Philadelphia 1966 Georges Pretre, cond. 00:00 Ritorna Vincitor! 06:19 Voi lo sapete o mamma 09:55 Tacea la notte placida...Di tale amor 14:57 In quelle trine morbide 17:11 O mio babbino caro
Renata Tebaldi, in her best vocal times. In terms of expression, timbre and vocal octaves. Simply fantastic! I have loved this voice for about 35 year`s. Unfortunately, I never had the opportunity to hear them personally on the opera stage or in a puplice place.I have almost all the complete recordings and many ,many individuals CD. And then there are the great recordings on You Tube.Wunderfull!! Many thanks to everyone who puplishes the Renata Tebadi recordings here
Bravissima . Siempre víva, vigente, vibrante. Agradezco poder escucharla aunque más no sea así, me permite emocionarme y disfrutarla. A pesar de estar en una residencial para ancianos. Me hace olvidar q esto no es vida. Gracias a la música me olvido por un tiempo dónde estoy.
We have us also to prepare for the celebration of the CENTENARIO di nata di Renata Tebaldi, coming soon on the 1 February 2022. We are remembering her as la voce di un angelo per sempre. We are also thankful to RU-vid and to those opera lirica enthusiasts they post so wonderful videos about the stupenda, imensa Renata with her beautiful voice, breathtaking! Renata nostra, You could recognize in the Heaven that we are enjoying further listening each one of your legendary performances, and we will never forget you, what you have been giving us permanently in the past, today, and in the future, as long as we are alive!
Voz admirable, dulce y de gran potencia. No importa el tiempo que haya pasado siempre asombra y emociona como si fuera la primera vez. Redonda, nueva, placer escucharla❤
Tebaldi donne ici un concert très beau vocalement et très convaincant dramatiquement .Elle est en très bonne condition et les qualités propres à sa nature vocale sont très bien mises en valeur ,dans ce répertoire qui ne nécessite pas d'incursion dans le registre suraigu.
Nata da un padre violoncellista, che l'ha abbandonata . Lei una musicista competente. La voce inclassificabile, Renata e Maria, come se tu andassi da qualche parte e arrivano solo Dio, e poi arrivano tutte le altre primissime divinità dell'Olimpo Olimpo
Voce tuttora più che bella, elastica, ricca di rifrazioni che ne illuminano il timbro rimasto un privilegiato unicum! Variegatissimo più di sempre il suo paragmatico "Ritorna vincitor".
@@antonioramires9559 mi dispiace molto ma sei in errore, renata ha voce angelica unica al mondo intero ineguagliabile e per niente contraffatta....e NON paragonabile con NESSUN ALTRO SOPRANO
Purtroppo non è il concerto di Philadelphia. ! Ecco il programma 22 gennaio 1966 Philadelphia - Academy of Music: “Concerto” con Renata Tebaldi, Nicolai Ghiaurov Dirige Georges Prêtre - Vladimir Ashkenazy al pianoforte La Forza del destino - sinfonia Mefistofele L'altra notte in fondo al mare Don Carlo Ella giammai m'amò La Gioconda Suicidio! Il Barbiere di Siviglia La Calunia M.Butterfly Un bel dì vedremo Il Principe Igor Zdorov-li Knaz Chopin Concerto n. 2 op. 21 in F minor Il prgramma è un mixer ai concerti del 13 agosto 1966 e 15 dicembre 1966
I’ve never understood why people put rivality between Callas and Tebaldi. I think both of them were great and had a enormous talent and. Personally I’m fan of Callas, but I enjoy listening to Tebaldi, Her timbre is warm and homogeneous, Callas is more emotional and expressive. Huge from Managua, Nicaragua 🇳🇮
This sounds like it was pre-Gioconda, which marked the definitive break with her sound before 1963. And I am surprised after her return to the stage she sang anything from ‘Aida’ given her traumatic parting with the role in Paris and the Karajan recording. This really does sound like the voice I remember hearing in ‘64 and ‘65.
We know the problems with Aida in Paris. But I haven't heard of a problem with the Karajan recording. I have always considered it as the absolute version of the opera. What are the problems that you refer?
J. Quiroga She says in her autobiography that Karajan demanded endless takes, especially of the Triumphal Scene, that caused her considerable vocal distress. Ed Rosen (who knew everything about opera in NY), said that there were in fact two sets of the ‘Aida’ discs released. The first one had the C in ‘O patria mia’ so flat that they issued another version with the note raised electronically.
In fact it sounds like her 1963 pre-Gioconda voice. Beautiful, round and lustrous sound. And to think that in 1966 she sang the Trovadore cabaletta is even more surprising, given her proverbial lack of coloratura ability. She never sang Ballo, Trovadore or Don Carlo on stage (although recorded them all) because she thought that a more dramatic voice was needed (but sang live Gioconda and La Fanciulla which are more demanding).
Yes, it sounds like prior to her Gioconda adventure after which her voice developed a certain harshness and a break between the middle and high voice. And the cabaletta is also in higher speed than it was common for her in this period.
According to the Tebaldi annals she did sing a recital in Philadelphia in 1966 but it was not this program. This does not sound like 1966 Tebaldi anyway,
Mi son concesso un immediato bis personale: Philadelphia 22 January 1966 in ottimo suono. C’è bisogno di segnalare quanto la proverbiale voce suoni tuttora più che bella, elastica, ricca di rifrazioni che ne illuminano il timbro rimasto un privilegiato unicum? Si ascolti il variegatissimo e più di sempre paragmatico "Ritorna vincitor", nonché la fluida con poderosa conclusione cabaletta dall’atto 1° del desueto “Trovatore” verdiano. Puccini resta un suo must...
La chanteuse et le chef d'orchestre sont de premier plan...On est en 1960.....Alors pourqoi ce mauvais son qui fait penser aux enregistrements d'un Caruso ?
I heard her live in a Gioconda performance... It was a lot of flat screaming. This was a few years earlier and is better. There was only one High b flat.. which was only ok.. but the rest was for the most part lovely .
@mariano barbieri because he assumes that whoever loves Callas must harbor a pathological hatred against Tebaldi or certain singers. These are the people (or sheep) that are easily misled by record companies or incompetent "critics". They don't know how to listen and judge for themselves.
@@felixcarvajal8632perhaps You have technical or performing differencies. They are gladly welcome instead of insulting those who do not share your opinion. Please, let us know. Insults do not help.
