Reloaded Remixed is a fan edit combining elements of "The Matrix Reloaded", "The Animatrix" animated shorts, and the "Enter the Matrix" video game. The goal is to create a 2 hour film which is a tribute to the original work while presenting something completely new.
This scene continues the pattern of switching back and forth from Neo's story presented in "Reloaded" with Niobe's story in "Enter the Matrix." Here we get a deeper looking into Niobe's relationship with Commander Lock, as well as their attitudes toward Morpheus. This scene like the scene earlier between Neo and Hamann, and a later scene between Ghost and Trinity, opens with the closeup of the red door common on each individual Zion dwelling. In a way that is a signal to the audience that the film is going to take a moment to look inside a characters emotional interior, where characters are free to express their inner thoughts. As Niobe and Lock share their thoughts about Morpheus I cut back and forth between the Lock castigating Morpheus for his behavior in the previous scene. This can be seen as either a flashback or flash-forward however you wish its importance is to inform the conversation taking place in the present. The White Out transition is used here to not only smooth out the transition between scenes but also to underline the reservations Niobe still has for Morpheus, as he is the character who appears in the following scene. We get an impression of Niobe's love for Morpheus and Morpheus's love for all of Zion. Notice as he stands outside of his dwelling, as if to represent that he is completely open with his feelings and beliefs.
Like "The Matrix Remixed" on Facebook:
matrixremixed
Follow #ReloadedRemixed on Twitter:
MatrixRemixed
[DISCLAIMER] The Digital Millennium Copyright allows for copying and reproduction of "Motion pictures on DVDs that are lawfully made and acquired and that are protected by the Content Scrambling System when circumvention is accomplished solely in order to accomplish the incorporation of short portions of motion pictures into new works for the purpose of criticism or comment, and where the person engaging in circumvention believes and has reasonable grounds for believing that circumvention is necessary to fulfill the purpose of the use in the following instances:
- Educational uses by college and university professors and by college and university film and media studies students;
- Documentary filmmaking;
- Obsolete software and video game formats.
- Noncommercial videos."*
* www.copyright.gov/fedreg/2010/...
8 мар 2015