as his though . . .
Mike you're a wonderful studio drummer - so restrained, controlled and mature with your playing but still tasteful. I'm sure Erin was delighted to have you record for her! Great video
I’m really impressed with all you do as a drummer! I also am a drummer but could never be a band leader like you. Also, your computer skills to over dub percussion parts is something that’s impressive! I enjoy these vlogs. Keep playing!
Thanks for another great video! It's definitely not easy to get an album recorded in one session, or even 5 sessions, depending on the album. Looking forward to checking out the tunes. And extra props to Erin for providing charts! I always appreciated that from the singer/band leader when I was gigging full time.
Erin’s voice reminds me of the lead singer for a band that I played with a few times earlier this year and will again through the fall-spring because their normal drummer is a snowbird and goes to AZ. And it might be permanent at some point since he’s getting on in the years and already almost passed twice according to the band’s bass player who I also play with at weekly jam sessions at a local facility that offers many different things for active adults to do, exercise equipment, swimming, arts and crafts, billiards, board games, classes etc. The band is composed of members of the center. They/we do a variety of genres, jazz, oldies, 80s, classic rock/country, bossa nova…
I won’t blast you in the comments on how you transport your gear. I won’t bash you for locking or not locking your car. It’s not my business. I’m here for the grooves & various moments of awesomeness. Carry on…
Cool video; great playing all around! I like the idea of an FX cymbal in the spot where you'd often find a swish. Question: how do you like the Evans conga and bongo heads?
Hey Mike! Im on the market for a new 22 ride. Is that a 22 Turk youre using? If so, whats the weight of it? I like the sound of yours, but have found that most demos ive seen are a little heavier than I prefer. Also, any other suggestions? I also like the SW ride, do you have that one? Great video and thank you for sharing!
Mine is a 22” Master Vintage, on the thinner side. All great stuff, but there’s tons of variation from one to the next (even the same model) so I recommend buying person or at least using a site where they provide audio samples of the exact cymbal.
@@malonedrum My midwest and upper midwest drummer brothers from other mothers are all super talented, as are you, which is why I thought you might be a DC dude! It's all good!
Great video as usual, Mike. Thanks. I'm wondering about the funding for a project like this. Does the artist have a recording deal or is it out of pocket and how are the musicians paid? Are you as a professional musician required to be a union member or something like that? Cheers.
I think most artists are paying out of pocket, even on some record label projects (aside from major label projects of course). I was offered to be paid for my work on this album, but I actually traded this session for having the singer and guitar player perform a set at my wedding for free. So honestly, the pay wouldn’t have covered that I’m sure.
As long as Eric Moore squeezes an 8 or 9 piece DW Collectors in the back of a rental Accord without cases, you should be free to do whatever the hell you want to your drums 😂
Re: Keeping stuff in your car...if you just take in your cymbals, snare, and gig bag it's like 50% of the dollar value of a potential loss. Car raiders aren't looking to flip drums (no comment on sound equipment).
Yeah, I’ll typically bring stuff in if I’m travelling, but I’m Wisconsin, you’d be more like to have somebody break in your car and clean it, than steal anything out from it. But I like your though here with just the valuesbles
And not asking for specifics just generalities, how much would someone expect to be offered for a recording sessions…..again not asking to get into your business, just have no idea……
There’s so much that goes into it and it’s certainly regional or at the level you are at, but some factors I think worth considering in generating quote. Hours, equipment (if you need to bring your own), how it’s being distributed, is it strictly hired gun or is it someone you work with regularly. You can also charge per song or hourly.
I think it’s ok generally to assume analog is richer, but I would say it’s a bit dismissive of how great digital incorporation is to say analog is always better. My opinion.
