Recreating the Look of Euphoria

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Recreating the look of Euphoria with color grading.
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Опубликовано:

29 авг 2022

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Комментарии : 141

@CharlieKnottFilms Год назад

If your post-production team were to recreate the look of Portrait of a Lady on Fire, that would be the single greatest colorgrading tutorial on the planet.

@RumleKjaer Год назад

Because of the reproducing of skin tones and blue tones? I agree it is a very natural realistic look but still with a little bit of dream

@CharlieKnottFilms Год назад

@@RumleKjaer I feel it would be useful to do a tutorial on those qualities for sure, but my reason for suggesting Portrait of a Lady on Fire would be to replicate/do digital relighting for soft highlight falloff. If you look at the BTS photos from the film, mostly bounce lightning was used - the painting studio location was full of diffusion and bounce.

@TheStanishStudios Год назад

Sounds more like a production lighting tutorial than a post-production color grading tutorial-you can’t just easily change the entire lighting setup in post.

@CharlieKnottFilms Год назад

@@TheStanishStudios that’s really true. I was implying that the colorist already had a lot of fill in the footage.

@RechtEasy Год назад

Do more davinci resolve stuff, we really love it. We always learn so much

@CouchpotatonationBlogspot Год назад

I was not expecting a Davinci Resolve tutorial. This was awesome! Can you recreate the look from Aliens, either the original 1986 color or the blu-ray remastered version?

@prestofilms Год назад

Great job guys! I always like watching your videos. Euphoria has such a unique visual style and I think you recreated it brilliantly.

@holladaycubed Год назад

New film riot LETS GO!!!

@jannisnewiadomsky Год назад

Hey there ! Love your channel but as junior colorist I want to add that there are some things that are not really kosher. Mainly doing all the grading after the transform (and use of the lut). Here you are woking in the output colorspace instead of the timeline-colorspace (Which depends on the colomanagement but in the first case would be arri log c). Also from a workflow perspective it would be a bad idea to leave the skin unrecognized until this late. also using a qulifier ist not the best option. But still good work ! (Sorry for all spelling mistakes - I am not native enlish speaker)

@JRMelancon Год назад

Came here to say this as well. It’s like converting a RAW still image to a jpeg then editing the jpeg. Killer tutorial and I absolutely love Film Riot, just move all of that awesomeness to the front end lol

@radikalvisuals1310 Год назад

Hi are u saying it's better to do all corrections grading before the cst node. And what other ways can u qualify skin tones

@Robroy333 Год назад

You’re nailing it Ryan! So glad you are diving into Davinci!!!

@samuelt7961 Год назад

This is amazing!!! Please do more of this type of episodes

@tylerismyname Год назад

Love seeing the Resolve stuff!

@MYofficiel Год назад

Man, you're rocks! Thank You for your course !!! I've learned so much!!!

@Smaalerbedwarswet Год назад

Thanks film riot it's great to see more Tuesday tutorials!

@robertrodriguez9373 Год назад

Short and Perfect many thanks !!!!!

@JamesPero Год назад

I've really been digging this Kodak film process since I learned about last year. Reminds me of so many films I watched growing up.

@JNJstudios Год назад

It's been so long! We need more Tuesday tutorials!

@kodachromefilms 2 месяца назад

Thanks! This really help me with color grading in DaVinci

@Chrispyy__ Год назад

YES. I was looking for a video like this

@ziaking2093 Год назад

I’ve always been a huge fan of HER. The unique look of that film is what got me originally into cinematography as a career. Would love to see it recreated on the show!!

@marktoia6427 Год назад

You do a good job of explaining. Well done.

@MtZionMediaPro Год назад

Loving the DaVinci Resolve tutorials! Would love to see some more unreal engine and virtual production stuff!

@MarcusRecasner Год назад

This was really cool! I would love to see you guys try to emulate the look from a Christopher Nolan film like The Dark Knight, Tenet or Inception. His color palette is really unique and the fact he shoots everything on film would make for a great Film Riot episode.

@misperlasfilming Год назад

El mejor tutorial. Muchas gracias.

@sabersight908 Год назад

i like to see you guys do some reviewing or breakdown on everything everywhere all at once or maybe a specific effect replicated like the every multiverse montage scene where she becomes everyone

@enriquegonzalez2674 Год назад

Crazy cool the second clip was shot by Matteo the owner of BUTTERY LUTs!

@elliotmarks06 Год назад

When you spend millions of dollars on a special Kodak film, causing a factory to dedicate an entire section to bringing back said discontinued film for you and only you... When you could have just downloaded Da Vinci Resolve😂

@Julmeni Год назад

You can RECREATE the look in Resolve. Doesn't mean it makes a lot of sense to do this in the real world. Because in reality color grading happens before production. The dailies with just the shooting LUT added should be around 95% there. And only then power windows and skin qualifiers and all that come in. I doubt they had more than a day or two per episode scheduled to grade Euphoria. So that's the real world, and now imagine trying to come up with a shooting LUT that gets you 95% of the film look, so the DP on set knows what he's doing. Rather difficult, especially you don't really know what you're aiming for like in this tutorial. And if you have the budget anyway, why the hell wouldn't you shoot film?

@jhonastete Год назад

@@Julmeni interesting

@elliotmarks06 Год назад

@@Julmeni Yeah, I was making a joke, but you have some good points!

@NathanTrimbach Год назад

Ektachrome isn’t technically discontinued. It’s available for 35mm and 120 still photography and Super 8mm and 16mm motion picture film. They modified their machine to produce 35mm motion picture film.

@jamarbrooks4690 Год назад

I’d love to see you guys recreate some of the scenes in the later episodes of Insecure. Not only is the cinematography damn good, in my opinion, but it is also a good example of how to light dark skin well especially in low light settings.

@dieselsk8 Год назад

Great job!

@alideep9656 Год назад

No one shares the gems you do share, thank you❤️‍🔥❤️‍🔥

@skyteus Год назад

Brilliant!

@megamattzero7348 Год назад

Amazing tutorial! Do you have tips on finding your aesthetics and your voice as a filmmaker?

@Bobbyisrael17 Год назад

Looks like cotton candy on a magical Sunday night. Love it.

@FinalNero Год назад

if there's anything I'd want you to recreate it's the intro of "tuesday tutorials" it's pretty neat

@markiavelli Год назад

Looks like they used CC Lens, the shockwaves from Video Copilot with displacement, and chromatic aberrations. At the beginning there you can randomize the text in after effects, I think it's "character offset" in AE (would have to look it up). Probably used Red Giants Glow, cause the mentioned many times that they like that.

@C.reyes10 Год назад

Thank you!!! Do more Davinci Resolve stuff please!

@innatemusic Год назад

Very nice, man!.

@shitchops Год назад

Oh wow thanks so much for this. Only liked the story of this show a little bit but oh baby THE COLOUR

@mallickpriyanshu Год назад

I love your content ❤️ But as I understand you should not use the luts and CST node at the beginning of the node tree... It just limits your bandwidth of the tools available to you. It's better to apply them at the end and do all your color grades on the nodes before that. You can add grains or vignettes after the luts and OCTs but not any major effects. Yes it's a 32bit process and you can somewhat retrace the steps you did on the earlier nodes but it's not a good idea to do that. I am just speaking from personal experience but you should look up some actually helpful color advice rather than listening to me... This is NOT a troll who just wanted to help the people who help me learn so much for free. Love you guys. ❤️

@sajeedsarwarbd Год назад

My point too. Working after Color Space Transform and Lut nodes might not be a good idea. Grade should take place before the conversion luts..ermm?

@PupShepardRubberized Год назад

Its cool to see you use resolve. I recently canceled my premier subscription to go fully with resolve.

@TB_Cinema Год назад

Are you guys doing the make film challenge this year and how do I sign up?

@itspoffy Год назад

These tutorials make it seem so easy but I wonder how much time goes in to prepping the tutorial.

@abnervargas9212 Год назад

You should and must recreate the look of Mr. Robot! There's no one out there who's done and im dying to know! Thanks love your videos!

@_olliewashere Год назад

I think everyone that watched this would really love more in depth davinci colorgrading tutorials, I feel like there aren’t a lot of channels that teach davinci very well.. (if you guys know any good davinci colorgrading channels then lmk!) ❤️

@hithappens2485 Год назад

Waqas Qazi is the best man for resolve tuts

@he.smile_ Год назад

Cullen Kelly > Everyone else

@WafflePrince Год назад

I've been learning about colour grading a lot. Definitely not my area of expertise. All the tutorials I've found just teach colour correction and basic looks. This has completely blown my mind, I didn't realise how powerful resolve is.

@Huttersvuur Год назад

Hey FilmRiot, thanks for the cool tutorial. I have a remark concerning your approach to denoising. I think it's better to start out with temporal noise reduction before applying any spatial noise reduction. Here's why: Because Temporal NR analyses multiple frames for its noise isolation, it tends to be better at preserving detail accurately in regions of the image where there’s little motion. If you try applying Temporal NR first and get a successful result, even if only in part of the image, you may reduce how much Spatial NR you have to apply, thus improving the overall quality of your final result. Curious to hear your thoughts on this 🙌

@LuukJSnijder Год назад

Loved seeing DaVinci resolve in use.

@DJTI99 Год назад

I like adding a gate weave effect by creating a random square wave camera shake on the XY axis that only moves one to three pixels. It is very subtle, but it definitely makes a difference. I used a RU-vid video I found of some magnified gate weave from the opening scene in the original Star Wars for reference.

@gabrielsmith6600 Год назад

Could you link the video?

@DJTI99 Год назад

@@gabrielsmith6600 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-uWacO_C98jk.html

@mistlovesstars Год назад

so good

@SimeonMihalkov Год назад

As for the balancing and exposure corrections I am assuming that you would do those in a node befor the CST ?

@imnottheblitz665 Год назад

Looks great! But I recommend doing the skin qualifier in a parallel node with the input coming from the source. If you pull a qualifier downstream of any adjustments, the qualifier will break if you go back and change any of those adjustments. If the source doesn't give you a good qualifier, you can use a CST or even make adjustments and then route only the alpha of the qualifier node to the node where you make the skin adjustment. Sorry if that isn't clear, I'm bad at explaining.

@ZtobbeZ Год назад

This is the way. But you should ofcourse use broader tools if possible

@jasonb328 Год назад

How would achieve this look using Premiere or After Effects without using plugins? Thanks!

@DanielTuriman Год назад

Interesting, i want get this look like this

@kingkillproductions5739 Год назад

Could you guys PLEASE tackle MINDHUNTER! I know it has the David Fincher ‘look’ but I’d love a more specific look into the show’s grade as it was an inspiration for a film i shot recently during the entire preproduction and shoot. Great damned work guys!

@kingkillproductions5739 Год назад

Sorry I also want to add that I LOVE the fact you guys used Davinci Resolve and if you guys happen to take on my suggestion I’d love you to do the same again. Cheers

@haydencoutts3066 Год назад

Thank u!!!

@Arowrath Год назад

I'd love to see a similar color grade tutorial on how to get that Zack Snyder look that he has in Watchmen, 300, Sucker Punch, etc

@sirsupertaco5783 Год назад

Would love a more in depth video on da Vinci for beginners!

@ProductionChaos Год назад

New video let's gooooo

@MR3DDev Год назад

Have u tried rendering out in log out of Unreal? If so which lut will you recommend to start with?

@gamiensrule Год назад

I know you've done a video or two on this film but... Grading for Blade Runner 2049 would be a great pick.

@tetralogystudio6247 Год назад

Epic

@topicruben Год назад

BRAVO!!!👏 (neighbors are wondering why am I shouting!)

@JosephProductionsStudios Год назад

can we get more resolve stuff this video alone taught me so much than any other ones

@F10F11hm Год назад

If possible, I'd love it if you could recreate the look of late 70s-80s movies. I think you know what I'm referring to - that soft, grainy look, the lack of artificial sharpness to the image, very natural colour palette. Films like Predator, Blade Runner, Platoon, Die Hard, the original Star Wars, the list goes on..

@cameronsitton501 Год назад

Side note regarding Milanote, I've been using their free version and the phone app DOES NOT enforce the max card limit. It does limit what you can do, but it's basically the winrar of my preproduction process

@tobiaslooser Год назад

Damn, i think i would just wing it with lights and filters, that looks like a pain in the ass!

@ginotarabotto Год назад

👏👏👏👏 is it not recommended to shoot in LOG when shooting night scenes? Thought a profile like Flat is better for night scenes.

@DeMoNSe3d Год назад

Im startint to learn color grading, all I can say is WHAT KIND OF SORCERY IS THIS? haha great job!

@kadamin Год назад

Maximum nice :)

@amoscaul3264 Год назад

For a second I thought you all were gonna make the shots yourselves then dive in.

@taydo2245 Год назад

Hey Film Riot I'm a big fan of yours and I'd be very happy if you make an episode that explains how to copy the effect in the movie "Top Gun: Maverick" when Tom Cruise is shot with a helicopter after he crashes, in any case I really appreciate the work you're doing :)

@jaysonfontela5761 Год назад

💖

@7SNProd Год назад

Com plugin VSDC 🥰

@saberpotatoboy4151 Год назад

if you haven’t already, it would be cool if you recreated the look of interstellar, or maybe a vfx shot from interstellar

@Vibrance_Visuals Год назад

Do your CST conversions at the end it

@DentonField Год назад

I can track soooo well with the after effects tutorials no problem. It’s like. Yeah that’s obvious. But then you get into resolve and I realize I have soooooo much to learn. I know nothing again.

@stillgotit9770 Год назад

🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥💯

@engridmedia Год назад

Ursa mini footage are usually dirty with little light though

@johnstuart2246 Год назад

I'm a bit confused that all tweaks are done after the cst and LUT

@BrendanMiranda Год назад

Dang Resolve is COMPLEX

@alejandrosalas-yearwood5440 Год назад

Can we also get a tutorial for Premiere Pro?

@GujjuBrotherz Год назад

Which is this Software??

@adwaith5158 Год назад

Grading like this is impossible on a shot by shot basis

@arusharma2822 Год назад

I am gonna try this today using Kinemaster lol

@thoughts6033 5 месяцев назад

what is this software?

@TheFlipgamer Год назад

Thanks you ...

@thejiggy Год назад

From what I read, they were sort of forced to shoot on film because it was during Covid and it was less expensive (for some reason I still don't get). Don't know how that works, but it's what lots of outlets wrote.